“It’s not what any of you want”
And so it ends. A little unexpectedly, it was announced by creator Peter Moffat that this third series of Silk would be the last and whilst I would love to say that it was a fitting finale to the joys that were Series 1 and 2, I have to say I was quite disappointed in it. After showcasing Maxine Peake marvellously as the driven QC Martha Costello, here the character was barely recognisable; after securing the fabulous Frances Barber as a striking opposing counsel as Caroline Warwick, her incorporation into Shoe Lane Chambers neutered almost all the interest that had made her so fascinating; and with Neil Stuke’s Billy suffering health issues all the way through, the focus was too often drawn away from the courtroom.
When it did sit inside the Old Bailey, it did what the series has previously done so well, refracting topical issues through the eyes of the law – the kittling of protestors, Premiership footballers believing themselves beyond justice, assisted suicide, the effects of counter-terrorism on minority communities. And it continued to bring a pleasingly high level of guest cast – Claire Skinner was scorchingly effective as a mother accused of a mercy killing, Eleanor Matsuura’s sharp US lawyer reminding me how much I like this actress who deserves a breakthrough, and it always nice to see one of my favourites Kirsty Bushell on the tellybox, even if she melted a little too predictably into Rupert Penry-Jones’ arms. Continue reading “TV Review: Silk, Series 3”
“No emotions. Not in public.”
Despite winning 4 Oscars in 2011, early treatments of David Seidler’s The King’s Speech envisioned it as a play, and it was at a reading at the Pleasance theatre that film director Tom Hooper’s mother spotted its potential and the rest as they say is history. So, it never actually made it into a theatre but striking while the iron is hot, Guildford’s Yvonne Arnaud Theatre have mounted this premiere production of the show, starring Charles Edwards and Jonathan Hyde, which will undertake a short tour of the country in the coming months.
Seidler drew on his own experience, as a boy with a stammer who was inspired by the success of King George VI in overcoming his own stammer, to pursue telling this story but was only granted permission to access much of the primary research material after the death of the Queen Mother, who did not want the film made in her lifetime. So we follow Bertie, the second son, as he struggles to deal with his stammer at a time when the public profile of the Royal Family was increasing exponentially with the advent of radio. His meeting with unconventional Australian speech therapist Lionel Logue sets him on the difficult journey of trying to conquer his deep-seated issues, all the while dealing with the unfolding scandal of his older brother’s affair with Wallis Simpson and the constitutional crisis it incurs. Oh, and war is approaching too. Continue reading “Review: The King’s Speech, Yvonne Arnaud Theatre Guildford”
“Why are those things you admire most in others the hardest to find in yourself?”
Stiles+Drewe occupy a funny place for me: a musical writing pair, I’ve several of their soundtracks in my collection as well as their West End concert and I’ve been to a charity gig they hosted this year but I have never actually seen a show they have written. Fortunately, the Tabard Theatre took it upon themselves to rectify this by putting on a production of Just So.
Written in the mid 1980s by George Stiles (music) and Anthony Drewe (lyrics), this is actually the professional London premiere of this show after a successful 2006 revival in Chichester which featured Julie Atherton. Director Andrew Keates has aimed big with this production, the biggest ever at the Tabard, which celebrates both the 25th anniversary of the show and the Tabard itself.
Just So pulls together five of Rudyard Kipling’s famous stories into one epic journey through the jungle as the Elephant’s Child and the Kolokolo Bird, guided by the wise Eldest Magician, travel together to stop the evil crab Pau Amma from flooding everything and on the way meet all sorts of weird and wonderful creatures as they learn to face their fears, be truly courageous and the real value of friendship. With a live band and a cast of eleven, the story is brought vividly to life on the stage of the Tabard in what makes for a most entertaining family musical. Continue reading “Review: Just So, Tabard”