“His smile’s like the sun
I’m the bullet, he’s the gun”
Continuing programming that is eclectic to say the least, the Park Theatre continues to bamboozle audiences since opening last year and at the moment, has a couple of productions that are on the good side. The Man Who Shot Liberty Valance is doing great work in the larger space and Ché Walker’s Klook’s Last Stand brings an interesting slice of musical theatre to Finsbury Park, albeit one which is hamstrung by desperately predictable plotting.
Klook probably sits more in the play with songs category for Anoushka Lucas and Omar Lyefook’s score – performed brilliantly by Rio Kai throughout – is like the lifeblood of the piece, a blues-influenced jamming session that takes in poetry and spoken word as Ako Mitchell and Sheila Atim deliver knockout performances. Mitchell’s Klook is a reinvigorated ex-con and Atim’s younger Vinette a runaway would-be writer and the depiction of their new relationship and its intensity is just excellent. Continue reading “Review: Klook’s Last Stand, Park Theatre”