I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre
“It’s verging on the apocalyptic”
Well if you’re going to do the classics, you might as well do them like this! Ross McGregor’s adaptation of Robert Louis Stevenson’s novella updates The Strange Case of Jekyll & Hyde to the 2020 US presidential election but it also infuses the story with an undeniable air of menace and queerness that at once feels contemporary and entirely respectful of the source.
McGregor has taken clear inspiration from ‘Mayor Pete’ for his version of Henry Jekyll, an energetic young senator from Indiana who, in light of Trump’s impeachment, dares to dream of rescuing the Oval Office. Against a backdrop of seemingly never-ending school shootings, his platform is a vociferously anti-gun one but as investigative journalist Gabrielle joins his team, she discovers there’s more than just a skeleton in the closet…
Continue reading “Review: The Strange Case of Jekyll & Hyde, Brockley Jack”
Arrows & Traps’ TARO is a beautiful tribute to a historical figure we have sorely neglected, playing now at the Brockley Jack Theatre
“In the lens it looks different”
If TARO is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow, it’s a swansong to be proud of as the #FemaleFirsts season turns its attentions to Gerda Taro, a pioneering photojournalist whose distinction as the first female war photographer killed in action proves to be far from the most interesting thing about her.
Born Gerda Pohorylle in Stuttgart 1910, the rise of Nazism splintered her Jewish family as she, her brother and her parents were forcibly ejected to different countries. Finding herself in Paris, a chance encounter with fellow refugee Endre Freidmann sparked an interest in photography which they then parlayed into careers in war photography that revolutionised the genre. Their work covering the Spanish Civil War was the fateful making of them. Continue reading “Review: TARO, Brockley Jack”
Arrows & Traps’ #FemaleFirsts season kicks off with the striking Anne Lister biography Gentleman Jack at the Brockley Jack Theatre
“This is Paris
This is England
And this is Yorkshire!”
The temptation with biographies – particularly of those of trailblazing figures – can be to treat them with the kind of reverence that smooths away rough edges, excusing behaviour that would otherwise be questionable and questioned. So it is pleasing to see that Ross McGregor’s new play Gentleman Jack respects its subject enough to give a full picture of their life.
That subject is Anne Lister, a nineteenth century Yorkshirewoman whose determination to buck societal convention earned her the sobriquet of the “first modern lesbian”. Her daring lay more than just in her open sexuality though; as an heiress and landowner, she redefined expectations of what women could achieve society as she and her partner sought to break into the mining industry.
Continue reading “Review: Gentleman Jack, Brockley Jack”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”
An imaginative take on a familiar tale – Arrows & Traps’ Dracula is good Hallowe’en fare at the Brockley Jack Theatre
“I am counting down the days until we get to Whitby”
On National Coming Out day, there’s something rather delicious about the first act climax of Dracula being set to a haunting remix of Britney’s ‘Toxic’. He may be fangs-deep in Lucy and longing to make Mina his countess but we all saw how taken he was by Jonathan as he set up for a shave. Love is love is love, right, or should that be a vein is a vein is a vein…
Arrows & Traps have turned their hand to horror before, with a fearlessly inventive take on Frankenstein which lit up the Brockley Jack last year. So adaptor/director Ross McGregor turning to Bram Stoker’s classic Dracula makes sense, not least as at offers ample opportunity to refresh its rather dustily antiquated take on gender. Continue reading “Review: Dracula, Brockley Jack”
Arrows and Traps hit the mark once more with the deeply moving The White Rose at the Brockley Jack Theatre
“Wollt ihr den totalen Krieg? Wollt ihr ihn, wenn nötig, totaler und radikaler, als wir ihn uns heute überhaupt erst vorstellen können?”*
How do we make the choice to resist? At what point do we decide that enough is enough in the creeping erosion of our democracy? When former foreign secretaries rip up ministerial codes or chief whips ignore Commons voting conventions? When presidents attack their own FBI and defend despots? Some 250,000 bodies may have thronged the streets of London last week to register their disapproval of the US Commander in Chief but what happens when the ‘other side’ has won, when the act of peaceful protest becomes civil disobedience.
It is into such a world that The White Rose throws us. It is 1943 and having insinuated their way into every level of German society and instituted a systemic indoctrination of much of the population, the Nazis have been in power for a decade. But the tectonic shifts of World War II have finally started to fall in the Allies’ favour and finding safety in like-minded numbers, students of the University of Munich have coalesced into an underground movement, publishing anti-Nazi leaflets and distributing them across the Fatherland. Could such amazing courage go unpunished? Continue reading “Review: The White Rose, Brockley Jack”
Arrows & Traps Theatre announce The White Rose: The Story of Sophie Scholl as their new production, along with full casting
Seven-time Off West End Award Nominated Arrows & Traps Theatre have announced their return to the Brockley Jack Theatre after their sold-out run of Chekhov’s Three Sisters earlier this year. There, they will present The White Rose: The Story of Sophie Scholl, written & directed by Ross McGregor.
Based on a true story, The White Rose recounts the final days of Sophie Scholl, a 21-year-old student, who led the only major act of German civil disobedience during the Second World War. Sophie, along with her brother Hans, published underground anti-Nazi leaflets calling for the peaceful overthrow of Hitler. Continue reading “Casting for Arrows & Traps’ The White Rose announced”