“He’s just a lug You’d like to hug
And hold against your heart.”
It remains a source of constant fascination that we continue to find scarcely-known works by some of our most famous writers – Tennessee Williams had plays coming out of his ears but we’ve recently been treated to things like Arthur Miller’s rediscovered first play and in the world of musicals, the Southwark Playhouse will be bringing us the European premiere of a Rodgers and Hammerstein show of all things.
Allegrowas written in-between Carousel and South Pacific and though the theatre is leading with the fact that it took the highest advance in Broadway history on its 1947 debut, it is less forthcoming about the decidedly mixed critical and commercial success it received. As such, it remains relatively unperformed and it took until 2009 for a first complete recording to be made of the score. Continue reading “Album Review: Allegro (2009 First Complete Recording)”
“Love, sweet love…no, not just for some but for everyone”
It’s no secret that Broadway cares but there’s still something extremely touching about a community coming together to help others, especially when it feels close to home. However others want to spin it, the attack on the Pulse nightclub in Orlando was an attack on the LGBT+ community and that is something that is just chilling in its cold reality. But from such horror comes something positive too as people rally together to share love and support, solidarity and hope that no matter how dark it gets, we’re never alone.
In London, the LGBT+ community has the Pride in London Parade to spark the coming together over what will be a poignant weekend. And on Broadway, Broadway Records President Van Dean, SiriusXM Radio Host Seth Rudetsky and Producer James Wesley have pulled together a dream choir of amazing performers to record a charity single of Burt Bacharach and Hal David’s ‘What The World Needs Now Is Love’ to benefit the Orlando LGBT+ community. Take a look at the video below (and be blown away by such luminaries as Audra McDonald, Bernadette Peters, Lin-Manuel Miranda, Idina Menzel and so many more) but I urge you to please buy a copy too, to support this very worthy cause.
And matching Broadway for passionate respect are the London Gay Men’s Chorus. The response to their musical tribute of Simon and Garfunkel’s ‘Bridge Over Troubled Water’ at the Soho vigil for the Orlando victims was such that they have decided to release it as their own charity single (it had originally been intended for their 25th anniversary album later this year, and recorded just hours before the attack took place).
For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to.
His double album Liveoffers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.
Lynn Ahrens and Stephen Flaherty have enjoyed a prolific writing career stretching over three decades and in celebration of their 30 year working relationship, held a series of concerts at 54 Below which have now been immortalised on their double CD Nice Fighting You: A 30th Anniversary Celebration Live at 54 BELOW. The collection looks back at the past, to shows like Ragtime and Seussical but also keeps an eye on the present – their Rocky the Musical is currently playing on Broadway – and the future with forthcoming show Little Dancer being showcased.
With so much material to choose from both in terms of an extensive back catalogue and multiple concert performances thereof, it is perhaps unsurprising that Ahrens and Flaherty opted for the double CD format which allows them to feature well over 30 of their songs, sung by a great array of talented artists. But it also means that it becomes quite the hefty beast, am album aimed at fans rather than the casual listener, something emphasised by the inclusion of spoken interludes from the writers and singers introducing their songs. Continue reading “Album Review: Nice Fighting You: A 30th Anniversary Celebration Live at 54 BELOW”
“I have fought, I have cried. I’ve been broke, I’ve been bruised. Yet at the end of the day This life is what I still choose.”
I was recommended this Scott Alan CD, Dreaming Wide Awake, by a reader who like me wasn’t a huge fan of Tim Prottey-Jones’ album which I reviewed last week and claimed that US composers were basically better all round. Whereas that sentiment made me automatically want to not bother, I do love a good recommendation and Scott Alan is one of those composers of whom I’ve heard a fair bit without having actually engaged with his music or any of his shows. Alan is a lyricist and composer who has written a handful of shows but more recently, his output seems to have been channelled into collections of his work on CD: he is now up to his third, of which Dreaming Wide Awake is the first.
I’m not going to get sucked into a US/UK debate here, there’s room in my heart to like all sorts of different things for different occasions, but I do have to say that this is an album which pretty much blew me away from first listen. Opening with the punchily brilliant ‘I’m A Star’ by Eden Espinosa, it is clear that Alan is unafraid of showing emotion in all its colours through his writing. I’m A Star is the kind of song to get pulses racing with its determined dreams of success and one I’m surprised I haven’t heard in a cabaret set (yet). Tracie Thoms’ ‘Let Love Begin’ has a driving tunefulness and there’s a great comic number in the countering viewpoints of ‘At Seventeen’. Continue reading “Album Review: Scott Alan – Dreaming Wide Awake”