The works of Jule Styne, Jerry Herman and Stephen Sondheim will be celebrated in a concert to support NHS Charities Together and Acting for Others
Participating remotely in the suitably testosteroney entitled Kings of Broadway 2020will be Liz Callaway, Michael Colbourne, Deborah Crowe, Jordan Lee Davies, Louise Dearman, Janie Dee, Fra Fee, Rob Houchen, Damian Humbley, Ramin Karimloo, Claudia Kariuki, Emma Kingston, L Morgan Lee, Rebecca Lock, Nadim Naaman, Anna O’Byrne, Fiona O’Carroll, Jamie Parker, Laura Pitt-Pulford, Clive Rowe, Jenna Russell, Lucy Schaufer, Celinde Schoenmaker, Caroline Sheen, Samantha Spiro, Laura Tebbutt, Michael Xavier and Alex Young.
Creatively, the evening will feature musical direction from Alex Parker, it will be mixed by Jack Blume, edited by Ben Hewis and will have additional mixing and editing support from Martin Higgins.
Not a bad line-up eh? You can watch the show on Quick Fantastic’s YouTube channel at 7pm on Sunday 31st May and though it is billed as free, please think about making a donation, however small you think it might be, every little helps.
This may or may not have been planned as a birthday surprise for me…but the Barn Theatre have announced a new virtual concert series showcasing the works of Britain’s musical theatre composers, beginning with The Barn Theatre Presents: The Music of Daniel and Laura Curtis.
The schedule has been announced for week 3 of Leave A Light On, a series of live-streamed concerts.
The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.
Also celebrating their 10th anniversary, Nikki and Joe from Auburn Jam Music take their turn with 10 Questions for 10 Years
Where were you 10 years ago?
This is a nice coincidence because ten years ago we were just setting up Auburn Jam Music! We also got married that same year, and didn’t have money to rent a space so we started the studio from the spare room in our flat. Living and working together isn’t always a walk in the park so we’re quite glad to now have the studio and home in separate places, with a nice dog walk between and a soundproof room if we need some headspace from each other!! Continue reading “10 questions for 10 years – Nikki + Joe Davison”
Actor/singer/writer/dad Nadim Naaman takes a moment to answer 10 Questions for 10 Years most thoughtfully indeed
Where were you 10 years ago?
10 years ago I was experiencing unemployment for the first time! I finished an 18 month run of The Sound of Music at The Palladium in February, and didn’t start my next gig until the November. That was James and The Giant Peach at The Watermill. That nine months taught me a lot. I made a voiceover reel and became a private tutor of English, and began learning how to produce my own work – cabarets, concerts, writing etc. I don’t tutor anymore, but much of the work I do today I owe to the experience of being out of work back then. I quickly realised how you could be in a West End show one minute, and the next day, nothing. Continue reading “10 questions for 10 years – Nadim Naaman”
Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre
Written by Nadim Naaman and Dana Al Fardan, the concept album of new musical Broken Wings marks an ambitious debut and an impressive arrival
“I remember the beauty of home”
Would you be able to name the third best-selling poet of all time? Behind Shakespeare and Laozi, it is actually the Lebanese writer Kahlil Gibran. So adapting his work for the stage is perhaps something of a natural step, and an under-explored one given the Anglo-Saxon bias of the Western canon. And it feels only right that it should fall to a Lebanese man and a Qatari woman to compose a musical based on one of his most famous works.
The result is Broken Wings. A new musical which has not only released a concept album, but will play the Theatre Royal Haymarket for four nights in early August, marking the first Arabic-inspired musical to grace the West End. But is it any good? I have to say I have fallen hard for its charms, as it reveals itself to be a supremely confident piece of writing, and one which balances the melting pot of its influences with an almost classic approach. Continue reading “Album Review: Broken Wings”