Review: Fences, Duchess

 “Don’t try and go through life worrying about if somebody like you or not.”

The role of the anti-hero is a curious one – featuring a protagonist who sours and curdles as the play progresses is a bold move, especially when presented with such a lack of sentimentality as in Paulette Randall’s production of August Wilson’s Fences. There’s no doubting the horrendous circumstances that black people found themselves in even after the abolition of slavery, in a world that had emancipated them yet still considered them way less than equal. This is given visceral life in the lead character of Troy Maxson, whose own promising baseball career was stymied by the enduring racism he faced and an inopportune trip to prison and so as life has progressed and a family built up around him, he has ended up providing for them by becoming a garbage collector.

But Troy is a hugely proud man and the scars of his experience linger on perniciously, affecting the lives of all of those around him even as the opportunities for his sons become greater than anything he was ever granted. Lyons is a great musician but his father refuses to go and see him but the younger Cory bears the brunt of his father’s frustrations as his talent for American football puts him in line for a scholarship, a chance Troy decides to sabotage. Even his marriage to the ever-faithful Rose comes under threat in his search for the satisfaction that constantly eludes him. Continue reading “Review: Fences, Duchess”

Review: The Comedy of Errors, National Theatre

“How ill agrees it with your gravity to counterfeit thus grossly with your slave”

Ephesus is London, Syracuse is somewhere in the West Indies (I think) and we’re in the modern day: Dominic Cooke’s production of The Comedy of Errors moves into the Olivier at the National Theatre for an epically long run of a thoroughly updated version of this play. One of Shakespeare’s earliest works, it’s a classic tale of mistaken identities as two sets of twins separated at birth by a shipwreck rocket around the same city causing absolute mayhem as wives, merchants and policemen get tangled in a confused mess over the course of a manic day. We took in a late preview of this show which opens officially on Tuesday 29th.

Though it is Lenny Henry’s face on the poster, this is Claudie Blakley and Michelle Terry’s show. As Adriana and Luciana, here a pair of loaded Essex girls, they ooze buckets of attitude as they sit through manicures and massages whilst bemoaning their menfolk and spend the vast majority of the play in some seriously impressive towering heels, even managing to run round the stage in them several times. Blakely’s comic timing is nigh on perfect as she rages through Ephesus/London but also plays a depth to this woman, all too aware of her husband’s philandering and her final contemplative gaze at her husband is a mightily powerful moment. Terry is transformed with straightened blonde locks and a delightfully brash manner which milks every conceivable laugh from her lines: together they are just dynamite. Continue reading “Review: The Comedy of Errors, National Theatre”

2010 What’s On Stage Award nominations

BEST ACTRESS IN A PLAY
Rachel Weisz – A Streetcar Named Desire at the Donmar Warehouse 
Alison Steadman – Enjoy at the Gielgud 
Fiona Shaw – Mother Courage & Her Children at the NT Olivier
Helen Mirren – Phedre at the NT Lyttelton 
Juliet Stevenson – Duet for One at the Almeida & Vaudeville
Lesley Sharp – The Rise & Fall of Little Voice at the Vaudeville 

THE CAPITAL BREAKS BEST ACTOR IN A PLAY
Jude Law – Hamlet, Donmar West End at Wyndham’s 
David Harewood – The Mountaintop at Theatre 503 & Trafalgar Studios 1 
Dominic West – Life Is a Dream at the Donmar Warehouse 
Ken Stott – A View from the Bridge at the Duke of York’s 
Mark Rylance – Jerusalem at the Royal Court Downstairs
Samuel West – Enron at the Royal Court Downstairs  Continue reading “2010 What’s On Stage Award nominations”

Winners of the 2009 London Evening Standard Theatre Awards

Best Actor
Simon Russell Beale, The Winter’s Tale
WINNER Mark Rylance, Jerusalem
Ken Stott, A View From the Bridge
Samuel West, Enron

The Natasha Richardson Award for Best Actress
Deanna Dunagan, August: Osage County
Penny Downie, Helen
Juliet Stevenson, Duet for One
WINNER Rachel Weisz, A Streetcar Named Desire Continue reading “Winners of the 2009 London Evening Standard Theatre Awards”