Ben Elton and Kenneth Branagh latter-day Shakespeare biography All Is True is at once precious and poignant
“You spent so long putting words into other people’s mouths, you think it only matters what is said”
A most curious one this, continuing our creative obsession with filling in the biographical gaps in the life of William Shakespeare (cf Shakespeare in Love; Anonymous; Dedication; Will). All Is True is written by Ben Elton, who has (comic) form in the shape of Upstart Crow, the TV show soon to make its own theatrical bow and has as its director, producer and star, one Kenneth Branagh.
In some ways, it is a beautiful film. Branagh eschews a lot of artifical lighting and flickers of candlelight illuminates several interior scenes to gorgeous effect. He also takes pains to find interesting angles for his shots and the opening image of his silhouetted figure against the burning Globe is stunning. And being able to call on the likes of Sir Ian McKellen (the Earl of Southampton) and Dame Judi Dench (Anne Hathaway) to toss off some Shakespeare recital is of course an unalloyed pleasure. Continue reading “Film Review: All Is True (2018)”
Nominated for 8 Oscars, can Chrstopher Nolan’s Dunkirk change my mind about war films…?
“The tide’s turning now.
‘How can you tell?’
The bodies are coming back.”
I’m not really a fan of war films, hence having avoided Christopher Nolan’s Dunkirk until now. ‘It’s not a war film’ they said, tempting me to overcome my natural antipathy but they lied. It may not be a conventional war film but it remains a punishing film with a whole lot of war in it and so really not my thing at all.
Nolan is a bravura film-maker, that much is true. And this is an audacious take on a much-filmed, much-explored moment in world history. Free from context, meaningful dialogue, narrative thrust, this becomes a study in the desperate struggle for survival of the Allied forces on that beach in Northern France. And all the waiting they did. Continue reading “Oscar Week Film Review: Dunkirk”
“I know your moustache…”
What to do when you want your new film to be a new version of one of Agatha Christie’s most famous whodunnits? Well if you’re Kenneth Branagh, you call in some of your mates to play the main characters, friends like Dame Judi Dench, Johnny Depp, Michelle Pfeiffer, Olivia Colman, Penélope Cruz, Daisy Ridley, Leslie Odom Jr., Josh Gad, and Willem Dafoe. Plus you can also get some real talent to fill the minor roles – blink and you might miss the likes of Paapa Essiedu, Miranda Raison, Hadley Fraser, Adam Garcia, even Sergei Polunin.
But if you’re Kenneth Branagh, you also cast yourself as Hercule Poirot and as he’s directing himself, there’s a sense that the sharing of some much-needed constructive feedback didn’t happen. For as his ridiculously huge moustache is placed front and centre in scene after scene, this Murder On The Orient Express feels nothing so much as a vanity project. Which is all well and good if you like that sort of thing, and I quite like Branagh as it happens, but it is absolutely fatal in a story that is intrinsically about the ensemble. Continue reading “Film Review: Murder On The Orient Express (2017)”
Kenneth Branagh’s Olivier Award-winning theatre company will join forces with RADA for a co-production of Hamlet, to support the transformation of RADA’s Chenies Street site in London, further developing the Academy as a world-leader in dramatic arts training.
The production will feature RADA alumnus Tom Hiddleston in the title role and will play a strictly limited three week run at RADA’s 160-seat Jerwood Vanbrugh Theatre from 1-23 September 2017.
All funds raised will support the RADA Attenborough Campaign, which aims to raise £20million, enabling the regeneration of the Academy’s Chenies Street premises. Continue reading “News: RADA President Kenneth Branagh to direct Tom Hiddleston in Hamlet”
Here are the winners for the 2017 Olivier Awards – it will come as little surprise that Harry Potter and the Cursed Child carried the night, sweeping a record 9 trophies from its record 11 nominations. And on the musical side of things, there was a pleasing spread of awards (although fans of Half A Sixpence will undoubtedly be miffed). There’s a temptation to be slightly cynical (who doesn’t love a bit of a snark…) in that Cursed Child winning so many was an easy way to grab headlines – spreading the love better reflects the diversity of the industry, insofar as these awards reflect it at all. And Groundhog Day winning Best New Musical just before it opens in New York and rumoured to return to London in the coming months feels a tad convenient but hey ho, whatcha gonna do.
