“Once the kids have gone, what’s left of us?”
Renewing the creative partnership between director Roger Michell and writer Hanif Kureishi (which has included The Buddha of Suburbia and The Mother), Le Week-End was released in 2013 to well-deserved, general acclaim. And it really is well-deserved, this is the third time I’ve seen the film and I still find myself hugely enamoured of its bittersweet portrait of a long-married couple trying to celebrate their 30th wedding anniversary in Paris, with the emphasis very much on bitter.
We first meet Meg (Lindsay Duncan) and Nick (Jim Broadbent) on the Eurostar, where we first see the niggling signs of discontentment, the tiny behavioural tics that in isolation seem manageable, but over a lifetime, build up to intolerable degrees. Meg’s frustration boils over with a snafu over Nick’s hotel booking and though they soon replace that establishment with a far fancier one they can ill afford, the scene is set for an excoriating examination into the state of their marriage. Continue reading “DVD Review: Le Week-end”