Series 5 of Peaky Blinders plots a particularly dark path for Tommy Shelby but leaves a little too much up in the air – spoilers abound
“It was a consequence of good intentions”
Getting Elliot Cowan into the new series of Peaky Blinders made my heart sing, getting him to play a closeted gay journalist was just gilding the lily, so naturally he didn’t make it past the end of the first episodes. Such are the ways that this show breaks your heart.
As the race through the years carries on apace, we’re now in the time of the Wall Street Crash of 1929 and the rise of fascism with the arrival of Oswald Mosley, and these two points are the main drivers of this fifth series. The recalibration of the family business to cover their losses, and Tommy’s burgeoning political career serving his increasingly varied ambition. Continue reading “TV Review: Peaky Blinders Series 5”
“I want you to start telling the truth”
Does Katie Hopkins possess a single ounce of remorse? How does Ann Coulter really feel about the audiences she continually bates? Does Piers Morgan have any self-awareness? Eric Bogosian’s play Talk Radio may date from 1987 but in its dissection of shock jocks and their role in manipulating media and fomenting the rise of the kind of right-wing ideology that has taken hold either side of the Atlantic, it can’t help but ring with resonance today.
The talking head of the day in Sean Turner’s excellent production is the jaded Barry Champlain, a no-holds-barred late-night talk show host who is coming to both revel in the prejudiced depths that his callers sink to and be repulsed by them. An offer to syndicate his Cleveland-area show nationally sets off a long dark night of the soul, where not even the glass walls of his radio booth seem to offer the same sort of protection that they once did. Continue reading “Review: Talk Radio, Old Red Lion”