Series 2 of Chewing Gum sees Michaela Coel nail the ‘two series and out’ trajectory of some of the best British sitcoms
“I’m not 17, I’m a grown-up woman. I just…regularly make childlike mistakes”
I belatedly came to Chewing Gum just now and watched both the first series and this second one in a single sitting each, their addictive nature and too-easily bingeable lengths giving me two fine nights in front of the TV.
Writer and creator Michaela Coel rarely let her imagination get in the way of the first six episodes but here, the expansion of Tracey’s world beyond her Tower Hamlets estate is quite simply fucking hilarious. Plus, the marvellous Sinéad Matthews appears in this series too. Continue reading “TV Review: Chewing Gum (Series 2)”
In the spirit of Black Lives Matters and an inspiration from Noma Dumezweni, I’m turning my attention to the TV shows, I haven’t gotten round to watching that I should have done by now, starting with Michaela Coel’s Chewing Gum
“Do you want a Fruit Pastille?”
Michaela Coel’s comedy show Chewing Gum was born out of her play Chewing Gum Dreams which played in the Shed at the National Theatre in 2014, a rare moment when a monologue like that could be programmed at a theatre like that. I didn’t catch it then and on the evidence of this first series, the loss is most definitely mine.
A proper British sitcom (6 episodes, no fuss), the show stars creator and writer Coel as Tracey, an East London shop assistant in her early 20s who is determined to cast off the shackles of her religious upbringing and learn about the world. Oh, and she really really really wants to get some. Continue reading “TV Review: Chewing Gum (Series 1)”
Glenda Jackson is brittle and brutal in the excellent Elizabeth is Missing
“How about some Vera Lynn?”
True story, I’ve read Emma Healey’s novel Elizabeth is Missing and can’t remember anything about it, how’s that for dramatic irony… So Andrea Gibb’s adaptation for the television, directed by Aisling Walsh, held layers of mystery for me, as this murder mystery framed through the lens of dementia intersected with my own hazy recollections of what I thought was slowly coming back to me.
That murder mystery element is the driving narrative force across the two timelines of the drama. Grandmother Maud is trying to find out what has happened to her gardening pal Elizabeth who has vanished, but she’s haunted by memories of the disappearance of her sister Sukey 70 years ago and hampered by the onset of Alzheimer’s which is ravaging her life and her independence. Continue reading “TV Review: Elizabeth is Missing”
Based on a true story, the heart-rending Fisherman’s Friends is entirely sweet-natured good fun
‘It’s Bono, you pillock’.”
Despite being a fan of a Brit-flick, I don’t know if I’d’ve ventured to Fisherman’s Friends if it weren’t for the presence of a certain Mr Swainsbury in the cast. But I’m glad I did, as it proves a rather sweetly good-natured film that passes the time most amiably.
Based on the true story of The Fisherman’s Friends, a Cornish all-male a capella vocal group whose renditions of sea shanties scored them a record deal and a top 10 hit album, the film recounts how such a thing might have come about, as music executive Danny winds up in Port Isaac for a stag do and finds himself bewitched by the group, and the place, and a girl, natch. Continue reading “Film Review: Fisherman’s Friends (2019)”
I succumb easily to the charms of Paddington 2 and Hugh Grant having the time of his life
“Exit bear, pursued by an actor”
In a year when sequels have outperformed expectations (at least mine anyway), I should have heeded the signs that Paddington 2 heralded back last winter that sequels were ‘in’. Paul King’s follow-up to his 2014 warm-hearted original, reintroducing us to our ursine Peruvian hero, occupies a similar space of resolutely British family films that are a cut above.
