This amiable revival of Soho Cinders makes for an alternative festive treat at the Charing Cross Theatre
“Hoping for the hum-drum,
Is that aiming high”
I have great affection for Stiles & Drewe’s musical Soho Cinders, from its concert beginnings to a starry Soho Theatre production to a warm revival at the Union Theatre, its escapist fun nature and tuneful score remain quietly appealing. And it is that last Union production that has been reconceived for a new run at the Charing Cross Theatre, featuring some of the same cast members and beefed up with newcomers from Six and Jamie.
The show is a loose LGBT+ adaptation of the Cinderella story, updated to a contemporary London setting, albeit an improbably affordable and innocent pre-smartphone age. Robbie is a young man struggling to make ends meet with his Old Compton Street laundrette and consequently dallying with a sugar daddy, despite simultaneously hooking up with prospective mayoral candidate James Prince, who just happens to have a fiancée. It’s a daft plot but amiable, even if it doesn’t bear too much close scrutiny (clandestine meetings in Trafalgar Square?!). Continue reading “Review: Soho Cinders, Charing Cross Theatre”
“I’m a fool…just a fool”
There’s something admirable in the Union Theatre’s admirable determination to work its way through the dustier, neglected end of the musical theatre canon to see if anything comes up roses. I liked what they did with Anyone Can Whistle, less so with Moby Dick, and now its the turn of the lesser-known Tim Rice musical Blondel (the first he wrote after his Andrew Lloyd Webber collaborations) to get the revival treatment.
Sometimes though, when polishing a pebble in the hope that it turns into a diamond in the rough, it remains a pebble. Sasha Regan’s high-spirited, fun-loving production has a wonderfully playful energy about it, and the cast are clearly having a whale of a time, but it isn’t too hard to see why the show has rather languished in obscurity. Daftness can only take you so far (believe me, I know!) and Blondel (over-)runs at 2 hours 30 minutes. Continue reading “Review: Blondel, Union”
“Why don’t handsome princes
Practice what they preach”
Though there’s nothing ostensibly Christmassy about Stiles + Drewe’s Cinderella remake Soho Cinders, it was still a little odd to see the show debut at the Soho Theatre in the height of summer in 2012. This revival at the Union Theatre is a little more festively timed and through Will Keith’s direction and Joanne McShane’s choreography, provides a level of entertainment to rival even the best of pantomimes.
The book, by Drewe and Elliot Davis, puts a gay spin on the story – fresh-faced escort Robbie is our Cinderella, closeted bisexual London mayoral candidate James Prince his Prince Charming, and older gay man (and client) Lord Bellingham just one of the flies in the ointments of their happy ever after. But though we’re in the world of contemporary London politics, there’s also a pair of ‘ugly’ sisters and a ball that everyone wants to attend to ensure some of that Cinderella magic sticks. Continue reading “Review: Soho Cinders, Union Theatre”