The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!
“We’ve all done things of which we are ashamed”
The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)
A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well. Continue reading “TV Review: Unforgotten Series 3”
The third series of Unforgotten starts and once again, Nicola Walker fails to disappoint
“Who buries a body in the central reservation of the M1”
They’re back! Nicola Walker’s DCI Stuart and Sanjeev Bhaskar’s DS Khan sit at the heart of Chris Lang’s cold case thriller Unforgotten and for the previous two series, have been extremely impressive. Carving out a niche in the crowded police procedural TV market is enough of a job but doing it this well is noteworthy.
So it is little surprise that they have returned for a third series and though the format might be creaking ever so slightly as the same model is recycled once again, there’s enough here to point out the differences between so many of the other programmes who long to be recommissioned and respected this much. Continue reading “TV Review: Unforgotten Series 3 Episodes 1+2”
“There’s a line. It’s called right and wrong and I know which side my duty lies”
Well, that’s what you call a series finale! After the brilliant fake-out of Danny Waldron not being the new Tony Gates or Lindsay Denton, Jed Mercurio’s Line of Duty took us further than we ever could have dared into the murky world of police corruption, weaving together story strands from all three series into an overarching conspiracy thriller that has to rank as one of the televisual highlights of the year so far.
My Episode 1 review
can be found here and I won’t say much more here than to recommend you buy the DVD boxset now.
“We underestimated her”
The first series of Line of Duty was well-received by critics and audiences alike, hence a second series of Jed Mercurio’s police show being commissioned. With the centre of the anti-corruption team AC-12’s investigation DCI Gates having reached a conclusion of sorts, their attentions are turned onto Keeley Hawes’ DI Lindsay Denton, the sole survivor of an ambush on a witness protection scheme that leaves three police officers dead. Suspicions are aroused by some suspect decision-making on her part but it’s soon evident that there’s much more to the case, not least in the tendrils that connect it to the past.
Series 1 was very good but Series 2 seriously raises the bar, firstly by engaging in some Spooks-level business in casting the excellent Jessica Raine and well…spoilers, but secondly in getting from Hawes the performance of a lifetime in a masterpiece of a character. Denton is so multi-faceted that she’d beat a hall of mirrors at its own game and from her manipulative use of HR to her way with noisy neighbours to the shocking abuse she suffers in custody to the machinations of her superiors, the slipperiness of this woman is merciless and magisterial in its execution, its inscrutable nature utterly compelling. Continue reading “TV Review: Line of Duty Series 2”
“Do you want me to recrime it sir?”
With Jed Mercurio’s Line of Duty about to start its third series on BBC2, I thought I’d go back to the first two series as they have to rank as some of the best police dramas out there. Centred on the world of AC-12, an anti-corruption unit charged with investigating suspected police wrongdoing, we’ve been so far blessed with two extraordinary stories, hanging on superb performances from the people under suspicion – Keeley Hawes (whose series we’ll get to next) and Lennie James.
James plays DCI Tony Gates, a decorated officer with an amazing clear-up rate that seems too good to be true, and so when he comes to the attention of AC-12, initially for something completely unrelated, the wheels are set in motion for a fast-degenerating state of affairs. Money laundering, drug running, cover-ups, and gruesome murders intertwine and intersect with Gates at the heart of it all, but his true connections to events always in question, right until the end. Continue reading “TV review: Line of Duty Series 1”
“Who put Jesus in with the iguana?”
Much more fun than traditional takes on the Nativity is Tim Firth’s The Flint Street Nativity (which I’d somehow managed to avoid seeing until now) which is utterly charming and heart-warmingly British in the best possible way. Firth’s conceit is to have adults playing children, hardly the most original of ideas, but as the pupils of this infant class put on a chaotic performance of the Christmas story complete with onstage squabbles and backstage power struggles, we see how the turbulence of their home lives is played out in their interactions with their schoolmates.
It is beautifully done, and sensitively played throughout. It never stops being funny – particularly as Dervla Kirwan’s determined Jaye plots and schemes to usurp Josie Lawrence’s Debbie Bennett as Mary – as playground rituals dominate proceedings. There’s the endless procession of ever-changing best friends, the relentless goading of the one who always says “dares ya” to the more susceptible kids, the terror of the boy with the stammer, the terrifying rough kid, the bossy know-it-all, the teacher whose patience wears ever thinner with each crisis. Continue reading “DVD Review: The Flint Street Nativity”
Some shows you just know are going to get bad reviews but these are quite often shows that certain people are going to love no matter what and so it was with me and Acorn Antiques The Musical. I loved Victoria Wood’s sketch show from the moment I remember seeing it (I’m northern, it is in the contract) and so when I heard that she was writing a musical based on it, there was no doubt what my request for a birthday present would be: tickets to see it at the Theatre Royal Haymarket.
Directed by Trevor Nunn, Wood took on sole responsibility for the show, writing book, music and lyrics and managed to persuade many of the original stars from the show to reprise their roles: Celia Imrie, Duncan Preston and of course, Julie Walters. And when the show focuses on recreating the hilarity that was Acorn Antiques the show as we remember it, this has to be one of the funniest nights I have ever had at the theatre, I was helpless with laughter for so much of it. Continue reading “Review: Acorn Antiques The Musical, Theatre Royal Haymarket”