Lockdown theatre review: Jesus Christ Superstar (2012 Arena Tour)

Jesus Christ Superstar takes to the “rock’n’roll” arena. It isn’t good.

“Why waste your breath moaning at the crowd?
Nothing can be done to stop the shouting.”

Amidst the deluge of theatrical content emerging online, it can be quite hard to make decisions about what to actually watch. Andrew Lloyd Webber’s release of the 2012 live arena tour of Jesus Christ Superstar stood out for me as though I did go and see it at the O2, we were seated at the back of the cavernous space and so the opportunity to actually see what happened on the actors’ faces was enough to tempt me. Plus it’s Good Friday…

Pre-dating the Open Air Theatre’s revelatory restaging by three years, Laurence Connor’s restaging of ALW’s 1971 rock opera lays its contemporary allusions thickly (Occupy, Guantánamo, reality TV) but right from the start, you can see how superficial it is. A busy prologue full of kinetic energy references the Occupy movement strongly but as soon as the show proper starts, it’s as if it never happens, you could cut it and never know the difference.

Continue reading “Lockdown theatre review: Jesus Christ Superstar (2012 Arena Tour)”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

The Curtain Up Show Album of the Year 2017 winners

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
WINNER: Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
WINNER: Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
WINNER: Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

The Curtain Up Show Album of the Year 2017 nominees

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

Album Review: Dreamgirls Original London Cast Recording (2017)

“The time has come for my dreams to be heard”

That it took so long for the UK premiere of Dreamgirls to arrive (35 years after its original Broadway opening), it is little surprise to see that it has taken a mere few months for the Original London Cast Recording to appear, released by Sony Masterworks Broadway today (Friday 12th May). Capitalising on the show’s extraordinary success at the Savoy (read my review here) and the two Olivier Awards wins for Amber Riley (Best Actress in a Musical) and Adam J. Bernard (Best Actor in a Supporting Role in a Musical), this double-album was recorded live in the theatre over four performances in February 2017 with no additional studio re-recordings or musical overdubs.

The choice to go for a live recording is an interesting one. There’s an undoubted raw energy that comes from the material not just being sung but being performed that makes certain numbers really pop. And then there’s the double-edged sword that is the audience reception – on the one hand it can be spine-tingling effective to hear how enthusiastically the work is being received but on the other, it doesn’t always translate without the accompanying visual and let’s be honest, the recording doesn’t gain anything from having Amber Riley’s entrance applause so volubly present. Continue reading “Album Review: Dreamgirls Original London Cast Recording (2017)”

Film Review: Beauty and the Beast (2017)

“Tale as old as time”

It’s taken me a little time to get round to writing this review, which is rarely a good sign, as I was struggling for anything entirely constructive to say about this film. The 1991 animated Beauty and the Beast was Disney close to its best but these days, nothing is left alone if it has even the merest hint of cash cow about it. So it has previously hit the stage as a musical and following the success of Kenneth Branagh’s Cinderella, it now has a cinematic live-action remake.

Which is all fine and good but just because you can do something doesn’t mean you should. And at no point does Bill Condon’s film ever convince us that the world needed this version of Beauty and the Beast, there’s rarely any sense of it bringing something new and insightful to the story. Plus the contortions it (and star Emma Watson) has had to make to try and convince of its feminist credentials scarcely seem worth it in the final analysis. Continue reading “Film Review: Beauty and the Beast (2017)”

Review: Dreamgirls, Savoy

“In the morning this feeling will be gone”

 
There’s over one million Swarovski crystals incorporated into this production of Dreamgirls which presumably explains why ticket prices go unashamedly up to £125 – Daddy’s crystal curtains, all 3 of them, don’t come cheap. In many ways, I don’t deny Dreamgirls the extravagance, it’s good to have a huge rollercoaster blowout of a blockbuster musical every now and then, it helps to balance the slightly more serious-minded ones about suicide and cancer. But it helps to be wary about that creeping top line, no matter how many five star reviews this show may garner, surely such pricing cannot be allowed to become the norm in the West End.

Part of the reason Dreamgirls can get away with it is that it has had a 35 year build-up. With book and lyrics by Tom Eyen and music by Henry Krieger, the original Broadway production premiered in 1981 and was a big success and though it may not have crossed the ocean, much of its music has, including cabaret staples ‘And I Am Telling You I’m Not Going’ and ‘One Night Only’. So it is hardly the risk of a new musical, though that it how is will be categorised, and thus it has been priced accordingly. Fortunately, the Savoy is not so big a theatre that the Grand Circle ain’t a perfectly decent to watch the show from. Continue reading “Review: Dreamgirls, Savoy”

2016 What’s On Stage Award nominations

Best Actor In A Play Sponsored By Radisson Blu Edwardian:
Benedict Cumberbatch, Hamlet
James McAvoy, The Ruling Class
Bradley Cooper, The Elephant Man
Mark Rylance, Farinelli and the King
Alex Hassell, Henry V

Best Actress In A Play Sponsored By The Umbrella Rooms:
Nicole Kidman, Photograph 51 
Denise Gough, People, Places and Things
Lia Williams, Oresteia
Rosalie Craig, As You Like It
Harriet Walter, Death of a Salesman Continue reading “2016 What’s On Stage Award nominations”

Review: In The Heights, King’s Cross Theatre

“Since when are Latin people scared of heat?”

There’s something about a really good musical that makes it a pleasure to go back and revisit and so it is with In The Heights, its fresh contemporary edge hugely exciting to witness and so full of visual and lyrical interest that re-viewing brings up many things that I missed first time round. My 5* review for Cheap Theatre Tickets can be read there and I urge you to book as soon as possible, if only because Victoria Hamilton-Barritt is getting increasingly pregnant (funny how that happens!) and she is unmissable in the role of Daniela (although equally, it will be interesting to see how whoever covers the role performs it once she leaves).

Running time: 2 hours 30 minutes (with interval) 
Photo: Robert Workman
Booking until 3rd January