20 shows to look forward to in 2019

So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.

1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.

Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…

3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”

Review: Dick Whittington and his Cat, Lyric Hammersmith

“We just need someone to run London”

Dick Whittington and his Cat is the Lyric Hammersmith’s choice of pantomime this year with its ageless tale of a young boy making his way to London to find his fortune. Updating the story slightly to include all sorts of modern references and something of a street sensibility, it does a great job of observing the golden rule of pantomime of keeping its audience engaged and ensuring that the humour contained within hits on all levels, amusing young and old alike, working in slapstick, sight gags, silliness and a fair old bit of smut in Joel Horwood and Morgan Lloyd Malcolm’s excellent script.

There’s a steady flow of musical numbers, mainly up-to-the-minute pop songs like Jay-Z and Alicia Keys’ ‘Empire State of Mind’, Katy Perry’s ‘California Gurls’ and Glee’s ‘Don’t Stop Believin’’ featuring lyrical changes to make them London- and Hammersmith –specific. The best of them though is the genuinely funny take on Lady GaGa’s ‘Bad Romance’ by King Rat, Bad Rodent, which both excellently comic and creepy and it is nice to see the amount of effort that has gone into adapting all these songs in an integrated way into the show, rather than making them simple karaoke numbers. Continue reading “Review: Dick Whittington and his Cat, Lyric Hammersmith”