UK theatre casting news – November update

Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.

David Mamet’s provocative  drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy  and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.

The November run of Michael Frayn’s multi award-winning  Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021.  Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair.


Following the latest lockdown measures in England, Curve has rescheduled The Color Purple in concert to Monday 1 to Saturday 13 Mar 2021Sunset Boulevard in concert will now open slightly later than originally planned and run Friday 18 Dec – Saturday 9 Jan. Dates for Memoirs of an Asian Football Casual remain unchanged (Monday 25 Jan to Saturday 6 Feb). 

Joining the previously announced Ria Jones as Norma Desmond and Danny Mac as Joe Gillis in Sunset Boulevard will be a host of original company members from Curve’s award-winning 2017 touring production. Molly Lynch will reprise her role as Betty Schaefer, Adam Pearce returns as Max Von Mayerling, Dougie Carter as Artie Green and Carl Sanderson as Cecil B DeMille.

The Sunset Boulevard company will also include Benjamin ChambersOwen ChapondaJoanna GoodwinKristoffer HellströmJames MeunierGemma NaylorJoanna O’HareJessica PaulSam Peggs and Barney Wilkinson.

Led by the previously announced T’Shan Williams as Celie, original company members of Curve’s 2019 production of The Color Purple, including KM Drew BoatengOwen Chaponda, Perola Congo, Danielle Kassarate, Anelisa Lamola, Karen Mavundukure, Rosemary Annabella Nkrumah, Landi Oshinowo, Simon Anthony Rhoden and Jo Servi, will also return to Curve’s stage next year. Due to prior commitments, Danielle Fiamanya is now unable to join as Nettie in the rescheduled performances.

Based on Alice Walker’s Pulitzer Prize-winning novel, performances of this evocative and life-affirming musical will be directed by Tinuke Craig, with a six-piece orchestra led by Musical Director Alex Parker. The team will be joined by Set Designer Alex Lowde and Choreographer Mark Smith

Both productions of Sunset Boulevard and The Color Purple will be lit by Curve Associate Ben Cracknell, with sound design from Tom Marshall.

Memoirs of an Asian Football Casual will see award-nominated Leicester actor Hareet Deol reprise his role as Suf Khan in Dougal Irvine’s drama based on the real life of reformed Leicester football hooligan Riaz Khan, who will also rejoin the cast. Director Nikolai Foster will once again bring the 80s streets of Leicester to life on Curve’s stage, with design from Grace Smart. Lighting Designer Charlotte Burton and Composer Tasha Taylor Johnson also join the show’s production team.


Sheffield Theatres and Evolution Pantomimes have announced the cast for Damian’s Pop–Up Panto! at the Crucible Theatre. Joining legendary Dame, Damian Williams, are comedian, presenter and internet dancing sensation Joe Tracini (CBBC’s The DengineersHollyoaks), West End star Gemma Sutton (Gypsy, Follies, Girl From the North Country), Lucas Rush (Rock of Ages) and Deborah Tracey (Standing at the Sky’s Edge).

A festive fun-sized treat for the whole family, Damian’s Pop-Up Panto! is written and directed by regular pantomime producer Paul Hendy. Sheffield Theatres and Evolution Pantomimes have produced the Sheffield Lyceum pantomime for 14 years. This year, the panto relocates across Tudor Square to the Crucible Theatre.

News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November

Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).  

The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”

Review: Ain’t Misbehavin’, Southwark Playhouse

I gif my way through the good times of Fats Waller tribute show Ain’t Misbehavin’ at the Southwark Playhouse

“Give em what they want, and when they want it, without a single word to say”

Ain’t Misbehavin’ sees the directorial debut of Tyrone Huntley


And the theatrical choreography debut of Strictly queen-in-the-making Oti Mabuse.


Continue reading “Review: Ain’t Misbehavin’, Southwark Playhouse”

