“Let me feel how thy pulses beat”
Joe Hill-Gibbins’ raucous production of The Changeling first played the intimate Maria studio at the Young Vic earlier this year and encouraged by its success there, it has now transferred into the main theatre to provide a Gothic pre-Christmas treat. Middleton and Rowley’s Jacobean tragedy which spirals around spoilt rich girl Beatrice-Joanna’s schemes with her malevolent lackey De Flores has been mostly recast, just two people return, but its intense atmosphere, playful spirit and copious quantities of jelly, jam and trifle remain.
Sinéad Matthews takes on the role of wilful Beatrice-Joanna, determined to replace the man to which she finds herself engaged with the ones she has the hots for, and willing to do anything to get Zubin Varla’s disfigured De Flores to carry out her dastardly wishes. It’s a fascinating casting choice, the melancholy musicality of Matthews’ voice initially seems a difficult fit but the contrast of her doll-like frame against the wiry masculinity of Varla becomes highly effective as she attempts to manipulate all around her, forced to use her intelligence and wiles to ensure that Harry Hadden-Paton’s appealing Alsemero ends up with her. Continue reading “Re-review: The Changeling , Young Vic”
“Never tired o’ lookin’ for a rest”
When the National Theatre open their booking periods, there is normally a mad scramble to pick up the cheap £12 tickets and so my default position has generally been to take a punt on most, if not every show that comes up, without really considering how much I actually want to see the plays. Increasingly though, I am coming to realise that the rush for a bargain really shouldn’t override my instincts about whether I will enjoy a play or not: it may seem like common sense to most people but to a theatre addict, this is a big step. Which is all leading up to me telling you that I left Juno and the Paycock at the interval.
The play in question was lauded as one of the best 100 plays of the last century and an Irish classic – this is a co-production with the Abbey Theatre, Ireland where it premiered last month (this was the final preview here) – with Howard Davies directing and a cast including Sinéad Cusack and Ciarán Hinds, so one would have assumed it was something of a safe bet. But if I’m honest, the prospect of this play never really stirred any excitement in me and the way the first two acts played out left me completely cold and so I made the very rare (for me) decision to make a quick exit. Continue reading “Not-a-review: Juno and the Paycock, National Theatre”