Review: Sara Bareilles and Gavin Creel in Waitress, Adelphi Theatre

It’s impossible to resist another visit to Joe’s Diner as Sara Bareilles and Gavin Creel begin their limited run in Waitress at the Adelphi Theatre

“I’ll slice and serve my worries away”

I wasn’t going to go back to Waitress, having enjoyed both my previous visits to the Adelphi Theatre where I was blown away by Katharine McPhee and then Lucie Jones in the leading role of Jenna. But then a genius casting move (surely this doesn’t count as stunt casting? who knows…🤷) saw the show’s composer and lyricist Sara Bareilles and Olivier and Tony Award winner Gavin Creel announced for a limited run and so I couldn’t help but book myself in for another slice of pie.

Both of them appeared in the show on Broadway so they’re clearly au fait with their roles but more significantly, they clearly share a special connection and so their electricity as Jenna and Dr Pomatter is off the charts. The shenanigans in the doctor’s surgery are always fun but here, they’re fricking hilarious as Creel and Bareilles bounce off each other while having the time of their lives and almost, almost, making you forget the slight ickiness of the boundaries that their incipient relationship crosses. Continue reading “Review: Sara Bareilles and Gavin Creel in Waitress, Adelphi Theatre”

fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Monica Dolan, All About Eve
In a star-studded ensemble, it was Dolan’s no-nonsense pseudo-narrator Karen who ended up pulling focus with her every utterance. With Appropriate too, 2019 was a superb year for Dolan and those of us who are captivated by her work.

Honourable mention: Jackie Pulford, Karaoke Play
Scorchingly good in a doozy of a tragicomic role, this is one I wasn’t expecting and entirely typical that it emerged out of the brilliant Bunker. 

Ronkẹ Adékoluẹjo, Three Sisters
Janni Goslinga, De Kersentuin
Pippa Nixon, The Ocean at the End of the Lane
Cecilia Noble, Faith Hope and Charity
Gemma Whelan, Pinter Seven

8-10
Deborah Findlay, Glass. Kill. Bluebeard. Imp.; Jane Horrocks, Pinter Five; Sarah Niles, Richard II

 

Best Supporting Actress in a Musical

Cassidy Janson/Melanie La Barrie, & Juliet
There was just so much superlative work in this category that shortlisting was nigh on impossible. So I doubled up on nominations, recognising how much great work was going on and in that crowded field, the glories of Janson and La Barrie just about edged it. Cassidy belting Céline as if her life depended on it, Mel getting it on in fine fashion (just watch her hips go!) – f**kin’ perfect you might say!

Honourable mention: Jocasta Almgill/Emily Langham, West Side Story (Royal Exchange)
Anita is probably one of my favourite roles in all of musical theatre and Almgill absolutely nailed it with a whirlwind of charismatic personality and pitch-perfect vocals. Langham’s Anybodys was a real surprise though, a near-constant presence in the background but a masterclass in detailed character work. And when ‘Somewhere’ starts…ooff!

Laura Baldwin/Marisha Wallace, Waitress
Tiffany Graves/Gabrielle Lewis-Dodson, The Boy Friend
Claire Machin/Claire Moore, Mary Poppins
Rebecca McKinnis/Lauren Ward, Dear Evan Hansen
Carly Mercedes Dyer/Victoria Hamilton-Barritt, The View UpStairs

8-10
Melissa James/Kate O’Donnell, Gypsy; Rebecca Lock/Carley Stenson, Curtains; Carly Mercedes Dyer/Beth Hinton-Lever, West Side Story (Curve Leicester)

2020 What’s On Stage Award nominations

The nominations for the 20th Annual WhatsOnStage Awards have been announced and I have a thought or two #justiceforAnneHathaway

As a publicly nominated affair, the What’s On Stage Awards always throw up an interesting set of nominations, as fanbases engage alongside theatregoers to produce an idiosyncratic reflection on the year. This year though, the nominees for the nine creative categories (Choreography, Costume Design, Direction, Graphic Design, Lighting Design, Musical Direction, Set Design, Sound Design and Video Design) have been decided by an independent panel of industry experts appointed, which has resulted in some pleasing inclusions for the likes of Equus and Small Island

Acting-wise, the focus does land a little heavily on the more famous names (plus ça change) and that Supporting Actress in a Musical category is super-crowded (the Dear Evan Hansen mothers would have been a shoo-in for me there). My only real point of issue comes with the categorisation for the & Juliet players – are you really going to nominate Oliver Tompsett as a lead and then put Cassidy Janson in the supporting category? Did you not see the show, or get any of its message at all?!

Voting for the winners is open now and closes on 27th January 2020, with the winners being revealed at a ceremony on 1st March 2020.

Best Actor in a Play, sponsored by Edwardian Hotels

Tom Hiddleston – Betrayal – Harold Pinter Theatre
Andrew Scott – Present Laughter – The Old Vic
Matt Smith – Lungs – The Old Vic
Wendell Pierce – Death of a Salesman – Young Vic / Piccadilly Theatre
Laurie Kynaston – The Son – Kiln Theatre / Duke of York’s Theatre

Best Actress in a Play, sponsored by Tonic Theatre

Claire Foy – Lungs – The Old Vic
Zawe Ashton – Betrayal – Harold Pinter Theatre
Hayley Atwell – Rosmersholm – Duke of York’s Theatre
Sharon D Clarke – Death of a Salesman – Young Vic / Piccadilly Theatre
Juliet Stevenson – The Doctor – Almeida Theatre Continue reading “2020 What’s On Stage Award nominations”

Album Review: Jon Robyns – Musical Direction

I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead

“You can get what you want or you get old”

Having fallen in love with Jon Robyns in parallel with tumbling hard for Avenue Q, he really is the leading man of my (entirely platonic) dreams, so news of a new solo album was certainly up my strasse. And Musical Direction manages an excellent job of balancing many of the aspects of that come with musical theatre performers making their own recordings.

