Seven years, five stars, a return visit to Matilda the Musical shows the show has lost none of its charm
“When I grow up,
I will be smart enough to answer all
The questions that you need to know
The answers to before you’re grown up”
As Matilda the Musical approaches its seventh year in the West End, and a new adult cast has had a couple of weeks to bed in, I was delighted to get the chance to revisit the show. Since its premiere in Stratford back in 2010/11, it has been a musical to fall in love with over and over again. I can – and do – listen to the Original Cast Recording all the time, and it is always on top of the list of things I recommend when I’m ever asked ‘what should I see’. Take a read of my 5 star review for Official Theatre here, as I try not to use up all my words in praise of Gina Beck.
Running time: 2 hours 35 minutes (with interval)
Booking until 27th May 2018, for the moment
|David Shannon, Gina Beck, Tom Edden and Marianne Benedict
|(C) Helen Maybanks
For me, one of the more pleasing recent success stories in theatreland has been the enduring success of Matilda The Musical. The cut-throat world of the West End has claimed many a high profile victim but the Royal Shakespeare Company’s multi award-winning production has gone from strength to strength at the Cambridge Theatre, where it is currently booking until 17th December.
>With that in mind and appropriately enough for World Book Day, the show has announced that Lilian Hardy, Emma Moore and Éva-Marie Saffrey will join Abbie Vena the title role of Matilda from 14th March. And to mark the arrival of the show’s new young actresses, a video has been released today of the four girls learning acrobatic tricks, to add to their already immense skill set, with their fellow cast member Craige Els, who plays Miss Trunchbull.
And if you needed any further convincing to go and see the show, here’s my reviews of the original Stratford production, the original cast recording (available to buy here), the original West End run, the original Broadway cast recording, and my 2015 revisit to the Cambridge.
Production images – Manuel Harlan
“I’ll do my dance, I’ll make them drink”
I’m pretty there’s a clause in the gay contract that means it is illegal to turn down the offer of drinks in the Julie Andrews room so who was I to resist when the folks at TodayTix invited me to try out their mobile ticketing app by coming along to see Miss Saigon. Founders Merritt Baer and Brian Fenty have had big success on Broadway with their service, offering tickets for a range of shows one week to one hour before showtime and boasting of enabling tickets to be purchased in 30 seconds or less.
And I have to say that they’ve pretty much nailed it. The interface of the app is bright and easy to use (certainly it was on my iPhone6), there’s a wide range of West End shows available and the process of choosing and booking tickets at all price levels is simple and speedy with a little seatmap showing you where in the theatre your selected seats are. It really does streamline the ticket-buying process so that making any last minute decisions to see a show that much easier. Continue reading “Review: Miss Saigon, Prince Edward Theatre with TodayTix”
“Why God? Why today?”
I wasn’t the hugest fan of Miss Saigon first time round as my review from then clearly attests but I’m never one to be entirely closed-minded (though it may not often seem that way…) so when the opportunity to take a friend who had not previously been popped up, I made a return visit to the Prince Edward Theatre. The show is still basking in the glow of recently winning 9 What’s On Stage awards and it is clear that it is attracting a younger and atypically passionate crowd (for a West End show at least).
That passion cuts both ways though as the overexcited group behind us couldn’t hold back from the flash photography and the young woman in front of me was less enthused than the rest of her party and spent most of the show on Facebook. It makes for a different kind of theatre experience when you’re having to do battle with that kind of behaviour but given my continued lack of engagement with the storyline of this particular musical theatre behemoth, it was as much a distraction for me as anything. Continue reading “Re-review: Miss Saigon, Prince Edward Theatre”
“Hey Joe, try taking a little excursion
You’ll feel good from a little perversion”
There’s a real generational split when it comes to Miss Saigon – a contemporary of such 80s mega-musicals as Phantom and Les Mis, it has comparatively fallen by the wayside in terms of longevity nor has its score really attained the status of a bona fide classic. So there’s a group of people familiar with the show ready and waiting to make comparisons between the original and this major revival at the Prince Edward Theatre, and then there’s the rest of us – me included – for whom this is a new experience.
And as is often the case when expectations have been pumped sky-high (“Box office records broken on the first day!” “The greatest musical ever?!” “Watch out for the helicopter…”), it isn’t immediately clear what all the fuss is about. Claude-Michel Schönberg and Alain Boublil’s book is basically Madame Butterfly redux but transplanted to the Vietnam war as GI Chris is loved long-time by Kim, their love then forced apart by the US defeat in Saigon and a reunion, of sorts, organised once he finally discovers that he left more than his heart with Kim that evening… Continue reading “Review: Miss Saigon, Prince Edward Theatre”