“You won’t get that out a book on prison procedure
When those suits get caught on the hook, that’s when they need ya”
Bad Girls ran for eight years on ITV, covering the whole gamut of women’s prison storylines from the sublime to the senseless, and now the women of HMP Larkhall live on in Bad Girls the Musical, written by original creators Maureen Chadwick and Ann McManus with music and lyrics by Kath Gotts. Taking many of the characters and fashioning its own story from a range of plotlines across the lifetime of the show, Will Keith’s production for the Union makes for an effective translation from screen to stage.
Perhaps naturally, given the size of the 17-strong company and the number of introductions that thus need to be made (even for those familiar with the TV show), the main thrust of the story takes a little time to come into focus. The corrupt practices of prison officer Jim Fenner, fond of doling out privileges in return for sexual favours, eventually crystallises the motives of the diverse cast of inmates but there’s also the slow burning relationship between lifer Nikki and reformist governor Helen that adds to a book which may seem slight but is ultimately dramatically satisfying. Continue reading “Review: Bad Girls the Musical, Union”
“Just crack on and I’m sure you’ll come up with a corker!”
Superficially, Crush the Musical might seem just a little bit batshit crazy, from the pen of the creator of Bad Girls (and Bad Girls the Musical) how could it be otherwise. But as Maureen Chadwick and composer Kath Gotts’ girls’ school romp unwinds its merry way across the stage, its subversive leanings come to the fore as it emerges as a rare example of straight-up and sweetly played lesbian camp, wrapped up in the trappings of an old-fashioned musical comedy.
Set in the early 60s in the liberal surroundings of Dame Dorothea Dosserdale School for Girls where free spirits are celebrated and fostered, the sixth-formers are hugely excited for life beyond their forthcoming exams. But the arrival of a strict new headmistress, the formidable Miss Bleacher, introduces an air of tyranny, determined to root out the unnatural practices that have been going on in the Art Room, and the changing rooms as a budding schoolgirl romance has taken hold. Continue reading “Review: Crush the Musical, Richmond Theatre”