There are nods to his performance past – a chirpy take on The Last Five Years’ ‘Moving Too Fast’ and a delicately beautiful glide through Chitty Chitty Bang Bang’s Hushabye Mountain  – and a perfectly timed look to the future too. And this is where the cleverness kicks in as you may not think you really need another version of ‘Bring Him Home’ but this acoustic, cello-drenched arrangement is spine-tingling good, certainly whetting the appetite for his imminent debut as Jean Valjean when Les Misérables reopens the Sondheim Theatre. Continue reading “Album Review: Jon Robyns – Musical Direction”

August theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.

Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”

Review: Waitress, Adelphi Theatre

Fresh from Broadway, hit musical Waitress proves funnier and lighter than you might expect at the Adelphi Theatre

“Let’s see the next amazing thing baking does now”

True story, I didn’t love Waitress when I first saw it in my Broadway Blitz of 2016. But as it sometimes the way, upon listening to the cast recording again and then again, I fell for the show that way, and so was delighted with news of its UK premiere at the Adelphi Theatre.

To think of it as a big Broadway show is to misinterpret what it is trying to do though. Jessie Nelson (book) and Sara Bareilles’ (music and lyrics) adaptation of Adrienne Shelly’s 2007 indie flick is a subtler thing than much West End fare, an intimate story of pies, pregnancy and just how much we’ll put up with. Continue reading “Review: Waitress, Adelphi Theatre”

Some goodies for a cold January Thursday

So much to keep on top of – pics from All About Eve, videos from Waitress, foodie secrets from Gingerline and casting news from Emilia

We’re just three weeks away from All About Eve starting previews and these rehearsal pics ought to whet anyone’s appetite.

And more importantly if you’ve not booked yet, details have been released about day seats and a front row lottery – this will definitely not be one to miss.

Day Seats: Available in person at the Box Office from 10am on a first come, first served basis. Maximum x2 per person. Limited availability. £25.00 per ticket.
Front Row Lottery: In partnership with Today Tix. More information on how to enter will be announced on the All About Eve social media channels from Friday 25 January 2019. Maximum x2 per person. £25.00 per ticket. Continue reading “Some goodies for a cold January Thursday”

Re-review: All change on the Strand for Dreamgirls and Kinky Boots

All change on the Strand for Dreamgirls and Kinky Boots post closing notices at the Savoy Theatre and Adelphi Theatre respectively, and I revisit both.

“Never let ‘em tell you who you ought to be
Just be”

Come mid-January, the Strand will look a fair bit different for theatregoers as both Kinky Boots and Dreamgirls have posted advance closing notices, leaving the Adelphi and the Savoy respectively on the same date, Saturday 12th January.  As sad as it is to see any show close though, both of these musicals have had a fairly decent run (Kinky Boots opened in August 2015, making it nearly 3 and a half years; Dreamgirls in November 2016, reaching two) and given how merciless the commercial market can be, I think both productions can hold their head up high with their West End runs.

And getting ahead of the game with those closing notices means that people still have many the opportunity to catch either or both of these shows before the final curtain. (I should add too, that both shows have announced that they will be touring the UK going into 2019.) I’ve paid both a revisit relatively recently and am happy to report that they both remain well worth seeing, due to some mighty fine performance. Oliver Tompsett has only just stepped into the role of Charlie Price but he is nigh-on perfect casting and his majestic voice suits Cyndi Lauper’s score down to a T and he’s clearly getting on well with Simon-Anthony Rhoden’s impressive Lola. Continue reading “Re-review: All change on the Strand for Dreamgirls and Kinky Boots”

Re-review: Dreamgirls, Savoy

Falling in love with Marisha Wallace in Dreamgirls is far too easy!

“You want all my love and my devotion”

As Dreamgirls goes into its second year in the West End and has just welcomed a new cast into the Savoy, what better time to revisit this most glittering of musicals. I must admit to going in with something of a sceptical mindset last time around, both in trying to resist the hype and letting thoughts of ticket prices and imported US leading ladies play on my mind. But all such things aside, this really is a belter of a show, a glowing, full-throated roller-coaster of an experience.

Marisha Wallace, Moya Angela and Karen Mav now share the role for which Amber Riley has won pretty much every award going and tonight’s Effie was the delightful Wallace, a powerhouse of a presence who pretty much nails it from start to finish. Another visitor from Broadway Brennyn Lark’s Deena is well played but I really loved Asmeret Ghebremichael’s Lorrell, possibly becoming the brightest of the Dreams despite the way the script goes. And off the men, Joe Aaron Reid’s Curtis remains a villainous delight.

It’s always lovely to see ensemble members be rewarded for their hard work and both Tosh Wanogho-Maud and Kimmy Edwards have made the leap, now playing Jimmy Early and Michelle Martin respectively. And the production as a whole remains as slick and shiny as it did when it first opened – with all those crystals, how could it not! Keep your eyes peeled for deals on the off-chance they pop up, or take a chance on TodayTix’s daily lottery – it’s worth the shot. And if that weren’t proof enough, here’s some productions shots courtesy of Dewynters. Continue reading “Re-review: Dreamgirls, Savoy”