Fresh from Broadway, hit musical Waitress proves funnier and lighter than you might expect at the Adelphi Theatre
“Let’s see the next amazing thing baking does now”
True story, I didn’t love Waitress when I first saw it in my Broadway Blitz of 2016. But as it sometimes the way, upon listening to the cast recording again and then again, I fell for the show that way, and so was delighted with news of its UK premiere at the Adelphi Theatre.
To think of it as a big Broadway show is to misinterpret what it is trying to do though. Jessie Nelson (book) and Sara Bareilles’ (music and lyrics) adaptation of Adrienne Shelly’s 2007 indie flick is a subtler thing than much West End fare, an intimate story of pies, pregnancy and just how much we’ll put up with. Continue reading “Review: Waitress, Adelphi Theatre”
So much to keep on top of – pics from All About Eve, videos from Waitress, foodie secrets from Gingerline and casting news from Emilia
We’re just three weeks away from All About Eve starting previews and these rehearsal pics ought to whet anyone’s appetite.
And more importantly if you’ve not booked yet, details have been released about day seats and a front row lottery – this will definitely not be one to miss.
Day Seats: Available in person at the Box Office from 10am on a first come, first served basis. Maximum x2 per person. Limited availability. £25.00 per ticket.
Front Row Lottery: In partnership with Today Tix. More information on how to enter will be announced on the All About Eve social media channels from Friday 25 January 2019. Maximum x2 per person. £25.00 per ticket. Continue reading “Some goodies for a cold January Thursday”
As we move towards the year end, so award season gets into full swing and What’s On Stage have now revealed their nominations celebrating everyone who works in theatre apart from sound designers and musical directors. As ever, these awards tend to work around which fanbase can weaponise the strongest and so there’s lots of love for shows which might not necessarily be troubling many other shortlists…
Still, am liking the recognition for Milly Thomas and Dust, Es Devlin’s luminous set work for Girls & Boys, and Six and The Grinning Man getting into the cast recording category (though can’t quite work out how Come From Away fits into there as well…). And it’s a bit sad that the way their eligibility period works means that Hamilton comes up against Company, making the supporting actress/actor categories ridiculously difficult to choose between.
You can vote here until 31st January, and winners will be announced on 3rd March.
Continue reading “2019 What’s On Stage Award nominations”
Eugenius returns to The Other Palace having found a hugely enthusiastic cult audience; it really isn’t unproblematic for a new musical though
“We’re not nerds, we’re geeks”
Complete with superfan Sundays and audience members who have nailed the choreography, Eugenius‘ return to The Other Palace is a classic piece of fan service. I’m not so sure I count myself as one of those fans though, ultimately I want something more forward-thinking from my new musical theatre. Read my 2.5 star review for Cheap Theatre Tickets here.
Running time: 2 hours 20 minutes (with interval)
Photo: Scott Rylander
Eugenius is booking at The Other Palace until 20th October
Running time: 2 hours 25 minutes (with interval)
Photo: Pamela Raith
Booking until 3rd March
Did I like this?
I think not.
“Time that the whole town was stirred up”
At a time when West End shows are closing left right and centre, this touring version of Betty Blue Eyes serves as a timely reminder that that isn’t always the end. Itself a victim of a curtailed run at the Novello back in 2011, this production emerges as a model of collaboration with 4 regional powerhouses co-producing – Mercury Theatre Colchester, Liverpool Everyman & Playhouse, Salisbury Playhouse and West Yorkshire Playhouse – a UK tour which currently stretches into August.
Ron Cowen and Daniel Lipman’s book adapts Alan Bennett and Malcom Mowbray’s witty story from the film A Private Function – a northern town’s determination to celebrate the Princess Elizabeth’s wedding is kyboshed by the unrelenting yoke of post-war austerity and rationing, though chiropodist Gilbert Chilvers and his social climbing wife Joyce have other plans. And the beautifully constructed music and lyrics are provided by British musical theatre stalwarts Stiles & Drewe. Continue reading “Review: Betty Blue Eyes, Mercury”