“Maman est avec vous
Maman est avec vous
Nothing becomes Medea (or at least this version of her) as much as her entry into the world. Into a liminal space shrouded in smoke, summoned by a clarion call from the ether, an unknowable shape emerges. Obscured by lush swathes of fabric, movement governed by improbably high platforms, this figure casts extraordinary shadows (stunning lighting work from Chahine Yavroyan) until they arrive centre stage to finally deliver their story.
And though Euripides’ enduring classic may be familiar, it’s not likely one has heard it told quite like this. Medea, Written in Rage was reimagined by the Haitian-French Jean-René Lemoine and has been translated and adapted here by Neil Bartlett, to be performed by the Frenchman François Testory. A dancer and singer of some considerable renown, he submerges us into a queered-up, highly-politicised sonic experiment of a piece which is, at times, hugely arresting. Continue reading “Review: Medea, Written in Rage, The Place”