I didn’t do too badly with my predictions – I got 6 out of 8 winners right in the acting categories. Full list under the cut.
Best actor in a supporting role in a musical
Adam J Bernard for Dreamgirls at Savoy theatre – WINNER
Best actress in a supporting role in a musical
Rebecca Trehearn for Show Boat at New London theatre – WINNER
Continue reading “Winners of the 2017 Olivier Awards”
Best New Play
Harry Potter and the Cursed Child – Palace
Elegy – Donmar Warehouse
The Flick – National Theatre Dorfman
One Night in Miami – Donmar Warehouse
Best New Musical
Groundhog Day – The Old Vic
Dreamgirls – Savoy
The Girls – Phoenix
School of Rock – New London
Yerma – Young Vic
The Glass Menagerie – Duke of York’s
This House – Garrick
Travesties – Apollo Continue reading “2017 Laurence Olivier Awards nominations”
Best Actor in a Play, sponsored by Radisson Blu Edwardian
Ian Hallard for The Boys in the Band
Ian McKellen for No Man’s Land
Jamie Parker for Harry Potter and the Cursed Child
Kenneth Branagh for The Entertainer
Ralph Fiennes for Richard III
Best Actress in a Play, sponsored by Live at Zédel
Billie Piper for Yerma
Helen McCrory for The Deep Blue Sea
Lily James for Romeo and Juliet
Michelle Terry for Henry V
Pixie Lott for Breakfast at Tiffany’s Continue reading “2017 What’s On Stage Award nominations”
“We have to show the world that not all of us are like him”
I have to admit that my hopes were not high for Valkyrie, the assumption prevailing that Hollywood couldn’t manage a nuanced film about the Nazis. But I do have to commend Bryan Singer for at least exceeding those expectations. It’s still not a film that I particularly enjoyed though, not quite tense or suspenseful enough for a thriller, not quite psychologically intense.
The film concerns the failed assassination of Adolf Hitler by German officers of the Wehrmacht in 1944. Colonel Claus von Stauffenberg returns from a grisly battle in Tunisia gravely injured and is identified as a key target by the German resistance after getting a desk job that puts him in the ideal position to destroy the Nazi high command from the inside. Spoiler alert – things, however, do not go to plan. Continue reading “DVD Review: Valkyrie (2008)”
Sir Kenneth Branagh The Entertainer, Garrick Theatre
O-T Fagbenle Ma Rainey’s Black Bottom, National Theatre, Lyttelton
Ralph Fiennes The Master Builder/Richard III, Old Vic/Almeida Theatre
James McArdle Platonov, Chichester Festival Theatre/National Theatre, Olivier
Ian McKellen No Man’s Land, Wyndham’s Theatre
Natasha Richardson Award for best actress
Noma Dumezweni Linda, Royal Court, Jerwood Downstairs
Helen McCrory The Deep Blue Sea, National Theatre, Lyttelton
Sophie Melville Iphigenia In Splott, National Theatre, Temporary Theatre (a Sherman Theatre production)
Billie Piper Yerma, Young Vic
Glenn Close in Sunset Boulevard Continue reading “The 2016 London Evening Standard Theatre Awards”
“More inconstant than the wind…”
KenBran’s residency at the Garrick continues with an all-star Romeo and Juliet, reuniting Richard Madden and Lily James from his Cinderella, and there’s finally a bit of interesting casting with Derek Jacobi as Mercutio. That said, it’s somewhat typical that this season’s one headline concession to diversity has been to put an old white man in a young white man’s part. Here’s my 3 star review for Cheap Theatre Tickets.
Running time: 2 hours 45 minutes (with interval)
Booking until 13th August