Powerfully acted by Nicola Walker, Alun Armstrong anf Maggie Steed, Mark Ravenhill’s cleverly written The Cane is bracing stuff at the Royal Court
“These children now can hunt out anybody’s grievance and claim it as their own…they want to be offended”
Inspired by Mark Ravenhill’s realisation that some teachers retiring now would have been active when corporal punishment was outlawed in 1986, The Cane is his first new play for a goodly while. And directed by Vicky Featherstone, it is a strikingly intriguing piece of drama which has as much to say about contemporary outrage culture as it does the abuses of the past.
Edward is marking 45 years as a teacher and preparations for his retirement do are in full swing. A mob has trapped him and his wife Maureen in their own home though, inflamed by his past use of the cane, and the arrival of their daughter Anna is little comfort as she is long-estranged. And as it turns out she has both a personal and professional interest here, the atmosphere within proves no less febrile than without. Continue reading “Review: The Cane, Royal Court”
All hail the return of Nicola Walker to the stage! Get your tickets for Camelot! Discover the Heart of Darkness! Get your exam in musical theatre singing with ABRSM!
London Musical Theatre Orchestra has announced casting for Saturday’s concert version of Camelot at the London Palladium and there’s still a few tickets going. Packed with some of musical theatre’s best songs, LMTO’s concert version with full orchestra will celebrate the centenary of Alan Jay Lerner’s birth.
The role of Arthur will be played by Olivier Award-winner David Thaxton (Passion / Les Misérables / Jesus Christ Superstar), Guenevere will be played by Savannah Stevenson (Wicked / Aspects of Love / Follies), and Lancelot will be played by internationally renowned opera star Charles Rice (Mozart’s Requiem / The Barber of Seville / Candide). Continue reading “Friday feeling – news aplenty”
The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!
“We’ve all done things of which we are ashamed”
The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)
A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well. Continue reading “TV Review: Unforgotten Series 3”
If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold
“Kill all the lawyers”
If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split / The Good Fight”
The third series of Unforgotten starts and once again, Nicola Walker fails to disappoint
“Who buries a body in the central reservation of the M1”
They’re back! Nicola Walker’s DCI Stuart and Sanjeev Bhaskar’s DS Khan sit at the heart of Chris Lang’s cold case thriller Unforgotten and for the previous two series, have been extremely impressive. Carving out a niche in the crowded police procedural TV market is enough of a job but doing it this well is noteworthy.
So it is little surprise that they have returned for a third series and though the format might be creaking ever so slightly as the same model is recycled once again, there’s enough here to point out the differences between so many of the other programmes who long to be recommissioned and respected this much. Continue reading “TV Review: Unforgotten Series 3 Episodes 1+2”
All hail the return of Nicola Walker to our TV screens in new Abi Morgan drama The Split
“Divorce shouldn’t be easy”
Just a quickie to cover the first episode of this new legal drama which looks extremely promising, not least because of a swooningly wonderful cast. The aforementioned Nicola Walker, Annabel Scholey and Fiona Button as sisters, the ever-marvellous Deborah Findlay as their fearsome mother, people like Stephen Tompkinson and Meera Syal as clients, hunky Dutchmen like Barry Atsma looming on the sidelines, and the likes of Rudi Dharmalingam and Kobna Holdbrook-Smith also on the fringes.
Photograph: Mark Johnson/BBC/Sister Pictures
Ever pioneers in pushing the boundaries of theatrical enterprise (to wit, the durational readings of The Iliad and The Odyssey), the Almeida Theatre has launched Figures of Speech, a major new digital film project interrogating the vitality of speech, rhetoric, and what visionary leadership sounds like. Conceived by Rupert Goold and directed by Anthony Almeida, Figures of Speech will, deep breath, “place history’s greatest speeches centre stage through a series of films read by a network of actors and young leaders released online, building a tapestry of dynamic voices and ideas from across the world as a dramatic response to social crisis”.
The first suite of films, being released on a day-by-day basis from today, features speeches delivered by American politician Harvey Milk spoken by Ian McKellen; Nelson Mandela spoken by Lucian Msamati; Virginia Woolf spoken by Fiona Shaw; AIDS activist Elizabeth Glaser spoken by Nicola Walker; and Labour Party Politician Neil Kinnock spoken by Ashley Walters. And throughout the year, the Almeida will release more of these films, accompanied by additional material exploring the speeches, the context within which they were first delivered and the choice to revive them in 2017. Continue reading “Figures of Speech, a major new digital project by the Almeida”
“You might put me in prison but let me tell you this: you can’t judge me unless you’ve had it done to you.”
Blimey, I knew Unforgotten was good (here’s my Episode 1 review, and my Series 1 review) but I wasn’t expecting it to be this soul-shatteringly excellent. More fool me I suppose, Nicola Walker is a god among mortals and her presence alone is reliably proving a harbinger of excellence, but allied to Chris Lang’s scorching writing, it’s hard to imagine that we’ll see much better television than this before the year is out.
That it managed this by using elements that have been seen recently (historical child sex abuse as per Line of Duty; the Strangers on a Train twist featured in Silent Witness just last month) and imbuing them with a compelling freshness is impressive enough, but the way in which it revealed this at the mid-point of the series and yet still had hooks and surprises aplenty to keep me gripped right until the bitterly haunting end. Continue reading “TV Review: Unforgotten Series 2”
“Maybe we should be concentrating on the suitcase”
In the glut of new crime series that have started this week – Death In Paradise, No Offence – Chris Lang’s Unforgotten stands out for me as a clever twist on a crowded genre, plus it has the bonus of the ever-excellent Nicola Walker in a starring role. Unforgotten’s twist on the crime drama is to completely emphasise the latter over the former, so whilst each series hooks on a cold case brought back to life, the focus is on the lives that have continued in its wake.
The reveal of the format was a highlight of the beginning of the first series, the disparate stories of 4 seemingly unconnected people bound together by the discovery of their phone numbers in the victim’s diary. And this second series wisely sticks largely to the same formula, introducing us to a Brighton gay couple in the process of adopting, a nurse on a cancer ward in London, a teacher applying for a headship in a school in special measures, a young man lying to his mother…all of whom are sure to be linked to the body found in a suitcase in the River Lea. Continue reading “TV Review: Unforgotten Series 2 Episode 1”
“You’re not going down South?”
It’s hard not to be a little disappointed with the fact that Series 4 of Last Tango in Halifax
consists of only two episodes. But when the drama is of this good a quality, you can’t begrudge Sally Wainwright taking her foot off the pedal here just a little (her Brontë Sister drama To Walk Invisible
is also on over the festive period). And even with just 2 hours of television to play with, she still packs a lot in.
Still mourning the loss of Kate and adjusting to life as a single mother to Flora, Sarah Lancashire’s Caroline uproots her family to the rural outskirts of Huddersfield as she’s taken a new headship at a state school there. And newlywed Gillian is struggling with guilt of what she did to her new husband’s brother, to whom she was also married. Meanwhile, Alan and Celia are sucked into the world of am-dram.
Continue reading “TV Review: Last Tango in Halifax Series 4”