“Waiting for the music to begin”
Throughout this whirlwind tour of cast recordings, one of the more interesting things has been listening to shows that closed early, or at least relatively so. The Witches of Eastwick managed a 15 month run in 2000-1 at the Theatre Royal Drury Lane and then the Prince of Wales in a slightly revised version and I have to say that on the evidence of this original London cast recording, it deserved more.
Dana P Rowe’s score and John Dempsey’s lyrics captures much of the small-town mania of John Updike’s source novel and performed by a crack cast as it is here, it is often thrilling to listen to. Ian McShane may have been cast as the devilish Darryl but it is Joanna Riding, Maria Friedman and Lucie Arnaz as the titular triumvirate whose innate powers are unleashed by the nefarious influence of this charismatic stranger, with troubling results for both themselves and those around them – the harmonies that accompany their joint numbers are just scintillating. Continue reading “CD Review: Witches of Eastwick (Original London Cast Recording)”
Having seen and loved Acorn Antiques The Musical when it played in London, despite a few misgivings about the first half, I was keen to ensure that we saw the touring version when it was announced and it fit in well with my Christmas plans to go and see it at the Lowry in Salford. Victoria Wood had obviously taken the (somewhat harsh) reviews to heart though as she has performed some major surgery on the show and the whole conceit of the first half has been removed: we open straight into Manchesterford and the goings-on at the antique shop.
Some of the songs from that original first half have been shoehorned into the story, the tap number is great fun though a bit of a stretch having the am-dram society rehearsing in the shop and other ones shifted around a bit. It still made me laugh, but I must admit to not finding it quite as funny as I did the first time round. And I suppose this is largely to do with the fact that this is a new cast that has been put together for this tour, which features none of the main principles.
And I know it shouldn’t matter, the strength of the show should mean that any good actors can take us through it, but so much of the pleasure of the original was seeing the famous, familiar faces from the TV show reprising their roles, in particular Celia Imrie and Julie Walters, the latter’s Mrs O being so intertwined with herself that I found it impossible to imagine anyone else ever being able to perform the role. And I think that is what the producers also thought as Ria Jones who takes on the role here plays it as close to Walters as possible, which is probably for the best as she can really pull it off. I was less convinced by Sara Crowe’s Miss Babs and Teddy Kempner’s Clifford, but Lisa Peace’s Miss Berta and Beverly Rudd’s Mimi were good fun.
Expectations are often a killer and I think I let them get the better of me here, working myself into a state of excitement that was always unlikely to be matched. Though as the dvd of the original cast is now available, I might add that to my Christmas present list and see if it really was as good as I remembered first time round.