fosterIAN awards 2016

 WinnerRunner-upOther nominees
Best Actress in a PlayJuliet Stevenson/Lia Williams, Mary StuartUzo Aduba/Zawe Ashton, The MaidsGemma Arterton Nell Gwynn,
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Harriet Walter, The Tempest
Best Actor in a PlayO-T Fagbenle, Ma Rainey's Black BottomLucian Msamati, Ma Rainey's Black BottomPhil Dunster, Pink Mist
Paapa Essiedu, Hamlet
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Danny Sapani, Les Blancs
Best Supporting Actress in a PlayJade Anouka, The TempestLizzy Connolly/Amanda Lawrence, Once in a LifetimeNadine Marshall, Father Comes Home From The War (Parts 1, 2, and 3)
Tanya Moodie, Hamlet
Siân Phillips, Les Blancs
Rachael Stirling, The Winter's Tale
Susan Wokoma, A Raisin In The Sun
Best Supporting Actor in a PlayPeter Polycarpou, Scenes from 68* YearsAnthony Boyle, Harry Potter and the Cursed ChildRudi Dharmalingham, Mary Stuart
Dex Lee, Father Comes Home From The War (Parts 1, 2, and 3)
Nick Fletcher, The Deep Blue Sea
Jonjo O'Neill, Unreachable
Alan Williams, Mary Stuart
Best Actress in a MusicalJenna Russell, Grey GardensClare Burt, Flowers for Mrs HarrisSamantha Barks, The Last 5 Years
Glenn Close, Sunset Boulevard
Kaisa Hammarlund, Sweet Charity
Cassidy Janson, Beautiful
Landi Oshinowo, I'm Getting My Act Together...
Best Actor in a MusicalLouis Maskell, The Grinning ManAko Mitchell, RagtimeDeclan Bennett, Jesus Christ Superstar
Dex Lee, Grease
Hugh Maynard, Sweeney Todd
Charlie Stemp, Half A Sixpence
Mark Umbers, She Loves Me
Best Supporting Actress in a MusicalJennifer Saayeng, RagtimeVictoria Hamilton-Barritt, Murder BalladJosie Benson, Sweet Charity
Sheila Hancock, Grey Gardens
Rachel John, The Bodyguard
Katherine Kingsley, She Loves Me
Gloria Onitiri, The Grinning Man
Best Supporting Actor in a MusicalJulian Bleach, The Grinning ManTyrone Huntley, Jesus Christ SuperstarAdam J Bernard, Dreamgirls
Daniel Crossley, Sweet Charity
Stuart Neal, The Grinning Man
Dominic Tighe, She Loves Me
Gary Tushaw, Ragtime

2016 Best Actress in a Play + in a Musical

Best Actress in a Play

Juliet Stevenson/Lia Williams, Mary Stuart
It couldn’t really be anyone else could it. Mary Stuart was my play of the year and the stellar combination of Stevenson and Williams was a huge part in that, a pair of extraordinary performances (or should that be a quartet…) that burst with life from the circular stage of the Almeida. I’ve seen it twice and I’m definitely thinking about going again.

Honourable mention: Uzo Aduba/Zawe Ashton, The Maids
As murderous sisters Claire and Solange, I simply adored this pairing and am a little surprised they – and the production – haven’t received more love in the end-of-year lists and awards season. Fiercely uncompromising with every sweep of the broom, I couldn’t split them if I tried either.

Gemma Arterton, Nell Gwynn
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Harriet Walter, The Tempest

8-10
Kirsty Bushell/Ruth Wilson, Hedda Gabler/Hedda Gabler, Lesley Manville, Long Day’s Journey Into Night; Billie Piper, Yerma

 

Best Actress in a Musical

Jenna Russell, Grey Gardens
One of the first shows I saw in 2016 and from the moment Russell opened the second act with the hysterical ‘The Revolutionary Costume for Today’, I knew that this category was a lockdown. Her casting in as Michelle Fowler in Eastenders came as a surprise and I can’t help but be gutted that we’ve lost her to the world of television but hopefully it won’t be too long before she’s gracing our stages once more. STAUNCH!

Honourable mention: Clare Burt, Flowers for Mrs Harris
Whereas the likes of Amber Riley gets notices for belting the house down, there’s an entirely different skill-set being masterfully used by the likes of Burt that is equally emotionally devastating. A performance full of gorgeous restraint and natural charm that hopefully we’ll get to see again.

Samantha Barks, The Last 5 Years
Glenn Close, Sunset Boulevard
Kaisa Hammarlund, Sweet Charity
Cassidy Janson, Beautiful
Landi Oshinowo, I’m Getting My Act Together…

8-10
Beverley Knight, The Bodyguard; Anoushka Lucas, Jesus Christ Superstar; Scarlett Strallen, She Loves Me

Album Review: Richard Beadle – Songs (2012)

“If we make it through together”

Songs was the debut album from Richard Beadle, a songwriter, composer and conductor of television and production music, as well as a well-established musical supervisor/director on a wide range of West End shows from Betty Blue Eyes, The Bodyguard to the forthcoming The Girls. I actually attended a concert showcasing Beadle’s music back in 2013 but it has taken me a little time to get round to properly listening to the album.

