Broadway Album Reviews: The New Yorkers / Kiss Me, Kate! / Beetlejuice

I tackle a trio of  Broadway cast recordings in the shape of Cole Porter’s The New Yorkers, Kiss Me, Kate! and Beetlejuice 

“Most gentlemen can’t be profound”

As it only played a handful of performances, the release of Cole Porter’s The New Yorkers (2017 Encores! Cast Recording) is a welcome chance to revisit this rarely seen musical. The recording is certainly aided by the presence of such musical theatre stalwarts as Scarlett Strallen and Tam Mutu (scintillating together on ‘Where Have You Been?’), the revelation for me is jazz singer Cyrille Aimée, who delivers a slinkily devastating rendition of ‘Love for Sale’ that makes it feel like the song was written for her.

Photo © Caitlin Ochs

Aside from the songs written by Jimmy Durante (his comic stylings at their best on Act 1 closer ‘Wood’ delivered with panache by Kevin Chamberlin), the prevailing aesthetic is one of classic Cole Porter elegance, Rob Berman’s musical direction finding just the right level of sparkling verve to blow off any lingering cobwebs and infuse real life into the material. Ruth Williamson’s witty ‘The Physician’, Mylinda Hull’s just-as-funny ‘The Great Indoors’, Strallen leading the ecstatic finale ‘I Happen to Like New York’…the pleasures here abound.

Sticking with the glorious Cole Porter, and who wouldn’t!, this year has also seen the release of Kiss Me, Kate! (2019 Broadway Cast Recording). It’s a show that I have a little difficulty with, never having seen a production that managed to sufficiently square its period gender dynamics with (my) contemporary sensibilities. But there’s no denying a songbook that contains the likes of ‘Too Darn Hot’, ‘So In Love and ‘Always True To You In My Fashion’.

Photo © Joan Marcus

And when you have the likes of Kelli O’Hara and Will Chase singing them, you’re in the territory of dreamily good. Whether together on the oom-pah-pah of ‘Wunderbar’ or separately on their respective renditions of ‘So in Love’, they’re both exceptionally good and utterly listenable. Also great value for money are ‘B’ couple Stephanie Styles and Corbin Bleu, pulling focus brilliantly wherever they pop up.

And last but not least, even if Mr Porter isn’t involved here, we have Beetlejuice (Original Broadway Cast Recording). From its opening minutes, (“Holy crap! A ballad already?”), it is clear that there’s a properly anarchic spirit at play here and Eddie Perfect’s score, led by a highly charismatic Alex Brightman who clearly is having a ball as he repeatedly breaks through the fourth wall (if there is one when you’re listening…?)

Photo © Matthew Murphy

‘The Whole “Being Dead” Thing is a genius opening number, prologue aside, and sets the tone for the Perfect’s pop-rock tunes, several of which feel like they have the potential to earworm their way into your brain (the refrain of ‘Fright of Their Lives is currently stuck in mine). Supported by vibrant work from Kerry Butler and Rob McClure and a cleverly sung performance from Sophia Anne Caruso as the Winona-waif Lydia, if Beetlejuice struggles to find a new home on Broadway then I’ll happily welcome it into the West End!

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

The Curtain Up Show Album of the Year 2018 winners

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
WINNER: Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
WINNER: Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
WINNER: Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Album reviews: Frozen / Prince of Broadway / Mean Girls

I turn my attention to the latest set of Broadway cast recordings with Frozen, Prince of Broadway and Mean Girls

@deeninbeeld1

My cynicism about the quick turnaround of megahit film Frozen into a would-be megahit musical lasted for about 10 seconds as I popped on their cast recording. I mean, I loved the film and its songs by Robert Lopez and Kristen Anderson-Lopez and so who was I kidding?!

And it fulfils all of my Disney princess dreams. Caissie Levy (Elsa) and Patti Murin (Anna) lead the cast in fine full-voiced form, new songs from the Lopezes fit in well to the score though it does take a hot minute to get used to them. And the orchestral arrangement lends a note of excitement to the songs you know so well already.

Levy’s ‘Let It Go’ naturally takes the spotlight as the Act 1 closer (reprised to close the show as well) but Murin’s rendition of ‘Love Is An Open Door’ with John Riddle’s Hans gets my vote for its sheer warmth and joie de vivre. Of the new songs, Elsa’s ‘Dangerous to Dream’ probably ranks as my favourite. Definitely keen to see this once it hits the West End. Continue reading “Album reviews: Frozen / Prince of Broadway / Mean Girls”

CD Review: Xanadu (2007 Original Broadway Cast)

“A place, where nobody dared to go”
And from the musicals that will be on at the Southwark Playhouse to one which has already played. The glitter and roller-skates of Xanadu took up residence at the tail end of 2015 and was a hugely enjoyable camp-fest of a show – tongue not so much in cheek as licking lips lasciviously whilst adjusting leg-warmers. An unexpected Tony-nominated success on Broadway in 2007, this cast recording dates back to that production and so features the rather marvellous Cheyenne Jackson.
If I believed in guilty pleasures then this would be the thing but what was heightened in the theatre due to tanned thighs, clouds of chiffon and raucous roller-skating doesn’t quite come across on record here. For listening to this record ultimately depends on how much you like the oeuvre of Olivia Newton-John and ELO and little more besides, as little is done to many of the songs and the orchestrations that they receive here are pitifully thin compared to the originals as they inevitably are.

Jackson’s hapless hunk Sonny is undoubtedly appealing but there’s a real caustic edge to Kerry Butler’s Clio/Kira, the goddess who helps him to build the ultimate roller-disco, in her savage Newton-John impersonation. And there’s nothing unpleasant about their duets together, tracks like ‘Suddenly’ and ‘Suspended in Time’, they just end up being versions of the inoffensive pop songs that they are.
It’s left to the likes of Mary Testa and Jackie Hoffman as evil sisters Melpomene and Calliope to transfer the campness directly into the music, their takes on ‘Evil Woman’ and ‘Strange Magic’ raising at least a chuckle throughout as they’re allowed to strain at the MOR leash. Otherwise, sadly, you’re best off just listening to your Best of Olivia Newton-John and ELO if it’s their music you’re craving.

Album Review: Out Of Our Heads – The Music of Kooman and Dimond

“I’m not like the other girls in the show”  

Albums that are made up of selections from the catalogue of musical theatre writers, as opposed to straight soundtracks, tend to fit into a generally similar format, as my experience of listening to quite a few this year has borne out. And by and large, I can tell whether I am going to like it the album on the strength of the comedy song – for there is always a comedy song – and sure enough, when it came to Out Of Our Heads – The Music of Kooman and Dimond (alt iTunes link here), so this rule came to pass. Pleasingly enough, that song – Random Black Girl – comes in as the second track and is an absolute corker both musically tight and lyrically hilarious and thus overall, I really enjoyed the album.

Michael Kooman and Christopher Dimond are something of an up and coming pair of US musical theatre writers with a handful of shows to their names – Golden Gate, Dani Girl and Homemade Fusion – that have been bubbling under whilst they build up their name and reputation. They seem on the right track as this CD, a selection of their songs, features a line-up of exciting Broadway, including at least one name that should be familiar to UK theatre-goers in the fabulous (baby) Patina Miller who headed up Sister Act here and is reprising the role back over the ocean. Continue reading “Album Review: Out Of Our Heads – The Music of Kooman and Dimond”