“Friends are uniting, to help each other’s dreams come true”
Keeping it brief for Matt Hartley’s Deposit as it closes this week. The Hampstead Theatre Downstairs was conceived as “an experimental” space where plays could be put on free from critical scrutiny and whilst that hasn’t necessarily been the way things have turned out (the programming has positioned it more as a companion to the Royal Court Upstairs rather than anywhere more adventurous), it has been a reliable destination for some pretty good theatre.
And in a rare case of the incubator effect coming into fruition, two plays which have previously played here have been brought back and deemed ready for the press (which also means their £5 preview tickets disappearing). First up is Deposit, a contemporary fable directed by Lisa Spirling about the challenges of trying to buy property in London where two couples test their friendship to the limit by renting a one-bedroom flat and sharing it to help them save that all-important lump sum. Continue reading “Review: Deposit, Hampstead Downstairs”
“Two men just watching a bit of Cruise, nothing wrong with that…”
The most amusing part of James Perkins’ design for Matt Hartley’s Microcosm may be accidental or it could well be a nod to the sweltering heat that often builds up in the attic room of the Soho Theatre Upstairs. In the midst of moving flats on a hot summer’s day, one of the characters sets up a desktop fan, points it out towards the audience and switches it on – it may only offer comfort for a small group but in lieu of effective air-con, it is well played.
The flat belongs to Alex, recently purchased with an inheritance from a grandmother and long-term girlfriend Clare is moving in too. It may only be a conversion but it marks a major step for him in becoming lord of his own manor but he soon comes to realise that along with property comes neighbours. Some are benign, if overbearingly creepy, as in the relentless attentions of married Philip from next door but others are more ominous, like the small gang hanging out down the road – the show opens with the chirpy tones of ‘On The Street Where You Live’ which soon gains a double meaning. Continue reading “Review: Microcosm, Soho Theatre”