2017 Oscars – pre-ceremony thoughts

“For whatever reason, he spared a hamster”

When you see as much theatre as I do, it can be difficult to keep up to date with cinematic releases – if I have a night off, I rarely want to spend it in a dark room… – but I have tried my best this year to see at least some of the Oscar-nominated films, so that I can chip in once they’ve been distributed in a way that will doubtless cause some controversy or other.

Continue reading “2017 Oscars – pre-ceremony thoughts”

2016 Laurence Olivier Awards nominations

Best New Play 
Farinelli and the King by Claire van Kampen – Duke of York’s
Hangmen by Martin McDonagh – Jerwood Downstairs, Royal Court / Wyndham’s
People, Places and Things by Duncan MacMillan – National Theatre Dorfman
The Father by Florian Zeller, translated by Christopher Hampton – Wyndham’s

Best New Musical
Bend It Like Beckham – Phoenix
In the Heights – King’s Cross
Kinky Boots – Adelphi
Mrs Henderson Presents – Noël Coward

Best Revival 
Hamlet – Barbican
Les liaisons dangereuses – Donmar Warehouse
Ma Rainey’s Black Bottom – National Theatre Lyttelton
The Winter’s Tale – Garrick Continue reading “2016 Laurence Olivier Awards nominations”

Winners of the 2016 What’s On Stage Awards

Best Actor In A Play Sponsored By Radisson Blu Edwardian:
WINNER – Benedict Cumberbatch, Hamlet
James McAvoy, The Ruling Class
Bradley Cooper, The Elephant Man
Mark Rylance, Farinelli and the King
Alex Hassell, Henry V

Best Actress In A Play Sponsored By The Umbrella Rooms:
WINNER – Nicole Kidman, Photograph 51 
Denise Gough, People, Places and Things
Lia Williams, Oresteia
Rosalie Craig, As You Like It
Harriet Walter, Death of a Salesman
Continue reading “Winners of the 2016 What’s On Stage Awards”

Review: Rabbit Hole, Hampstead

“People want things to make sense”

Anchored by a barnstorming central turn from Imelda Staunton (as if there were any other kind), David Lindsay-Abaire’s Good People was a huge success for the Hampstead Theatre, so they’ve returned to this American playwright with his Pulitzer Prize-winning drama Rabbit Hole. The suburban comforts of Becca and Howie Corbett’s family life are wrecked when their four-year-old Danny is killed in a road accident outside their home. Tragedy swallows them whole and grief tears them apart, the divergence in their individual journeys threatening what’s left of their family. 

The 2006 Broadway run got multiple Tony nominations and won for lead Cynthia Nixon and in 2011, the superb film adaptation garnered an Academy Award nomination for Nicole Kidman, so the stakes could be considered high for Outnumbered star Claire Skinner here. Edward Hall’s production never quite launches into the stratosphere though; whereas Good People depicted an authentic-feeling US working class life, Rabbit Hole’s middle class milieu doesn’t convince, too stagily British for its own good. Continue reading “Review: Rabbit Hole, Hampstead”

2016 What’s On Stage Award nominations

Best Actor In A Play Sponsored By Radisson Blu Edwardian:
Benedict Cumberbatch, Hamlet
James McAvoy, The Ruling Class
Bradley Cooper, The Elephant Man
Mark Rylance, Farinelli and the King
Alex Hassell, Henry V

Best Actress In A Play Sponsored By The Umbrella Rooms:
Nicole Kidman, Photograph 51 
Denise Gough, People, Places and Things
Lia Williams, Oresteia
Rosalie Craig, As You Like It
Harriet Walter, Death of a Salesman Continue reading “2016 What’s On Stage Award nominations”

Winners of the 2015 London Evening Standard Theatre Awards

Best Actor
WINNER James McAvoy, The Ruling Class, Trafalgar Studios
Simon Russell Beale, Temple, Donmar Warehouse
Kenneth Cranham, The Father, Ustinov Bath, Tricycle Theatre & Wyndham’s Theatre
Ralph Fiennes, Man And Superman, National Theatre’s Lyttelton

