“Everything’s different, nothing’s changed, only maybe slightly rearranged”
Marking the first ever musical to play at the Southwark Playhouse, Stephen Sondheim’s Company is one of the few shows that didn’t receive an airing in London last year (aside from the Donmar concert version) but receives a fringe production here from Mokitagrit, who are riding high on the recent success of Double Falsehood which is now transferring to the New Players Theatre for a brief extended run. It contains some of Sondheim’s greatest songs, but with its tricksy structure and book by George Furth, I have found it a difficult show to love.
The story centres on eternal singleton Bobby who is just about to turn 35. He is juggling three girlfriends and the 5 sets of married couples that make up his best friends are keen for him to settle down, but as the show progresses through a series of vignettes that look at each couple in turn, we see that each couple has their own story, their own take on marriage and their exhortations for Bobby to give up his bachelorhood masks issues in their own lives. Continue reading “Review: Company, Southwark Playhouse”
“The theatre is dying. No, the theatre is living”
One of the most annoying things about the transport network in this country is the fact that so much of the repair work and resulting closures take place at the weekend so that normal folk are vastly inconvenienced whilst the suits have their week-day travel protected. Whether it is national train services being replaced with coaches or TfL’s ever-ongoing programme of line closures and restricted services on both the underground and overground trains, it makes it extremely hard to make a reliable travel schedule. Which is a long-winded way for me getting round to saying that despite my best efforts, I only made it to the second half of Me & Juliet at the Finborough.
Consequently this is going to be more a collection of comments rather than a full-blown review, you should head over to Webcowgirl’s site to read the view of someone who arrived on time. This is actually the European premiere of Rodgers and Hammerstein’s show, continuing the Finborough’s exploration of the lesser known works from their canon, State Fair received its UK debut here last year subsequently transferring to the Trafalgar Studios 2 this summer. Continue reading “Review: Me & Juliet, Finborough”
“Our state fair is a great state fair, don’t miss it, don’t even be late”
Originally produced at the Finborough last summer in what was incredibly its UK stage premiere, Rodgers & Hammerstein’s State Fair makes a transfer to the small basement theatre of Trafalgar Studios. Partly recast and given a design refresh, it extended its run by a couple of weeks due to demand, meaning I finally got round to seeing it, having been on holiday for most of its run, both this year and last.
In the grand scheme of things, State Fair is a fairly simple play, it revolves around the Frakes, a rural farming family who journey to the three day Iowa State Fair to compete with their livestock and their condiments, and have a little fun too. It started life as a film with five Rodgers & Hammerstein songs in it, ‘It Might As Well Be Spring’ won them their only Oscar, but as it was developed into a musical in the late 90s, the score was substantially beefed up by the incorporation of a number of songs most of which had been cut from other R&H shows such as Oklahoma! and Pipe Dream. Continue reading “Review: State Fair, Trafalgar Studios 2”