The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon.
The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small Island, Les Blancs, The Deep Blue Sea and Amadeus from the National Theatre. Continue reading “News: National Theatre at Home final phase”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
“Do you think the rape of a continent dissolves in cigarette smoke?”
To think that just a couple of weeks ago, I hadn’t ever seen a play by Lorraine Hansberry and now I’ve seen two – the extraordinary A Raisin in the Sun which has now completed its UK tour and this new production of Les Blancs at the National. The sad reality is that there isn’t much more to see now, pancreatic cancer taking her life at just 34, but what a startling legacy this writer left of theatre that delves uncompromisingly into issues of race and identity, that remains as pertinent today as it did the mid-twentieth century when she was writing.
Hansberry didn’t get to complete Les Blancs before her death and so this final text was adapted by her sometime husband and collaborator Robert Nemiroff and it is directed here by Yaël Farber, making her National Theatre debut after her highly acclaimed 2014 The Crucible for the Old Vic. And people who saw that production will instantly recognise Farber’s modus operandi as this show opens in a highly atmospheric manner – a group of matriarchs, led by musical director Joyce Moholoagae, chanting and singing in Xhosa to leave us in no doubt what continent we’re on. Continue reading “Review: Les Blancs, National”
“Seem like God didn’t see fit to give the black man nothing but dreams – but He did give us children to make them dreams seem worth while”
When Lorraine Hansberry’s A Raisin in the Sun became the first play written by a black woman to be performed on Broadway in 1959, some might have dared dream of a new age of diverse playwrights being represented there. But despite the play’s extraordinary success, the Great White Way remains an unfortunately apposite name – it should have a ‘male’ in there too – and the issues that Hansberry raises, both directly and indirectly, remain pertinent in contemporary America with the #OscarSoWhite furore and the ugliness and popularity of Donald Trump’s rhetoric just two of the most recent examples.
So it is a canny choice of revival for Sheffield-based Eclipse theatre company to tour the UK with, but it’s also a hugely satisfying dramatic one as well. Hansberry taps directly into the African-American experience, using her own family’s battles against segregation, to give us an alternative take on the American Dream, a family’s hopes and dreams refracted through the prisms of poverty, gender, race and above all, the growing sense that the way things are, ain’t necessarily how they gotta be. As one character says “Where are all going and why are we bothering?”, well let the Younger family show you. Continue reading “Review: A Raisin in the Sun, Albany”