The incomparable Marieke Heebink astonishes in Simon Stone and ITA-ensemble’s production of Medea at the Barbican Theatre
“I remember us
That’s that I do now”
I first saw Simon Stone’s Medea in Amsterdam, in Dutch, without surtitles, and it was a revelatory experience which has lingered long in my memory as one of the best classical adaptations I’ve ever seen. So the chance to revisit it at the Barbican, once again anchored by the incomparable Marieke Heebink in Bob Cousins’ stunning design was unmissable.
And it did not disappoint in its ferocious retelling of Euripides’ classic, as Stone makes it feel urgent and chilling and all-too-appalling believable in its depiction of a woman pushed to the edge. Poleaxed by the revelation of her husband’s affair with his boss’s daughter, her extreme actions saw her committed to a psychiatric institution. A year later on her release, she craves a fresh start but finds the world has moved on without her. Continue reading “Review: Medea, Barbican”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”
I’d thought I didn’t need to see Richard II again for a good while but Michelle Terry’s tenure at the Globe is most certainly testing that resolve. The forthcoming production there is to be staged by the first-ever company of women of colour in a Shakespeare play on a major UK stage. Co-directed by Adjoa Andoh and Lynette Linton, Adjoa will also play the titular role. Continue reading “Theatre news round-up”
“Wie tegenwoordig voor mooie dingen geeft?”
Featuring the return of Toneelgroep Amsterdam to the Barbican, Antonioni Project is another multimedia extravaganza from the Dutch theatre company who blew many, including me, away with their six-hour Shakespeare epic, The Roman Tragedies. Under Ivo van Hove’s direction, they have built up a sterling reputation as one of the leading European companies with their innovative blending of film-making techniques into more traditional theatre and creating a whole new theatrical experience for the audience.
This work pulls together three of Michelangelo Antonioni’s 1960s films, L’Avventura, La Notte and L’Eclisse, with their common themes of couples struggling to reconcile notions of love with the reality of sex in a changing world that they feel estranged from due to their extreme materialism. The narratives of the three films are mixed, with characters from each interacting, I’d recommend reading the programme beforehand whether you know the films or not just to give you a bit of context that will prove invaluable. Continue reading “Review: Antonioni Project, Toneelgroep Amsterdam at the Barbican”