Not-a-review: Manor, National Theatre

Tonight should have been the press night for Moira Buffini’s Manor, directed by her sister Fiona Buffini no less, but alas

Manor would have seen the great Nancy Carroll

For we’ll have to do with this teaser

 

And this interesting interview with Buffini, M.

 

For the National Theatre

You can follow the theatre on Twitter here
You can look at the different ways of supporting the NT here
And you can sign up to their mailing list here to get any announcements about future plans, once the dust finally settles 

 

Not-a-review: All of Us, National Theatre

A particularly gutting one this, as Francesca Martinez’s debut play All of Us would have marked a key moment for disabled voices at the National Theatre. À tout à l’heure…

Just look at them:

 

And just listen to her:

 

This is definitely a play that we have to make room for once things are up and running again.

For All of Us

You can follow the playwright Francesca Martinez on Twitter here or explore her website here
You can purchase the playtext from Nick Hern Books soon
And the show’s details can be found on the NT’s website here

For the National Theatre

You can follow the theatre on Twitter here
You can look at the different ways of supporting the NT here
And you can sign up to their mailing list here to get any announcements about future plans, once the dust finally settles 

Photo: Spencer Murphy. Art direction and design by National Theatre Graphic Design Studio

Review: The Hundred and One Dalmatians, Birmingham Rep

“I want those puppies”

I can be accused of a fair few things but not a lack of adventurousness. It’s no secret that I am no great fan of puppets but I do try and test my prejudices on a fairly regular basis, something made spectacularly easy at this time of year as theatreland’s interpretation of family-friendly festive fare apparently means puppets for everyone! 

The main reason though for travelling to Birmingham Rep for The Hundred and One Dalmatians was to see Gloria Onitiri’s Cruella De Vil, an actress who I’ve enjoyed following since the Avenue Q days more than a decade ago now. And she did not disappoint with this most iconic of characters, ferociously dramatic and unapologetically dark, she’s an absolute force of nature on this stage. The rest of the production around her didn’t quite land as effectively though, for me at least. Continue reading “Review: The Hundred and One Dalmatians, Birmingham Rep”