A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
Episodes, in order of preference
World Enough and Time
The Doctor Falls
The Eaters of Light
Empress of Mars
The Pyramid at the End of the World
The Lie of the Land
Top 5 guest spots
1 David Suchet’s Landlord was as perfectly written a character as befits one of our more superior actors
2 Regular readers will know I’m a big fan of Kieran Bew and his astronaut in Oxygen was no exception
3 Nicholas Burns‘ malevolent Sutcliffe was a delightfully Dickensian villain
4 Another theatrical delight of mine is Anthony Calf, impressive as the pseudo-Victorian Godsacre
5 Rebecca Benson’s young Pict impressively led The Eaters of Light from the front, a perfect vessel for Rona Munro’s vision
Michelle Gomez’s Missy has been a brilliant breath of fresh air and whilst her decision to follow Moffat and Capaldi out the door is understandable, it isn’t any less disappointing. And perhaps the timey-wimeyness of the circumstances around her passing mean that maybe this isn’t the last we see of her…
Most wasted guest actor
I don’t what I expected from the reliably excellent Samantha Spiro in Doctor Who but I didn’t get it from her part in The Doctor Falls.
Gay agenda rating
With Bill onboard, A+!
“Now here’s a little story
To tell it is a must”
One gets the feeling that had Anita and Me decided whether it wanted to be a full-blown musical or a straight play adorned by a little music, it might have been a much more successful version of Meera Syal’s novel. But as it is, Tanika Gupta’s adaptation and Roxana Silbert’s direction is marooned in a hinterland between the two, packed too full with material trying to fulfil both remits and so it can be quite the frustrating watch.
The source material is definitely there, Syal’s semi-autobiographical portrait of growing up in the West Midlands in the 1970s is full of insight and warmly old-fashioned charm. Cosseted in the vibrant home of her Punjabi parents, Meena’s teenage rebellion takes the form of throwing her lot in with neighbour Anita to help her better integrate into the society she longs to be a part of, something complicated only slightly by the ingrained racism of said society. Continue reading “Review: Anita and Me, Theatre Royal Stratford East”
“It’s on the internet…”
Just a quickie for this as the Royal Court’s Rough Cuts season is a space for short plays, experimental readings and works in progress and so I’m just including it here for the completeness of my theatregoing records. It has previously taken place in the upstairs theatre but as this is currently occupied, they have converted the Wilson rehearsal studio – right next to the main building – into a public performance space for this group of four pieces, all based on the theme of our relationship to the internet.
This year’s cohort of writers made this a must-see from the moment it was announced, featuring as it does Alia Bano, DC Moore, Penelope Skinner and Nick Payne, and with an ensemble of six actors including Sarah Woodward and Al Weaver, I was confident of enjoying the performances too. And it was an agreeable evening from start to early finish – such a rarity to be home well before 9pm on a theatre night – and a pleasing indication of the vibrancy and variety in new theatre writing in the UK. Continue reading “Review: Rough Cuts – Bytes, Royal Court”