Album Review: The Phantom of the Opera at the Royal Albert Hall

“We had such hopes…”

To celebrate its 25th anniversary, The Phantom of the Opera decamped to the Royal Albert Hall for 3 performances, the highlights of which were spliced together to give a full CD/DVD release package which contains as full a rendering of the entire score as it currently available. Maybe it was a rush job though as the sound quality on this CD really isn’t good enough for it to be genuinely recommendable, even for a live recording. 

I also had mixed feelings about the production itself. I just can’t get on with Sierra Boggess’ voice, her soprano voice always erring to the too shrill for my liking and the vibrato she employs has all the subtlety of a jackhammer. Christine isn’t the strongest-written of roles at the best of times and Boggess just feels too emotionally vapid to be the inspiration of such all-conquering adoration as she is served with in this story. Continue reading “Album Review: The Phantom of the Opera at the Royal Albert Hall”

2015 Laurence Olivier Awards nominations

Best New Play 
King Charles III by Mike Bartlett – Almeida / Wyndham’s
Taken at Midnight by Mark Hayhurst – Theatre Royal Haymarket
The Nether by Jennifer Haley – Duke of York’s
Wolf Hall / Bring up the Bodies by Hilary Mantel, adapted by Mike Poulton – Aldwych

Best New Musical
Beautiful – Aldwych
Here Lies Love – National Theatre Dorfman
Memphis – Shaftesbury
Sunny Afternoon – Hampstead / Harold Pinter

Best Revival 
A Streetcar Named Desire – Young Vic
A View from the Bridge – Young Vic / Wyndham’s
My Night with Reg – Donmar Warehouse / Apollo
Skylight – Wyndham’s
The Crucible – Old Vic Continue reading “2015 Laurence Olivier Awards nominations”

fosterIAN awards 2014

 WinnerRunner-upOther nominees
Best Actress in a PlayGillian Anderson, A Streetcar Named Desire Chris Nietvelt & Halina Reijn, Maria Stuart (Toneelgroep Amsterdam) Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People
Best Actor in a PlayCary Crankson, The Saints Jack Holden, Johnny Get Your Gun Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge
Best Supporting Actress in a PlayVanessa Kirby, A Streetcar Named DesirePhoebe Fox & Nicola Walker, A View From The Bridge Blythe Duff, The James Plays
Liz White, Electra
Lydia Wilson, King Charles III
Best Supporting Actor in a PlayJoe Caffrey, Wet House Hans Kesting, Maria Stuart (Toneelgroep Amsterdam) Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg
Best Actress in a MusicalImelda Staunton, Gypsy Gemma Arterton, Made in Dagenham Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls
Best Actor in a MusicalSam Mackay, In The Heights Benjamin Scheuer, The Lion Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)
Best Supporting Actress in a MusicalJenna Russell, Urinetown Lara Pulver, Gypsy Samantha Bond, Dirty Rotten Scoundrels
Victoria Hamilton-Barritt, In The Heights
Kiara Jay, Sweeney Todd (Tooting Arts Club)
Zoe Rainey, The Return of the Soldier
Best Supporting Actor in a MusicalJason Pennycooke, Memphis Aaron Tveit, Assassins Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown

2014 Best Actor in a Play + in a Musical


Best Actor in a Play

Cary Crankson, The Saints
An open air theatre in Southampton might seem an unlikely place to find one of the performances of the year, or perhaps not as it turned out. Crankson’s Southampton FC supporter made for a hugely appealing leading man, in a hugely appealing play from Luke Barnes that really deserves future life, and his ineffable likeability was a considerable achievement that fully deserves its mention here.

Honourable mention: Jack Holden, Johnny Get Your Gun
In a year full of tributes to the outbreak of the First World War, this and The Silver Tassie stand out most for me. And of these, this monologue is the one forever etched on my memory – knowing nothing about it beforehand served me well as it meant I felt every single one of Holden’s hammer-blows of punishing emotion and pragmatism in the face of tragedy. Amazing stuff.

Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge

7-10
James Bolam, Bomber’s Moon; Ben Foster, A Streetcar Named Desire; Jamie Sives, The James Plays; Robin Soans, Visitors


Best Actor in a Musical

Sam Mackay, In The Heights
Spearheading this genuinely exciting piece of modern musical theatre is a genuinely exciting modern musical theatre performer. Londoner Mackay delivers Lin-Manuel Miranda’s Latin-inflected hip hop score as if he were a bona fide Washington Heights resident and if the rumours about a return for the show come true, then I really hope he returns with it.

Honourable mention: Benjamin Scheuer, The Lion
One of those performances, and shows, that is truly difficult to do justice to in simple words. Life-affirming, heartfelt, blisteringly honest and poignantly powerful – a one-man-show to convince anyone who say they don’t like one-men-shows.

Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)

7-10
Mark Bautista, Here Lies Love; Alastair Brookshaw, De Profundis; Ben Lewis/Greg Barnett, Thérèse Raquin (Finborough/Park); Jamie Parker, Guys and Dolls

Album Review: The West End goes MAD for Christmas


“I don’t need to ask for much this Christmas”

One of the more worthwhile festive releases this year is also pleasingly one of the more interesting. The Make A Difference Trust brings together the British entertainment community and its audiences to raise funds to support people living with HIV and AIDS and with The West End Goes MAD For Christmas, has brought together a host of new musical theatre champions to offer up a compilation of Christmas songs that offer a fascinating alternative to the age old carols and standards that proliferate at this time of year.

And producers Nikki & Joe Davison at Auburn Jam Records have done a brilliant job in matching composers to performers across the eight songs, curating pre-existing tracks and new, and shining a light on some serious talent. The plaintive simplicity of Stuart Matthew Price’s self-penned ‘This Christmas’ is characteristic of much of his oeuvre of classic songwriting, Gina Beck’s crystalline soprano dances beautifully around the timeless melody of Alexander S Bermange’s ‘Praying For You’ and Nadim Naaman‘s ‘A Soldier’s Christmas’ treads an equally emotive path, sung charmingly by Gerónimo Rauch and Naaman himself.
 

Continue reading “Album Review: The West End goes MAD for Christmas”

2015 What’s On Stage Award nominations


Best Actor In A Play Sponsored By Radisson Blu Edwardian
David Tennant – Richard II 
Mark Strong – A View From the Bridge 
Richard Armitage – The Crucible 
Tom Bateman – Shakespeare in Love 
Tom Hiddleston – Coriolanus 

Best Actress In A Play
Billie Piper – Great Britain 
Gillian Anderson – A Streetcar Named Desire 
Helen McCrory – Medea 
Imelda Staunton – Good People 
Lucy Briggs-Owen – Shakespeare in Love 

Continue reading “2015 What’s On Stage Award nominations”

Saturday afternoon music treats


Maria
Friedman – As If We Never Said Goodbye/With One Look (from Sunset Boulevard)

Not content with stopping the world from turning with an amazing rendition of
the first song, Friedman then nails the second without stopping for breath – a
truly iconic performance.
 

Beverley Knight – Colored Women (from Memphis)
One of my favourite songs from the show sung live at the launch gig and reason enough to book for Memphis now if you ask me 😉


Continue reading “Saturday afternoon music treats”