Natasha Richardson Award for Best Actress
WINNER Nicole Kidman, Photograph 51 , Noël Coward Theatre
Denise Gough, People, Places and Things, National Theatre’s Dorfman
Gugu Mbatha-Raw, Nell Gwynn, Shakespeare’s Globe
Lia Williams, Oresteia, Almeida Theatre & Trafalgar Studios Continue reading “Winners of the 2015 London Evening Standard Theatre Awards”

The 2015 London Evening Standard Theatre Awards

Best Actor
Kenneth Cranham, The Father, Ustinov Bath, Tricycle Theatre & Wyndham’s Theatre
Ralph Fiennes, Man And Superman, National Theatre’s Lyttelton
James McAvoy, The Ruling Class, Trafalgar Studios
Simon Russell Beale, Temple, Donmar Warehouse

Natasha Richardson Award for Best Actress
Denise Gough, People, Places and Things, National Theatre’s Dorfman
Nicole Kidman, Photograph 51 , Noël Coward Theatre
Gugu Mbatha-Raw, Nell Gwynn, Shakespeare’s Globe
Lia Williams, Oresteia, Almeida Theatre & Trafalgar Studios Continue reading “The 2015 London Evening Standard Theatre Awards”

Review: Photograph 51, Noël Coward

“The instant I saw the photograph my mouth fell open and my pulse began to race” 

The biggest shame about the long awaited return of Nicole Kidman to the London stage is that it has given many a lazy hack an excuse to rehash ‘that’ Charles Spencer quote without considering just what they are reducing this Academy Award-winning actor to. Which perhaps is an irony that is suited to Photograph 51, the play that has brought her here, a portrait of British scientist Rosalind Franklin whose role in the discovery of the structure of DNA, of “the secret to life” itself as the publicity breathily puts it, is one that has been shamefully sidelined.

Anna Ziegler’s play explores the life of the research scientist with surprising depth and clarity – there’s no danger of being blinded by science here – as she follows the two rival teams trying to crack the code of the double helix. Franklin was the only woman working on either team and there is no hiding of the fact that she was strong-willed to the point of being obstinate and innately distrustful of those around her, even her King’s College colleagues, and thus showing how personality as much as intelligence had a role to play in the discoveries that were to come. Continue reading “Review: Photograph 51, Noël Coward”

Blogged: Nicole Kidman

Nicole Kidman’s return to the London stage hasn’t even had its press night yet and I am already sick of people rehashing the patronising and belittling Charles Spencer quote from her turn in The Blue Room. Along with the scrutiny that her appearance has long generated, this conveniently ignores the fact that she has won an Academy Award for Best Actress and been nominated twice more and pays little credit to an illustrious acting career that stretches back to the 1990s.

So in order to redress the balance, I’ve been watching and reviewing some of those films as a gentle reminder of what she should be best known for. So we have her Oscar-winning turn in The Hours and her nominated roles in Moulin Rouge and the exquisite Rabbit Hole, plus Cold Mountain for which she was Golden Globe-nominated. I also watched three of her 2014 films – the glorious Paddington, Before I Go To Sleep and the much-beleaguered Grace of Monaco

She’s also collaborated with some interesting people so Alejandro Amenábar’s The Others, Jez Butterworth’s Birthday Girl and Lars von Trier’s exceptional Dogville also get a look. And because no-one is perfect, I watch Bewitched and The Stepford Wives so that you don’t have to!

 

DVD Review: The Hours

“I seem to have fallen out of time”

Based on Michael Cunningham’s novel of the same name, I loved 2012 film The Hours from the first time I saw it and still think it a minor masterpiece a three women, each connected by Virginia Woolf’s Mrs Dalloway, try to get through the living of a single day. In the present day, Meryl Streep plays Clarissa Vaughan, a NY society hostess planning a party for her AIDS-stricken poet friend; Julianne Moore plays Laura Brown, a depressed 1950s housewife, unhappily married and pregnant for the second time; and Nicole Kidman plays Woolf herself, battling her own demons whilst writing the book.

From David Hare’s screenplay, Stephen Daldry creates a hugely elegant sweep across time as echoes ripple across the separate narratives – connections built through the smallest of details recurring as each woman variously deals with repressed longing, the fear of a life not lived to its fullest, the hours that keep on passing. Kidman (and her prosthetic nose) may have won the Academy Award and she is very good but for my money, it is Moore’s anguished housewife who should have won the plaudits, such is the intensity she brings to the role.  Continue reading “DVD Review: The Hours”