“Some patterns are more difficult to find than others”
I’m nothing if not contrary: I refused endless invitations to see The History Boys despite many people raving about it, I’m just odd like that sometimes. But when someone who really ought to have known better(!) tried to prejudge my response to Complicite’s A Disappearing Number, I was resolved to enjoy it no matter what! After touring India, it is returning to London for a limited engagement after a well-received run in 2008. And fortunately, I really did find it to be contemplative, moving and ultimately most beautiful.
It is incredibly hard to describe just what the show is about as it is impossible to do it justice. On the face of it, it is two love stories: in the modern day, bookish maths lecturer Ruth and stockbroker Al are desperate to start a family as they’ve both turned 40, and then in the 1910s we see the developing relationship between father of modern mathematics G.H Hardy and prodigious Indian maths genius Srinivasa Ramanujan. But it is so much more as well, with a staging of breathtaking invention that works in elements of movement, vocal effects, chanting, Asian dance, and a slick technological aesthetic with some outstanding projection work, beautiful lighting effects and a smoothly everchanging backdrop that seamlessly changes from blackboard to whiteboard to screen to wall and much more besides. Continue reading “Review: A Disappearing Number, Complicite at the Novello Theatre”