Written by King and Simon Farnaby, the film is unafraid to take its audience seriously and for every adorably sweet sequence, there’s genuine peril and even darkness in there too. Hugh Grant is the main antagonist, an actor called Phoenix Buchanan who has been reduced to making dog-food adverts and his ne’er-d-well ways see Paddington framed for a crime he did not commit. Continue reading “Review: Paddington 2 (2017)”
Powerfully acted by Nicola Walker, Alun Armstrong anf Maggie Steed, Mark Ravenhill’s cleverly written The Cane is bracing stuff at the Royal Court
“These children now can hunt out anybody’s grievance and claim it as their own…they want to be offended”
Inspired by Mark Ravenhill’s realisation that some teachers retiring now would have been active when corporal punishment was outlawed in 1986, The Cane is his first new play for a goodly while. And directed by Vicky Featherstone, it is a strikingly intriguing piece of drama which has as much to say about contemporary outrage culture as it does the abuses of the past.
Edward is marking 45 years as a teacher and preparations for his retirement do are in full swing. A mob has trapped him and his wife Maureen in their own home though, inflamed by his past use of the cane, and the arrival of their daughter Anna is little comfort as she is long-estranged. And as it turns out she has both a personal and professional interest here, the atmosphere within proves no less febrile than without. Continue reading “Review: The Cane, Royal Court”
Beginning with a burst of confetti and ending in a sombre drop of petals, Pinter One is the far darker side of Pinter at the Pinter
“They don’t like you either, my darling”
I found myself enjoying Pinter Two much more than expected and so momentarily forgetting that I’d sworn off the whole thing, I rashly decided to book in for Pinter One, which proves to be an entirely different kind of affair. Not just thematically – it’s an overtly political collection of works and thus considerably darker – but structurally, gathering together no less than nine short pieces, eight of which run together to make the first half.
They’re Press Conference / Precisely / The New World Order / Mountain Language / American Football / The Pres and an Officer / Death / and One for the Road (all directed by Jamie Lloyd) with Ashes to Ashes (directed by the Lia Williams) following after the interval. And so ultimately it feels a bit more like a showcase of Pinter which brings with it some challenges, alongside the interest value in unearthing some lesser-seen works, including a world premiere. Continue reading “Review: Pinter One, Harold Pinter Theatre”
All hail the return of Nicola Walker to the stage! Get your tickets for Camelot! Discover the Heart of Darkness! Get your exam in musical theatre singing with ABRSM!
London Musical Theatre Orchestra has announced casting for Saturday’s concert version of Camelot at the London Palladium and there’s still a few tickets going. Packed with some of musical theatre’s best songs, LMTO’s concert version with full orchestra will celebrate the centenary of Alan Jay Lerner’s birth.
The role of Arthur will be played by Olivier Award-winner David Thaxton (Passion / Les Misérables / Jesus Christ Superstar), Guenevere will be played by Savannah Stevenson (Wicked / Aspects of Love / Follies), and Lancelot will be played by internationally renowned opera star Charles Rice (Mozart’s Requiem / The Barber of Seville / Candide). Continue reading “Friday feeling – news aplenty”
– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced
– Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th
– Charity event will raise money for Amnesty International and Chance to Shine
– Tickets are on sale now
Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”
“Just when the fun is starting,
Comes the time for parting”
Fred Haig must have thought that this was his year after landing starring roles in two of the big musicals of the summer but during Monday evening’s performance, he sustained an injury to his foot which has now been confirmed as a fracture. Sadly, this means that he has had to withdraw from On The Town at the Open Air Theatre in Regent’s Park (the second actor to do so after Jeremy Taylor withdrew during rehearsals due to injury) and will be replaced by his understudy Jacob Maynard. We’ll have to wait and see if he recuperates in time to play Young Buddy in Follies at the National.
It is a real shame for Haig as I was at the show on Monday, scarcely believing that we actually had lovely weather for the first musical this year at the Open Air. And Haig’s appealingly charismatic Chip, along with Lizzy Connolly’s vibrant Hildy, was among the highlights of Drew McOnie’s production and he seemed to be very much on top of the choreography. It is a dance-heavy show, and in McOnie’s hands doubly so and as so many in this venue, it is one that benefits from being seen as night falls, to behold the full beauty of Howard Hudson’s lighting which is gorgeously conceived. Continue reading “Get well soon Fred Haig aka Not-A-Review: On The Town, Open Air Theatre”