Review: Orpheus Descending, Menier Chocolate Factory

Tennessee Williams’ Orpheus Descending may not be his greatest play but Tamara Harvey’s production for the Menier Chocolate Factory proves most affecting in the end

“What on earth can you do on this earth but catch at whatever comes near you, with both your fingers, until your fingers are broken?”

Any project that tempts Hattie Morahan back onto the stage has to be worth checking out (qv Anatomy of a Suicide, A Doll’s House, but maybe let’s not mention The Dark Earth and the Light Sky). Orpheus Descending, a Menier Chocolate Factory & Theatr Clwyd co-production directed by Tamara Harvey, proves no exception, bolstered by the presence of the ever-excellent Jemima Rooper in the cast, plus a brooding Seth Numrich.

Orpheus… is something of a minor Tennessee Williams work (one I didn’t much enjoy when I saw it at the Royal Exchange a few years ago) but one which feels stronger here. Navigating the stifling heat and social strictures of smalltown Deep South in the 1950s, Lady seeks escape from her loveless marriage and small-minded neighbours. And in the arrival of handsome drifter Val Xavier, it seems she might have found it – doesn’t it? Continue reading “Review: Orpheus Descending, Menier Chocolate Factory”

Review: Beyond the Fence, Arts

“We are Greenham”

For all the hoopla surrounding the genesis of Beyond the Fence – “a musical conceived by computer and substantially crafted by computer” – one does have to wonder would any of us have noticed had we not been informed in advance. The show is the product of a wide-ranging experiment to use artificial intelligence (including a computer system called Android Lloyd Webber) to crunch actual intelligence (about well over 1,000 musicals) to come up with the ideal book, music and lyrics for a machine-tooled West End hit.

Naturally, it isn’t quite as simple as that as the extensive credits (included below for your convenience) demonstrate, the results of all this considerable data analysis actually being shaped or curated into fully fledged musical theatre form by human hands, specifically those of Benjamin Till and Nathan Taylor (they who made their nuptials into Our Gay Wedding: The Musical). Thus Beyond the Fence was born, the response to the statistically-most-likely-to-come-up-with-a-winner scenario “what if a wounded soldier had to learn how to understand a child in order to find true love?” Continue reading “Review: Beyond the Fence, Arts”

2015 Offie Award Finalists

Offies Awards - Off West End Theatre Awards

Best Female
Linda Bassett for Visitors at The Bush and the Arcola Theatre
Laura Jane Matthewson for Dogfight at Southwark Playhouse 
Shannon Tarbet for The Edge Of Our Bodies at The Gate

Best Supporting Female
Leila Crerar for Martine at Finborough Theatre
Vicki Lee Taylor for Carousel at Arcola Theatre
Thea Jo Wolfe for Singing In The Rain at Upstairs At The Gatehouse

Best Male
Patrick O’Kane for Quietly at Soho Theatre
Harry Lloyd for Notes From Underground at The Print Room, Coronet
Robin Soans For Visitors at the Bush and Arcola Theatre Continue reading “2015 Offie Award Finalists”

Winners of the 2014 London Evening Standard Theatre Awards

BEST ACTOR
WINNER Tom Hiddleston, Coriolanus, Donmar Warehouse
Ben Miles, Wolf Hall and Bring Up The Bodies, RSC Swan and Aldwych
Mark Strong, A View From The Bridge, Young Vic

NATASHA RICHARDSON AWARD FOR BEST ACTRESS
WINNER Gillian Anderson, A Streetcar Named Desire, Young Vic
Helen McCrory, Medea, National Theatre’s Olivier
Tanya Moodie, Intimate Apparel, Ustinov Bath and Park Theatre
Billie Piper, Great Britain, National Theatre’s Lyttelton
Kristin Scott Thomas, Electra, Old Vic Continue reading “Winners of the 2014 London Evening Standard Theatre Awards”

The 2014 London Evening Standard Theatre Awards

BEST ACTOR
Tom Hiddleston, Coriolanus, Donmar Warehouse
Ben Miles
Wolf Hall and Bring Up The Bodies, RSC Swan and Aldwych
Mark StrongA View From The Bridge, Young Vic

NATASHA RICHARDSON AWARD FOR BEST ACTRESS
Gillian Anderson, A Streetcar Named Desire, Young Vic
Helen McCrory
Medea, National Theatre’s Olivier
Tanya MoodieIntimate Apparel, Ustinov Bath and Park Theatre
Billie PiperGreat Britain, National Theatre’s Lyttelton
Kristin Scott ThomasElectra, Old Vic Continue reading “The 2014 London Evening Standard Theatre Awards”

Review: Dogfight, Southwark Playhouse

“Lock your door and hide your daughter”

After the extraordinary success that was In The Heights, the Southwark Playhouse have gone for another American musical theatre import in the shape of 2012’s Dogfight. But whilst expectations were high – something heightened by the auditorium being in the same configuration as for that previous show, the reality fell far short. Peter Duchan’s book, based on the 1991 film of the same name, follows a group of boisterous marines in San Francisco on the night before they’re due to fly out to Vietnam as they look to maintain the (dis)honourable tradition of holding a dogfight.

As we come to realise, their version of a dogfight is distinctly unpleasant, a cruel game played on unsuspecting women and though he is a part of this world of pent-up testosterone and hints of sexual violence, the young Eddie Birdlace soon comes to regret his choice of victim – a sweet waitress called Rose – and tries to make amends, though whether this is because he has fallen instantly in love with her or he has spotted an easy way to get laid on his last night is anyone’s guess. So what is trying to be a sweet love story is overlaid with this troubling sour note throughout. Continue reading “Review: Dogfight, Southwark Playhouse”