“That’s what men want to hear…pornography”
The trio of recent major Peter Nicholls revivals is completed with this West End run of Passion Play. But where Privates on Parade and A Day in the Death of Joe Egg thoroughly charmed me with their insights into his back catalogue, this play felt much less like a vibrant piece of interesting theatre and more of a dated portrayal of marriage and infidelity which, despite its technical innovation, emerges as an awkward example of middle-aged male wish fulfilment (credit to @pcchan1981 for coming up with the phrase!). This is somewhat compounded by the direction of David Leveaux which brings a lascivious, almost voyeuristic sheen that feels way too retrogressive for this day and age.
Which is a shame, as there is much to enjoy here as well, not least in the sumptuous luxury of Zoë Wanamaker and Samantha Bond playing the outer and inner voices of the same character. That woman is Eleanor, who finds her marriage of 25 years to James, Owen Teale and Oliver Cotton taking on the two sides of this man, challenged by the arrival of the seductive and much younger Kate. And through the device of the alter egos, we see how the corrosive onset of infidelity affects this couple both publicly in their interactions but also privately as their innermost thoughts are given voice. Continue reading “Review: Passion Play, Duke of York’s”
“I wonder how I will make the potatoes understand”
Just a quickie to cover the last of Out of Joint’s rehearsed readings to accompany Our Country’s Good at the St James Theatre which was a world premiere of a new play, Jefferson’s Garden. As a work-in-progress, the convention is not to say too much but I have to say that this will be a play to look out for in the future because I found it an incredibly accomplished piece of work, even at this early stage, and it made for a highly enjoyable afternoon.
Starting in the midst of the American revolution and stretching from a Quaker farm in Maryland to a politicised Philadelphia to the Virginian gardens of Monticello, Jefferson’s Garden looks at the birth of a nation in all its huge political and social upheaval and examines the price paid by people on all levels, from the statesmen pushing through new laws to the slaves praying for emancipation. Continue reading “Not-a-Review: Jefferson’s Garden, St James Theatre”
Best Male Performance
Aden Gillett in Accolade at the Finborough
Trystan Gravelle in Honest at the Queen’s Head Pub
Michael Matus in The Baker’s Wife at the Union
David Wilson Barnes in Becky Shaw at the Almeida
Best Female Performance
Kelly Burke in Zelda at the Charing Cross Hotel
Vicky Campbell in I Am A Camera at the Rosemary Branch
Lisa Dillon in Knot Of The Heart at the Almeida
Vinette Robinson in Tender Napalm at the Southwark Playhouse
Best New Play
Knot of The Heart by David Eldridge at the Almeida
Mogadishu by Vivienne Franzmann at the Lyric Hammersmith
The Kitchen Sink by Tom Wells at the Bush Continue reading “2012 Offie Award Finalists”
“I thought I could pay for something a little extra…”
Opening with a pair of botched raids on a massage parlour suspected of offering additional services, the Finborough’s latest UK premiere – that of Rebecca Gilman’s Blue Surge – bustles with relationships between cops and hookers, discussions about the American class system and exploring whether you can ever truly escape your past. Set in a mid-sized Midwestern city in the recent past, Curt is a hard-working honourable cop, who with his doofus of a partner Doug was responsible for ballsing up the raids and thus potentially jeopardising a promotion. They both find themselves drawn to two of the workers they encountered there though and whilst Doug falls into a relationship with the ditzy Heather, Curt tries to play the knight in shining armour and rescue Sandy, with whom he feels a great affinity, putting both his job and his relationship with fiancée Beth severely at risk.
For Beth is middle-class and choosing to slum it as an artist and Curt finds it impossible to really connect with her as he is from a solidly working-class background , his upbringing close to the poverty line and continuing, he believes, to shape his life even now. Connecting with Sandy, who reveals a similarly broken childhood which has directly resulted in her career choice, he sees a kindred spirit despite the 20 year age gap and a quirky relationship of sorts starts to grow between them. But whilst he wants to rescue her, she doesn’t actually want rescuing and so good-intentioned as he is, Curt’s actions threaten to jeopardise everything. Continue reading “Review: Blue Surge, Finborough”