News: stars come out to support the Jermyn Street Theatre

Stars of stage and screen including Olivia Colman, Helena Bonham Carter, David Suchet, Dame Penelope Keith, Timothy West, Jamael Westman, Tobias Menzies, Aimee Lou Wood, Grace Saif, Dame Penelope Wilton, and Julie Hesmondhalgh have joined forces to perform Shakespeare’s 154 sonnets for Jermyn Street Theatre, a 70-seat studio in London’s West End.

The Sonnet Project launched on the theatre’s social media channels on 21 March, when Hannah Morrish performed Sonnet 1. One sonnet has appeared every day since then, with the cycle due to complete with Sonnet 154 in late August. David Suchet, star of Agatha Christie’s Poirot but also a veteran of numerous Royal Shakespeare Company productions, performed Sonnet 34 on Shakespeare’s birthday. Continue reading “News: stars come out to support the Jermyn Street Theatre”

The winners of the 7th annual Mousetrap Awards

Best Feel Good Show
Kinky Boots

Show You Came Out Dancing To
Five Guys Named Moe

Best Female Performer
Rachel John for Hamilton

Most Heart Stopping Show
The Ferryman

Soundtrack of My Soul
Hamilton

Best Male Performer
Layton Williams for Rent

Best Finale
Kinky Boots

Aesthetic On Point
The Grinning Man

Performer Who Saved The Day
Adam Bayjou for Les Mis

Couldn’t Wait For It To Open
Five Guys Named Moe

Best Ensemble
Hamilton

Friendliest Venue
The Old Vic

fosterIAN awards 2017

 WinnerRunner-upOther nominees
Best Actress in a PlayHattie Morahan/
Kate O'Flynn/
Adelle Leonce,
Anatomy of a Suicide
Victoria Hamilton, Albion
Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Best Actor in a Play
Ken Nwosu, An OctoroonAndrew Scott, HamletAndrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning
Best Supporting Actress in a PlayBríd Brennan, The FerrymanKate Kennedy, Twelfth Night (Royal Exchange)Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O'Flynn, The Glass Menagerie
Best Supporting Actor in a PlayFisayo Akinade,
Barber Shop Chronicles
Brian J Smith, The Glass MenageriePhilip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America
Best Actress in a MusicalJanie Dee, Follies AND
Josefina Gabrielle, A Little Night Music
AND Josie Walker,
Everybody's Talking About Jamie
Amie Giselle-Ward, Little WomenSharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T'Shan Williams, The Life
Best Actor in a MusicalGiles Terera, HamiltonScott Hunter/Andy Coxon, Yank! A WWII Love StoryJohn McCrea, Everybody's Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton
Best Supporting Actress in a Musical
Tracie Bennett,
Follies
Rachel John, HamiltonChristine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody's Talking About Jamie
Best Supporting Actor in a MusicalJason
Pennycooke,
Hamilton
Mark Anderson, The Grinning ManFred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

2017 Best Supporting Actor in a Play + in a Musical

Best Supporting Actor in a Play

Fisayo Akinade, Barber Shop Chronicles
To pick someone out of this prodigiously talented ensemble almost feels unfair, but Ellams’ narrative did repeatedly land on Peckham and the contested ownership of that salon was given blistering power by Akinade’s Samuel, bristling under the control of pseudo-father figure Emmanuel.

Honourable mention: Brian J Smith, The Glass Menagerie
To borrow from a different Tennessee Williams play, Smith was every inch the gentleman caller we all have been fantasising about since high school.

Philip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America

8-10

John Hodgkinson, The Ferryman; Peter Polycarpou, Oslo; Sam Reid, Girl From the North Country

 

Best Supporting Actor in a Musical

Jason Pennycooke, Hamilton
Getting to play both Jefferson and Lafayette means Pennycooke has twice the opportunity to make an impact and he does so, on both accounts, with real flair. I’ve long been a fan of his and this show is a brilliant showcase for his talents.

Honourable mention: Mark Anderson, The Grinning Man
New to the cast from Bristol, Anderson’s take on Dirry-Moir was inspired in its quirky warmth and the moment where I thought he was going to sit down next to me was a mildly hilarious highlight in a great show.

Fred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

8-10
Rob Fowler, Bat Out of Hell; John Hopkins, The Secret Diary of Adrian Mole Aged 13 ¾; Tom Norman, Salad Days

Not-a-re-review: Hamilton, Victoria Palace

“The plan is to fan this spark into a flame”

It’s not been a hot minute since I last saw Hamilton so just take a look at my original review for the deets.

