“I know what fucking surf and turf is”
It is always fascinating to revisit the early work of writers who have gone on to bigger things and Tiny Dynamite offers that chance with Abi Morgan, screenwriter of such hits as Shame, The Iron Lady and Suffragette. This play, revived by David Loumgair for Time Productions, is somewhat of a challenge in the forthrightly enigmatic way in which it has been written and a set of creative decisions that show a pleasing affinity for taking risk.
As ever, not all of though decisions pay off. But when they do, Tiny Dynamite is full of small surprises. Anna Reid’s design introduces water onto the small stage of the Old Red Lion to powerful effect, especially when combined with the electric effect of Zoe Spurr’s lighting. And the gender-swapping of one of the three characters demonstrates the kind of active commitment to redressing gender inequality that remains all too rare in the theatre industry. Continue reading “Review: Tiny Dynamite, Old Red Lion”