Gorgeous new folk musical The Wicker Husband is perfectly situated at the Watermill Theatre and simply must be given more opportunity to soar post-crisis
“Once upon a withy on the edge of a deep damp swamp, nestled in the arms of a winding river, stood a pretty little town…”
Snuck in under the radar for this one as I’ve been looking forward to The Wicker Husband for a long time. Four years in fact, since I first heard a snippet of the score but as ever in the world of writing a new musical, the show has been in development for more than twice that time. Further upping my anticipation was the success of composer/lyricist Darren Clark’s last major project The Curious Case of Benjamin Button which was only my very favourite show of last year.
Together with book-writer Rhys Jennings, their adaptation of a short story by Ursula Wills-Jones has a bewitching quality that is eerily compelling and in the tradition of all the best fairy tales, has no problem in going very dark. Along with my mortal fear of eerily humanoid puppets, it makes for a much more chilling night at the theatre (for me, at least) but one which is ultimately beautifully human too, as Charlotte Westenra’s production reminds us why fables have endured for so long. Continue reading “Review: The Wicker Husband, Watermill Theatre”
A genuinely updated I Love You, You’re Perfect, Now Change is a really rather lovely thing at the newly renamed Chiswick Playhouse
“The groom tried to stroke me
While we danced the Hokey Pokey”
Expectation can be a funny thing. A revival of Joe DiPietro and Jimmy Roberts’ musical I Love You, You’re Perfect, Now Change was the choice to christen the newly renamed Chiswick Playhouse (the Tabard as was) but as I caught a version with a luxury cast and terrible venue choice a few years ago, I wasn’t hugely enthusiastic about the prospect of seeing the show again.
But Charlotte Westenra’s production emerges as a really rather lovely thing, benefitting from an updating that does a fantastic job of retooling the show for a contemporary audience. There may be those who roll their eyes but the incorporation of same sex storylines and stronger female voices, while still maintaining the integrity of the book, genuinely makes it all the more powerful. Continue reading “Review: I Love You, You’re Perfect, Now Change, Chiswick Playhouse”
“No more falsehoods or derisions”
I went into Hair with as open a mind as I could muster but it really isn’t my cup of (herbal) tea at all, particularly in a production like this one which felt overly concerned in making sure we were all having ‘a good time’. That may be in keeping with the hippy schtick but doesn’t cut to the core of any of the many more serious issues which it ends up skating over rather too thinly. Plus the score (still) doesn’t do anything for me. That’s just the way it goes sometimes.
Running time: 2 hours 10 minutes (with interval)
Booking until 13th January