His style seems to sit somewhere equidistant between ‘traditional’ and ‘new’ musical theatre writing – the nervy angst of ‘The Wedding Song’, sung perfectly by Julie Atherton, owes a debt to Jason Robert Brown whereas Rachael Wooding’s beautiful declaration of love in ‘Here We Are’ has a much more classic feel to it. And what comes across these 12 tracks is a pleasing sense of confidence in musicality, these are songs that stand as well individually as in the musicals from which they come. Continue reading “Album Review: Richard Beadle – Songs (2012)”

Review: I’m Getting My Act Together And Taking It On The Road, Jermyn Street

“I’ll find my way again
And I will sing my song”

Written in 1978 by Gretchen Cryer and Nancy Ford, it’s a little bit depressing that I’m Getting My Act Together and Taking It on the Road still has the resonance that it does nearly 40 years later. The show may not have been seen in the UK for nearly 40 years but its commentary on how the music business – indeed culture at large, even society as a whole – treats middle-aged women remains as incisive as it surely ever has done.

Heather Jones is a pop singer who has just turned 39 and is on the cusp of launching a refreshed act in front of a bunch of music biz luminaries in a New York cabaret club. The only problem is, her manager Joe isn’t keen on her new image, her new sound, her new lyrical honesty, he wants the safe, same old same old, unthreatening Heather back because he doesn’t believe he can sell a mature woman as a commercial prospect. Continue reading “Review: I’m Getting My Act Together And Taking It On The Road, Jermyn Street”

CD Review: The Light Princess (Original Cast Recording)

“No… it can’t be… is it gravity I am feeling?”

It’s been a goodly time coming, just over two years since it opened actually, but the Original Cast Recording of The Light Princess is finally here. Finely crafted by writers Tori Amos and Samuel Adamson with the original cast from the National Theatre production and recorded entirely under studio conditions, this double CD a triumphant achievement. It simultaneously acts as a perfect tribute to a much-loved show (one I saw five times during its too-short run #1#2#3#4#5), it also advances the score, refining its musicality into a more intense yet accessible experience.

Right from the opening bars of the ‘Prologue: Once Upon A Time’, Katherine Rockhill’s piano playing sounds amazing and is rightfully forefronted here as the cornerstone of Amos’ wide-ranging compositions, the lushness of the strings sound pretty special too. And with Rosalie Craig’s astonishing performance as Althea – the light princess herself – liberated from the constraints of this most physically demanding of roles (both for her and for us too, goggling at the inventiveness with which her floating was essayed), her vocal interpretation deepens into something even more affecting, impossible as it may seem to anyone who saw her amazing work onstage.  Continue reading “CD Review: The Light Princess (Original Cast Recording)”

Album Review: Sister Act the musical (Original London Cast Recording)

“Queen of Angels is not your grandma’s church anymore. God help your grandmother if it were.”

It was quite the unexpected pleasure returning to this soundtrack. My abiding memories of Sister Act the Musical were of initial disappointment that it wasn’t a retread of the film (one of my all-time favourites doncha know), the randomness of Whoopi Goldberg jetting in for a week of shows and the subsequent tour being rather good (if a little spoiled by the women behind me not shutting up for a minute). But listening to Alan Menken’s score, I was amazed how much of it I was able to easily recall – I may have seen the show 3 times but the last trip was back in 2012.

And how. From the raucous girl-group energy of openers ‘Take Me To Heaven’ and ‘Fabulous, Baby!’ to the (only slightly) more sedate musical offerings of the nuns’ choir in ‘Raise Your Voice’ and ‘Bless Our Show’, there’s a roof-raising joyousness to many of the songs that brings larger groups of the cast together. And leading from the front, the glorious Patina Miller is a full-throated pleasure to listen to as the divine Deloris, her voice soaring like a heavenly host but also capable of tenderness as in the stirring simplicity of the title track. Continue reading “Album Review: Sister Act the musical (Original London Cast Recording)”

Review: Barnum, New Wimbledon

“If I present an educated pooch
Who’s trained to dance the hoochie cooch
What better way to waste a bit of time”

We’re so used now to the big Chichester musicals making the automatic leap into the West End that it was something of a surprise to hear that last year’s Barnum would not be getting the much-rumoured transfer even with less than stellar reviews. And seeing the show for the first time tonight in its retooled version – Jean Pierre Van Der Spuy directing an adaptation of Timothy Sheader and Liam Steel’s CFT production – which is heading out on a very extensive UK tour that stretches to next August, it is not hugely difficult to see why, if one looks at it with a coolly dispassionate eye.

Mark Bramble’s book has showman PT Barnum following his dreams to put on the world’s first travelling circus but little dramatic impetus to form a more interesting narrative journey. And Cy Coleman’s score with Michael Stewart’s lyrics has some pleasant enough songs in it – ‘Come Follow The Band’ and ‘There’s A Sucker Born Every Minute’ – but it also has a lot of filler; for such an ambitious show, it is a rather bland musical experience. Fortunately it is also blessed with some game-changing visuals and Andrew Wright’s peerless (certainly for his generation) choreographic gifts. Continue reading “Review: Barnum, New Wimbledon”