Fresh from Broadway, hit musical Waitress proves funnier and lighter than you might expect at the Adelphi Theatre
“Let’s see the next amazing thing baking does now”
True story, I didn’t love Waitress when I first saw it in my Broadway Blitz of 2016. But as it sometimes the way, upon listening to the cast recording again and then again, I fell for the show that way, and so was delighted with news of its UK premiere at the Adelphi Theatre.
To think of it as a big Broadway show is to misinterpret what it is trying to do though. Jessie Nelson (book) and Sara Bareilles’ (music and lyrics) adaptation of Adrienne Shelly’s 2007 indie flick is a subtler thing than much West End fare, an intimate story of pies, pregnancy and just how much we’ll put up with. Continue reading “Review: Waitress, Adelphi Theatre”
“Jackie – a woman of a certain age”
I don’t remember reading my big sister’s copies of Jackie, nor could I say I’ve ever knowingly listened to a David Cassidy or a David Essex song. So I’m perhaps not directly in the target audience for Jackie the Musical, a 70s jukebox show that takes inspiration from the pages of that weekly magazine for teenage girls. That’s not to say that there isn’t plenty to be enjoyed by all but rather that this is a very particular kind of nostalgia.
Janet Dibley’s Jackie is picking through the pieces of her life – in her 50s, about to be divorced, teenage dropout son – when she comes across a stash of paraphernalia from her girlhood in the attic. Old schoolbooks are soon discarded though when she finds some old copies of Jackie (the magazine) and as this is Jackie (the musical), a younger version of Jackie (the woman) manifests itself in her mind, to act as a kind of spirit guide through this time of emotional turbulence as she dips a toe into the world of online dating, aided by sparky best friend Jill, an excellent Lori Haley Fox. Continue reading “Review: Jackie the Musical, Churchill Bromley”