I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn into the many Open Air Theatre productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
“Giving the nation a new syncopation”
Is there a greater opening number to a musical than the self-titled prologue to Ragtime? It surely has to be up there amongst the contenders as Stephen Flaherty’s music bursts open onto the stage at the Open Air Theatre in Regent’s Park in a blaze of syncopated rhythms and choreographic glory with one of those melodies destined to worm its way into your brain for days to come. It could be argued that the show never really reaches the same heights again, but it certainly tries hard.
Director Timothy Sheader’s high concept, supported by Jon Bausor’s eye-catching design, is of a contemporary society in the midst of the collapsed American Dream, looking back to its beginnings at the turn of the previous century in the stories taken from EL Doctorow’s novel and moulded into the book here by Terrence McNally. So in the ruins of an Obama-supporting billboard and the detritus of broken bits of Disney, McDonalds and Budweiser merchandise, the company enact the intertwining tales of 3 groups – African-Americans, WASPs and Latvian immigrants – at a moment in time where it seemed that great change was just on the horizon. Continue reading “Review: Ragtime, Open Air Theatre Regent’s Park”