Review: Rosmersholm, Duke of York’s Theatre

Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…

“You see, this is what happens when the general public becomes engaged in politics — they get duped into voting against their own interests”

Chances are if Helen McCrory can’t make me like a play, then few others will be able too either. I first saw Henrik Ibsen’s Rosmersholm with Anthony Page’s production for the Almeida which was…eek…more than 10 years ago now. It didn’t click with me then and in the assured hands of Ian Rickson here, it still leaves me cold. 

You do have to admire the bravado of producer Sonia Friedman, opening a play like this cold into the West End without resorting to any hint of stunt casting.And creatively, this is a triumph. Neil Austin’s hauntingly perfect lighting of Rae Smith’s austerely grand designs is a thing of pure beauty as it evolves throughout the show. Continue reading “Review: Rosmersholm, Duke of York’s Theatre”

TV Review: Mrs Wilson

Ruth Wilson excels in the intriguing Mrs Wilson, a drama that couldn’t possibly be true…

“You know all you need to know”

Mrs Wilson begins with ‘the following is inspired by real events’ but the truth is even more than that, as main protagonist Alison Wilson is played by Ruth Wilson, who just happens to be her granddaughter. For the story is taken from the extraordinary revelations of her own family history and adapted into a three-part serial here, which is marvellously tense and beautifully filmed.

We begin on an ordinary day in the early 60s as Alison nips home from her job to make a lunch of cold cuts for her novelist husband Alec. He doesn’t make it down to the table though as he’s kicked the bucket and instantly, hints of mystery abound as she hides his wallet and makes a surreptitious phone call. What she doesn’t expect is the knock on the door a few days later from a woman who claim to be his wife. Continue reading “TV Review: Mrs Wilson”

Review: Show Boat, Crucible

“We drink water from a dipper,
You drink champagne from a slipper”

Christmastime is often one for traditions and one of the better theatrical ones has proven to be the big musicals that Sheffield Theatres produce. From Me and My Girl to My Fair Lady to a never-better Company and last year’s Anything Goes that went on to tour, the outgoing Artistic Director Daniel Evans has proved a master at big-hearted, large-scale productions that skimp on nothing to create some of the best musical theatre the country has to offer.

This year sees Jerome Kern and Oscar Hammerstein’s Show Boat as Evans’ final show (as AD at least) and it is an undoubted success, a fitting festive farewell. It’s a brave choice too, an unwieldy beast of a story based on Edna Ferber’s novel about the backstage drama onboard the Mississippi show boat Cotton Blossom, using the performing troupe as a prism through which to view several decades of momentous change in the USA from the late 1800s. Continue reading “Review: Show Boat, Crucible”

DVD Review: Pride and Prejudice (1995)

“Your alliance would be a disgrace”

This six-part adaptation of Pride and Prejudice has gone down in history as one of the most iconic TV programmes ever, its cultural breakthrough into the mainstream taking everyone by surprise and spearheading something of a revival in period dramas. For me though, my abiding memory remains watching a documentary some years later and hearing adaptor Andrew Davies saying that the stage direction he wrote for Colin Firth, for when Darcy meets Elizabeth after she has rushed over to see her ailing sister, was “Darcy is surprised to get an erection”.

Smut aside, it is a strikingly well done piece of work though, Luxuriating over 6 hour-long instalments, it allows for the slow-burn of the central relationship which makes this version of the story really work, Firth and Jennifer Ehle so incredibly well-matched that their every interaction is scintillatingly drawn as mutual antipathy turns to mutual admiration amidst the various family dramas of the Bennetts, Wickhams, Collins et al. His brooding looks and engagingly smooth voice and her keenly intelligent eyes with her delightful pragmatism are utterly engaging. Continue reading “DVD Review: Pride and Prejudice (1995)”

Review: Wolf Hall/Bring Up The Bodies, Swan Theatre

“He needs to be on the side of the light”

Hilary Mantel became the first woman to win the Booker Price twice when the literary behemoth that was Wolf Hall was followed up by the equally considerable Bring Up The Bodies. And whilst we wait for the third part of her Thomas Cromwell trilogy – The Mirror and the Light – thoughts have turned quickly to adaptation. The BBC will be airing a six-part version by Peter Straughan in the future but the RSC have readied a theatrical interpretation of the novels by Mike Poulton which is now playing in the Swan Theatre in Stratford-upon-Avon. The shows can be seen separately, but are clearly designed to fit together (Wolf Hall has as close as the theatre gets to a cliffhanger ending!) and there are opportunities to see them on the same day.

At first glance, they may not seem the most likely choice for staging – set in the court of Henry VIII as he looks for ways of getting rid of his first wife Katherine of Aragon so that he might plant Anne Boleyn in her stead, these are all-too-familiar events. But Mantel’s magic was to tell the story through the eyes and mind of Thomas Cromwell, the wily commoner who worked his way up through the ranks to become one of the most influential man in the realm. Additionally, her magnificent present-tense prose brought Tudor England to life like never before, a rich attention to detail making this universe feel new-minted, as if anything could happen, not just what the history books say. Continue reading “Review: Wolf Hall/Bring Up The Bodies, Swan Theatre”

DVD Review: Einstein and Eddington

“We need English science to prove to everyone just how good we are”

A 2008 BBC film, Einstein and Eddington offers limited pleasure to the Lucy Cohu lover as she plays Einstein’s increasingly estranged wife Mileva and is consequently predominantly left to look moody in the background looking after some mopey moppets. But elsewhere it was a surprisingly engaging piece of film-making, bringing a very human aspect to the work of science, the sacrifices necessary, and also showing that nothing, not even ground-breaking scientific discoveries, happen in moral or ethical vaccums.

The focus is pulling together of Einstein’s theory of general relativity and how against the backdrop of the First World War, a correspondence grew between him and British astrophysicist Arthur Eddington which enabled the Brit to use his greater freedom to gather the necessary proof for the theory and catapult the German-born into the history books. But the pursuit of life-enhancing knowledge has its consequences and this Peter Moffat-written drama doesn’t shy away from showing the emotional damage suffered by all concerned. Continue reading “DVD Review: Einstein and Eddington”

Review: Top Girls, Trafalgar Studios

“I couldn’t live a woman’s life, I just don’t understand it”

Caryl Churchill’s 1982 play Top Girls makes the seemingly de rigueur leap from Chichester to London, which so many of their productions seem to achieve, to play a 12 week run at the Trafalgar Studios. Directed by Max Stafford-Clark who also worked on the premiere at the Royal Court, the play looks at the roles that women play and the choices they have to make in order to get there. We were able to take advantage of a preview deal which got us great seats for £15 – thus this is a review of a preview, the show taking nearly 2 weeks to bed into the new venue.

Things open with businesswoman Marlene celebrating her promotion to MD of the Top Girls employment agency by holding a dinner party to which a number of historical figures have been invited. They are women from history, art, literature, who have all achieved great success but at a certain price. We then move to ‘real life’ where we see Marlene’s agency at work, advising women on how to get what jobs they want and the obstacles they will have to overcome. Marlene’s own life is also explored as her own choices are revealed, her relationships with her sister Joyce and the girl Angie whom she looks after. Continue reading “Review: Top Girls, Trafalgar Studios”