TV Review: Unforgotten Series 3

The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!

“We’ve all done things of which we are ashamed”

The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)

A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well.  Continue reading “TV Review: Unforgotten Series 3”

TV Review: Unforgotten Series 3 Episodes 1+2

The third series of Unforgotten starts and once again, Nicola Walker fails to disappoint

“Who buries a body in the central reservation of the M1”

They’re back! Nicola Walker’s DCI Stuart and Sanjeev Bhaskar’s DS Khan sit at the heart of Chris Lang’s cold case thriller Unforgotten and for the previous two series, have been extremely impressive. Carving out a niche in the crowded police procedural TV market is enough of a job but doing it this well is noteworthy.

So it is little surprise that they have returned for a third series and though the format might be creaking ever so slightly as the same model is recycled once again, there’s enough here to point out the differences between so many of the other programmes who long to be recommissioned and respected this much. Continue reading “TV Review: Unforgotten Series 3 Episodes 1+2”

Casting announced for Theatre Royal Bath’s Racing Demon

Theatre Royal Bath Productions has announced full casting for David Hare’s Racing Demon, directed by Jonathan Church, and seemingly deliberately designed to challenge my resolve to not see the production which runs from Wednesday 21 June to Saturday 8 July.

As previously announced Olivier Award-winner David Haig will star as Lionel Espy in the multi-award winning play. He will be joined by Sam Alexander, Michelle Bonnard, Anthony Calf, William Chubb, Paapa Essiedu, Ian Gelder, Andrew Fraser, Rebecca Night, Amanda Root and Ashley Russell.

Four clergymen seek to make sense of their mission in inner-city London whilst facing their own personal crises. There’s Lionel Espy, a cleric whose faith is wavering as his parishioners dwindle; tabloid-hounded gay vicar Harry Henderson; ‘Streaky’ Bacon, a genial reverend with a taste for tequila, and a charismatic young curate, Tony Ferris whose arrival is set to fan the flames, whilst his sexual relationship with his lover turns to ash. The day of judgement is at hand for all. Continue reading “Casting announced for Theatre Royal Bath’s Racing Demon”

Review: A Wolf in Snakeskin Shoes, Tricycle

“A thick, golden-brown, brickhouse goddess of voluptuous lusciousness”

Marcus Gardley’s The House That Will Not Stand was something of a triumph for the Tricycle last year so it is little surprise that Indhu Rubasingham has returned to the playwright for a new production there, A Wolf in Snakeskin Shoes. An adaptation of Molière’s Tartuffe, it shifts the action from seventeenth century Paris to modern-day Atlanta and the world of mega-churches but maintains the air of hypocrisy around its lead character, here renamed Tardimus Toof.

Toof’s church is in a parlous financial position and having long sold himself as having healing powers, turns to fried chicken tycoon Archibald Organdy to lay his hands and fleece his pockets. His lascivious eye, which has wandered over many a female parishioner as he “undresses sin”, turns to Organdy’s mistress Peaches – a never-better Adjoa Andoh – even with Sharon D Clarke’s imperious wife a considerable presence both in church and at home. Continue reading “Review: A Wolf in Snakeskin Shoes, Tricycle”

DVD Review: ShakespeaRe-Told – The Taming of the Shrew/A Midsummer Night’s Dream

“When you speak, it sounds like poetry”

The second disc of ShakespeaRe-Told (first disc reviewed here) features reworkings of The Taming of the Shrew by Sally Wainwright and A Midsummer Night’s Dream by Peter Bowker. Shrew is a problematic play at the best of times and I have to say that I found this interpretation to be very difficult. Katherine becomes an abrasive politician aiming to become Leader of the Opposition who is advised to get married for her image, Petruchio is a foppish aristocrat who has fallen on hard times and is attracted by her wealth. They meet, sparks fly and thus do battle whilst conducting their relationship. Initially it works, as he is just as mad as her – almost cartoonish in how mental they are – but the ‘taming’ that ensues only applies to her and so the unease feeling of misogyny is always too present. Shirley Henderson gives shrewish life to Katherine (sorry) and Rufus Sewell swaggers well as the cross-dressing Petruchio, but it never really flies as a revision.

The subplot involves her supermodel sister Bianca – Jaime Murray as she bats away the affections of her manager for the seductive allure of a Spanish stranger Lucentio. I have to say that Santiago Cabrera looks pretty much like perfection here, the sexiest glasses-wearer ever, and so is forgiven for the underwhelming way in which this subplot works. Stephen Tompkinson’s manager is oddly fobbed off with the mother – Twiggy of all people – but it does lead up to a nifty conclusion in which Katherine’s hard-to-swallow speech ends up being about prenuptial agreements. David Mitchell is also featured in this as Katherine’s aide, demonstrating just how little range the man has.

Continue reading “DVD Review: ShakespeaRe-Told – The Taming of the Shrew/A Midsummer Night’s Dream”

Review: On The Record, Arcola

“I just think it’s my right to talk, to be free, to write. I’m not special, I just decided to do this”

iceandfire are a theatre company dedicated to exploring stories about the struggle for human rights through performance. Their latest work, which has now just closed at the Arcola, was On the Record by Christine Bacon and Noah Birksted-Breem, a mixture of verbatim work and theatrical reconstructions following the stories of six investigative journalists battling to expose their horrific stories from across the globe.

Their reports are first given under the pretext of a conference on press freedom, indicating the importance of reporting free from undue influence, to tell the stories we might not want to hear but which we simply must. Then from Sri Lanka to Iraq, Mexico to Russia and the Middle East, we see each of them at work, risking their lives in a multitude of ways from a multitude of enemies. Continue reading “Review: On The Record, Arcola”