Theatre continues to lead the way in the feminist recasting of history as Lizzie Milton’s 10 introduces more forgotten heroines at the VAULT Festival
“Does that count for nothing?
Do I count for nothing”
Stuck at Six? Try 10. The truth is, sadly, that there are endless women whose histories have been misrepresented, or not even told but thankfully, there does seem to be a desire to tell those stories right now, accompanied by an appetite for them to be seen. Six is nominated for five Oliviers, Emilia has transferred into the West End and other shows at the VAULT such as The Limit have also got in on the act.
And why wouldn’t this be the case. Pretty much half of history has gone untold, unexplored, under-represented in our textbooks and in our culture, so it stands to reason that there’s acres of potential here. Lizzie Milton’s 10 identifies ten such women from across the centuries and across many disciplines, from medieval Mercian queens to Second World War heroines, abolitionists to painters, this is our real history. Continue reading “Review: 10, VAULT Festival”
With less than a week to go before the 2019 VAULT Festival opens, I wade my way through the catalogue and come up with 20 shows I think you should catch – in their own words
Now in its seventh year, VAULT Festival returns this year from 23rd January to 17th March with a broad and diverse programme of more than 400 shows in a range of atmospheric venues throughout Waterloo. And as ever, the remit is to be as big and bold as impossible, with the festival featuring theatre, comedy, cabaret, immersive experiences, late night parties, and much more besides.
It can be a little overwhelming to figure out what you want to see, the majority of shows run for a week (Wednesday to Sunday) so you’ll need to move pretty sharpish once you’ve decided – there’s the VAULT Combo deal which saves you money booking more than one show, and some 241 deals available through the Stagedoor app. And to help you, I’ve identified 20 shows (and it could have been so many more!) that appealed to me and asked them to sell themselves in 10 words or less in order to grab your attention. Continue reading “2019 VAULT Festival – 20 shows to see”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”
An uncompromising look at a personal feminist odyssey, Things That Do Not C(o)unt plays the final week of VAULT Festival
“There’s always a stranger
And there’s always vodka”
I was a big fan of No Offence Theatre’s torn apart (dissolution) so the opportunity to catch their new show Things That Do Not C(o)unt in the final week of the VAULT Festival was one I was keen not to pass up. Written and performed by Nastazja Somers and co-created with Bj McNeill, it probes away at some of the key recurring themes that emerged in this festival.
Society’s expectations of women, and its expectations of how young women should deal with their nascent sexuality. Body image and the uneasy relationship that it inculcates with food. But there’s also a deeply personal vein to this show as well. Partly autobiographical in nature, Somers presents and investigates her Polish heritage too, exploring that impact too. Continue reading “Review: Things That Do Not C(o)unt, VAULT Festival”
“Everything is slipping out of my control”
They fuck you up, your mum and dad. Or do they? Among the many themes raised by Bj McNeill’s is nature versus nurture, questioning if there’s an inescapable genetic legacy carried down by parents whether they’re a part of one’s life or not, looking at what impact their presence – or otherwise – has on one’s own emotional development. Are we doomed to repeat their mistakes or are we actually just responsible for our own fuck ups.
torn apart (dissolution) approaches this with a triptych of relationships in stark relief. A Polish student and an American soldier connect in 1980s West Germany; an Australian backpacker parties hard like it is 1999, realising that her boyfriend has fallen even harder despite her visa expiry date fast approaching; and also in London, in the present day, Holly’s love for Erica is challenged by long-reaching shadows from both of their pasts.
Continue reading “Review: torn apart (dissolution), Hope”