Review: Just Another Love Story, London Theatre Workshop

“Pardon me, is everybody here? Because if everybody’s here, I want to thank you all for coming to the wedding, I’d appreciate your going even more, I mean you must have lots of better things to do, and not a word of this to Paul, remember Paul, you know, the man I’m gonna marry, but I’m not, because I wouldn’t ruin anyone as wonderful as he is”

Sondheim revues can feel two a penny – Putting It Together played the St James just a couple of months ago – but Ray Rackham’s Just Another Love Story has a real ace up its sleeve in the return of 2010’s Best Actor in a Musical fosterIAN award winner Sam Harrison to a London stage. His turn in Salad Days was an absolute treasure and being able to hear him sing again was something I couldn’t resist, so I made my way over to Fulham to the London Theatre Workshop above the Eel Brook pub.

The show is a real labour of love for Rackham, having evolved over several incarnations in the past couple of years and now including over 40 Sondheim songs from the widest range of his back catalogue, delving into rarities just as often as his more popular shows. They’ve been carefully stitched together into a free-flowing musical tapestry which includes solos, duets, medleys and even a bit of choreography to bring the music to life, celebrating the music of Stephen Sondheim by creating their own love story from his work.  Continue reading “Review: Just Another Love Story, London Theatre Workshop”

Re-review: Wicked, Apollo Victoria

 “There’s a kind of a sort of: cost
There’s a couple of things get: lost” 

Now entering its eighth year at the Apollo Victoria, Wicked remains one of the major go-to shows in London’s West End, beloved of fans and tourists alike. A major UK tour has just started to great reviews in Manchester, demonstrating the wide appeal of this prequel-of-sorts to the events in The Wizard of Oz but with a major cast-change fast approaching, the London production feels like it is missing a little of that emerald sparkle that has made it such an enduring success.

I’ve seen the show twice before (reviews here and here) and so perhaps there’s an element of familiarity breeding contempt but I do have a fondness for Stephen Schwartz’s score and you gotta love a story that puts female friendship so firmly at the centre (many may mock the musical but how many long-running plays are there that do the same…). It was just hard to shake the feeling that maybe some people were a little demob-happy, or even maybe that the production is resting on its laurels a tad.  Continue reading “Re-review: Wicked, Apollo Victoria”