The use of real-life couples makes Episode 2 of Unprecedented a very strong entry – superb work from Gemma Arterton, Arthur Darvill and Cecilia Noble among others
“I can be there for you, even from here”
Episode 2 of Unprecedented, Headlong and Century FIlm’s creative rapid-response to coronavirus definitely managed to take advantage of acting households, as husbands and wives abounded (Arthur Darvill and Inès De Clercq, Gemma Arterton and Rory Keenan, Olivia Williams and Rhashan Stone), offering up a different texture than just the single person shots that dominated the first episode.
Tim Price’s Romantic Distancing, directed by Jeremy Herrin, was really rather swooningly lovely. Darvill and De Clercq playing a couple who’ve only been together for a couple of months and trying to work out if staying together, whilst isolating apart, is worth it. The switch into Once-style balladry worked beautifully for me and it’s kinda hard not to root for this pair. Continue reading “TV Review: Unprecedented, Episode 2”
Yesterday, all my troubles seemed so far away…this British romcom doesn’t do it for my heartbear or my funny bone
“I’m trying to live outside the traditional concept of time”
Truth be told, I’ve never been the biggest fan of The Beatles (I know). Their music wasn’t a part of my childhood soundtrack and my first real memory of it comes from having to learn ‘Yellow Submarine’ and ‘When I’m Sixty-Four’ in primary school choir. So the notion of Yesterday wasn’t one that particularly jumped out at me, even as it posits a world in which no-one has heard of the Fab Four.
Written by Richard Curtis, from a story by Curtis and Jack Barth, and directed by Danny Boyle, it aims squarely for that ineffably British romcom aesthetic and pretty much lands it. Unrequited love interest/friend of the opposite sex, gawky best pal, garrulous inner circle, Himesh Patel’s Jack checks off all the Curtis tropes one by one, with the added twist of twee sci-fi in the mix too. It should work, right?
Continue reading “Film Review: Yesterday (2019)”
The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
The fourth instalment in the Nativity film series, Nativity Rocks! restores a little of the goodwill squandered by the previous two sequels
“I’m wishing Father Christmas doesn’t forget where I live like he did last year”
I can’t think of a film franchise that has squandered such promise as the Nativity series. Debbie Isitt’s original film was such a sweetly unexpected success, but its magic sadly proved rather elusive as its subsequent sequels lost any of its sense of purpose or improvised charm. So the arrival of a third sequel in the shape of Nativity Rocks! (released in cinemas in 2018) came with a healthy dose of apprehension, even if the musical adaptation has rescued some of its lustre (though is that also now in danger of oversaturation , as the musical is now in its third consecutive winter tour).
For all my reservations though, Isitt had zero problem in attracting a quality ensemble as the cast undergoes something of an overhaul. So Marc Wootton’s Mr Poppy is dispatched to Australia and replaced with Simon Lipkin’s Mr Poppy (his long-lost brother), Daniel Boys is the fresh-faced teacher taking St Bernadette’s school choir through the rigours of yet another competition, with Helen George as the putative love interest, Gabriel Vick as the posh rival schoolmaster. Plus there’s Hugh Dennis and Anna Chancellor as some well-to-do parents, Ramin Karimloo as a refugee father, Meera Syal and Celia Imrie too, plus Craig Revel Horwood… Continue reading “Film Review: Nativity Rocks! (2018)”
The Lyric Hammersmith’s production of Noises Off transfer in fine style to the Garrick Theatre
“Let there be doors that open when they open and close when they close”
I’ve long had my issues with farce but Noises Off managed to break through my preconceptions to genuinely make me laugh when the Old Vic revived it and then took it into the West End back in 2012. Even so, I have to say I wasn’t much enamoured by the thought of going back to it, hence me not going to the Lyric Hammersmith to catch Jeremy Herrin’s production there and only just now making it to this West End transfer at the Garrick Theatre.
And after the first act, I began to wonder if I hadn’t had the right impulse initially. I’d argue it’s good but not great, leaning into conventional farce as a touring theatre company take their own farce Nothing On across the country while dealing with the repercussions of their tangled inter-relationships. It is after the interval that the play soars though, the second act takes us behind the scenes into a sensationally choreographed piece of riotous fun of the highest order. Continue reading “Review: Noises Off, Garrick Theatre”
I succumb easily to the charms of Paddington 2 and Hugh Grant having the time of his life
“Exit bear, pursued by an actor”
In a year when sequels have outperformed expectations (at least mine anyway), I should have heeded the signs that Paddington 2 heralded back last winter that sequels were ‘in’. Paul King’s follow-up to his 2014 warm-hearted original, reintroducing us to our ursine Peruvian hero, occupies a similar space of resolutely British family films that are a cut above.
Written by King and Simon Farnaby, the film is unafraid to take its audience seriously and for every adorably sweet sequence, there’s genuine peril and even darkness in there too. Hugh Grant is the main antagonist, an actor called Phoenix Buchanan who has been reduced to making dog-food adverts and his ne’er-d-well ways see Paddington framed for a crime he did not commit. Continue reading “Review: Paddington 2 (2017)”
If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold
“Kill all the lawyers”
If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”
Paying tribute to the NHS in its 70th year, the specially-commissioned monologues of The Greatest Wealth made for a great night at the Old Vic
“It’s a wonderful idea
It’s a marvellous idea
It’s such a very good idea”
It’s no exaggeration to say that I wouldn’t be here but for the NHS – it changed my life as a young boy, it saved my life as a teenager who didn’t look both ways. A story I imagine which finds resonance with so very many of us in the UK but as this venerable institution marks its 70th birthday, it finds itself under siege more than ever. So what better time to reflect on what has been, what is and what yet might be for our National Health Service.
Curated by Lolita Chakrabarti and directed by Adrian Lester, The Greatest Wealth took the form of a series of specially-commissioned world-premiere monologues, each responding to a particular decade of the NHS’s existence. Exploring the myriad ways in which it has become an integral part of the social and economic fabric of the nation, it proved a varied and thoughtful evening.
Continue reading “Review: The Greatest Wealth, Old Vic”