Winners of the 72nd Tony Awards

Best play
The Children
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two – WINNER
Junk
Latin History for Morons

Best musical
The Band’s Visit – WINNER
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

Best book of a musical
Itamar Moses for The Band’s Visit – WINNER
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “Winners of the 72nd Tony Awards”

2018 What’s On Stage Award nominations

It’s that time of year again and getting in early with the announcement of their nominees is What’s on Stage. Voted for by the public, they’re often skewed a little towards the bigger ‘names’ but this year’s set of nominations are relatively controversy-free. There’s something a little odd about the way that regional theatre has its own separate category but its actors appear in the main ones – I feel like regional theatre productions should either be considered entirely in or out, rather than this halfway house.

Naturally, big shows rule the roost – 42nd Street and Bat out of Hell lead the lists with 8 nominations apiece – and they’ve even found a way to shoehorn in Hamilton by nominating it for the two new categories of Best Cast Recording (which somehow includes Les Mis??) and Best Show Poster, thus being able to get round it not actually being open yet and grabbing the requisite headlines once it does, inevitably, win.

BEST ACTOR IN A PLAY SPONSORED BY RADISSON BLU EDWARDIAN
Andrew Garfield, Angels in America
Andrew Scott, Hamlet
Bryan Cranston, Network
David Tennant, Don Juan in Soho
Martin Freeman, Labour of Love

BEST ACTRESS IN A PLAY
Eve Best, Love in Idleness
Imelda Staunton, Who’s Afraid of Virginia Woolf?
Olivia Colman, Mosquitoes
Natalie Dormer, Venus in Fur
Tamsin Greig, Labour of Love Continue reading “2018 What’s On Stage Award nominations”

Round-up of news and treats and other interesting things

The announcement of the new cast for Broadway’s hugely lauded Hello, Dolly! has been a most strange affair – names trickling out one by one, rather than one big splash. However, it is Bernadette Peters (from 20th January) who has the unenviable task of following in Bette Midler’s shoes and trying to maintain the hefty box office that she’s managed to garner, and maintain. Victor Garber and our very own Charlie Stemp (making his Broadway debut) have also been revealed and doubtless by the time you read this, more will be have been announced too, one by one.


Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Public on sale is: 27 October at 10am NYC time. Continue reading “Round-up of news and treats and other interesting things”

Review: Angels in America, National Theatre

“It isn’t easy, it doesn’t count if it’s easy, it’s the hardest thing. Forgiveness. Which is maybe where love and justice finally meet”

In the many aspects of Angels in America that there are to enjoy and appreciate, the richness of Tony Kushner’s writing was not one that I was particularly expecting. But at several points throughout the many, many hours of the two-show press day, it felt like Kushner was almost writing in pull-quotes, such was the vividness of the language that was resonating from the stage of the Lyttelton. So to reflect that, I’m structuring this post a little differently to a traditional review, using some of those quotes to trigger and collect some of my thoughts. 

“The great work begins”

Such was the ‘noise’ around this 25th anniversary production of these shows that it was impossible to ignore the fevered level of expectation and that’s something I find a little hard to deal with. I’d never seen them onstage before, nor succumbed to the temptation of watching the HBO miniseries, wanting to be able to make up my own mind about them. But it is so difficult in this day and age, to dissociate from the chatter around the theatre I love. Plus the fact that so many exciting names were attached to the cast and creative listings – Marianne Elliott directing the likes of Oscar nominee Andrew Garfield, Olivier winner Denise Gough, bona fide cultural institution Nathan Lane…I mean who couldn’t get just a bit excited. Continue reading “Review: Angels in America, National Theatre”

The complete 71st Tony nominations

Best play
A Doll’s House, Part 2 by Lucas Hnath
Indecent by Paula Vogel
Oslo by JT Rogers
Sweat by Lynn Nottage

Best musical
Come from Away
Dear Evan Hansen
Groundhog Day the Musical
Natasha, Pierre and the Great Comet of 1812

Best book of a musical
Come from Away by Irene Sankoff and David Hein
Dear Evan Hansen by Steven Levenson
Groundhog Day the Musical by Danny Rubin
Natasha, Pierre and the Great Comet of 1812 by Dave Malloy
Continue reading “The complete 71st Tony nominations”

News: Olivier Awards presenters revealed

The Olivier Awards 2017 has announced the list of people who’ll be handing out awards at the ceremony, hosted by Jason Manford of all people, on Sunday 9th April in the august surroundings of the Royal Albert Hall.

Presenters this year include – deep breath – David Baddiel, Alfie Boe, John Boyega, Michaela Coel, Leanne Cope, Julian Clary, Robert Fairchild, Ben Forster, Phoebe Fox, Andrew Garfield, Denise Gough, Matt Henry, Ruthie Henshall, Amanda Holden, Rufus Hound, Cush Jumbo, Nathan Lane, Rose Leslie, Maureen Lipman, Danny Mac, Audra McDonald, Lin-Manuel Miranda, Laura Mvula, Paul O’Grady, Tracy-Ann Oberman, Sophie Okonedo, Charlotte Ritchie, Mark Rylance and Russell Tovey. Continue reading “News: Olivier Awards presenters revealed”

Review: The Frogs, Jermyn Street

“Gods of the theatre, smile on us”

No matter the star quality of the names associated with The Frogs – Meryl Streep and Sigourney Weaver were in the original student company who performed it in a Yale swimming pool in 1974, Nathan Lane was one of the co-writers who expanded it for a Broadway run in 2004 – but there’s no escaping the fact that it is one of Sondheim’s rarely performed musicals. It’s a descriptor that rightly causes a deal of trepidation – more often than not there’s a good reason that works collect dust on the shelf and the hunt for worthy rediscoveries only rarely turns up a diamond.

Another way of looking at it is that you need to kiss a lot of frogs to find a prince and if this isn’t an outright amphibian, it’s also by no means royalty. Loosely based on a 405 BC play by Aristophanes but sending up Greek comedy at the same, we follow Michael Matus’ Dionysos and his slave Xanthias, played by George Rae, as they journey to Hades to find someone who can “enlighten the easily misled and coerced masses of Earth”. They light on George Bernard Shaw as a saviour but Shakespeare has something to say about it, as do Herakles, Charon, Pluto and a chorus of frogs… Continue reading “Review: The Frogs, Jermyn Street”