Running time: 2 hours 35 minutes (with interval)
Booking note – keep your eyes open for returns, of which there have been quite a few.  And check your browsers, the Ticketmaster site is most temperamental with the likes of Opera, Firefox and Chrome in my experience, Microsoft’s Edge has been most reliable for me

 

Review: Hamilton, Victoria Palace

It’s here! Hamilton finally arrives in the West End and lights up the newly refurbished Victoria Palace Theatre for the ages

“A bunch of revolutionary manumission abolitionists, 

Give me a position, show me where the ammunition is”

Change doesn’t just happen, it has to be ushered in by visionaries determined to shake up the status quo to allow the rest of us to shuffle in in their wake. This is true of many things but particularly when it comes to diversity in our theatres, which makes it pleasing that this first production of Hamilton outside of the US has maintained its commitment to multiracial casting in its depiction of the travails of ill-fated Founding Father Alexander Hamilton.

Sure, shows such as Motown the Musical and Dreamgirls offer much-welcomed opportunities for performers of colour. But its the vision of the likes of Michael Buffong and Talawa casting an all-black Guys and Dolls and Hamilton writer Lin-Manuel Miranda and director Thomas Kail making this decision that allows those performers to get the kind of credits on their CV that would otherwise never be gained. Continue reading “Review: Hamilton, Victoria Palace”

Film Review: Beauty and the Beast (2017)

“Tale as old as time”

It’s taken me a little time to get round to writing this review, which is rarely a good sign, as I was struggling for anything entirely constructive to say about this film. The 1991 animated Beauty and the Beast was Disney close to its best but these days, nothing is left alone if it has even the merest hint of cash cow about it. So it has previously hit the stage as a musical and following the success of Kenneth Branagh’s Cinderella, it now has a cinematic live-action remake.

Which is all fine and good but just because you can do something doesn’t mean you should. And at no point does Bill Condon’s film ever convince us that the world needed this version of Beauty and the Beast, there’s rarely any sense of it bringing something new and insightful to the story. Plus the contortions it (and star Emma Watson) has had to make to try and convince of its feminist credentials scarcely seem worth it in the final analysis. Continue reading “Film Review: Beauty and the Beast (2017)”

News and thoughts – Initial casting for Hamilton announced

“Just you wait…just you wait”

With priority booking having sold out its allocation ahead of public booking opening on Monday 30th January (12pm), Lin-Manuel Miranda’s Hamilton has certainly had its share of advance publicity and it is certainly proving reluctant to leave the spotlight as it has now announced initial casting for several of its key roles. 

Christine Allado (Peggy Schuyler/Maria Reynolds), Rachelle Ann Go (Eliza Hamilton), Tarinn Callender (Hercules Mulligan/James Madison), Rachel John (Angelica Schuyler), Jason Pennycooke (Marquis de Lafayette/Thomas Jefferson), Cleve September (John Laurens/Philip Hamilton), Giles Terera (Aaron Burr) and Obioma Ugoala (George Washington) will open the London production later this year, with further casting to be announced at a later date.

Continue reading “News and thoughts – Initial casting for Hamilton announced”

Review: The Merry Wives of Windsor, Royal Shakespeare Theatre

“Hang the trifle, woman”

I think I only made it Stratford once last year, partly a consequence of so much of the RSC’s work playing in London as part of one festival or another, but once the casting was announced for The Merry Wives of Windsor, I knew I would be making the trip to the Royal Shakespeare Theatre once again. This production of Shakespeare’s comedy of middle-class trials and tribulations is in modern dress but the reference point is closer to the British sitcoms of the 1970s and 80s and as with many of those television shows, it has its high points and its low points.

Alexandra Gilbreath and Sylvestra Le Touzel were thankfully the production’s highlight as Mistresses Ford and Page respectively. I’ve long been a devotee of Gilbreath and she remains an utter joy to watch on the stage. Superficially she’s something of an Essex wife here but we soon see the playful intelligence that lies behind the animal print and there’s much to enjoy as she deploys her flirtatious verve and feminine wiles – her final costume nearly converted me I tell you. And the contrast against Le Touzel is well worked: though a doughtier figure born of country life, they make believable firm friends and there’s a lovely constancy to the emotiveness with which she speaks, she touches the heart just as effectively as she tickles the ribs. Continue reading “Review: The Merry Wives of Windsor, Royal Shakespeare Theatre”