News: The Mono Box launch The Monologue Library

I mean, just look at this absolute treasure trove of theatrical talent! 

 

I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…

This incredible resource is free but like so many creative endeavours right now, would benefit hugely from your donations here

 

New TV shows to get stuck into

I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be

“Who else was masturbating into plants?!”

I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”

fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusPaapa Essiedu, The Convert
Ben Batt, The York Realist
Ian Bonar, Jellyfish
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden Albion
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Actor in a Play + in a Musical

Best Actor in a Play

Kyle Soller, The Inheritance
As Eric Glass, Soller’s sensitively nuanced performance is one of the most crucial in The Inheritance, the development of his humanity and the lightness of his humour goes a long way to sustaining the considerable heft of this two-part epic. 

Honourable mention: Hans Kesting, Oedipus
A real birthday treat this was, Kesting giving us Sophocles via Icke, effortlessly redefining tragic Greek figures for the contemporary age. Entirely capturing the modern politician’s dilemma about how ‘real’ to be, his dogged pursuit of the truth was as compelling as it has ever been.

Ben Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I’m Darling
Shubnam Saraf, An Adventure

8-10
Edward Hogg, The Wild Duck; Gerard Kearns, To Have To Shoot Irishmen; Richard McCabe, Imperium

 

Best Actor in a Musical

Steven Miller, Sunshine on Leith
Musical theatre is so often derided as frothy flights of fancy that it can be easy to be surprised when a performance of real honesty shines through. Miller’s Davy, a bluff squaddie struggling to readjust to life after a tour in the Middle East, captured so much of that magical ‘extraordinary in the ordinary’ quality from his dancing to his singing, as well as his acting, that I could hardly take my eyes off him. 

Honourable mention: Andrew Finnigan, Drip
I’m not picking Finnigan because he picked me to be his audience hunk (honest) but for the irresistible charm of his effortlessly guileless Liam, the kind of hero you can’t help but root for and exactly the kind of (incidentally) gay characters we need our culture to be suffused with.

Paul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mathers, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home

8-10
David Haydn, The Secret Garden; Daniel Healy, Once; Mark Inscoe, Priscilla Queen of the Desert

Review: The Convert, Young Vic

Danai Gurira’s The Convert is a Christmas treat of a different order at the Young Vic Theatre

“Gracious to goodness”

There’s all sorts of lovely connections here. Danai Gurira’s play The Convert was first seen in the UK at the Gate last year, a theatre where her earlier drama Eclipsed was produced in 2015. That play starred Letitia Wright in an astonishing performance and Wright now appears in this new version of The Convert at the Young Vic – Wright and Gurira having starred in some little arthouse film called Black Panther in the meantime…

It’s a cracking good play too, worth the attention of this second production. Set in 1896 Rhodesia (modern day Zimbabwe), it looks at the ways in which colonial rulers sought to erase African cultural identities through any means they saw fit. Culturally, religiously, linguistically, their tools of ‘progress’ were wielded with considerable force and Gurira counts up the cost with a slow-building dramatic flair. Continue reading “Review: The Convert, Young Vic”

TV Review: Kiri

With a cast including Sarah Lancashire, Lucian Msamati and Lia Williams, how could Kiri be anything but good

“Stick a flake in it before you try and sell it to the tabloids will you”

Airing on Channel 4 at the beginning of the year, Jack Thorne’s Kiri was billed as a continuation of his National Treasure brand  (I managed one episode of that first series…). But any fears I had of not liking it were assuaged by a cast led by Sarah Lancashire, Lucian Msamati and Lia Williams, plus this far down the line, I’d heard enough good things about it to finally get round to watching. 

Set in Bristol, Kiri follows the abduction of a young black girl – Kiri – in the foster care system, as she is allowed a meeting with her birth grandparents in advance of her adoption by a white middle-class family. Her social worker Miriam has arranged this unorthodox meeting and sure enough, the proverbial hits the fan when she gets a phone call to say she has gone missing. Continue reading “TV Review: Kiri”

Winners of the 2018 London Evening Standard Theatre Awards

BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
WINNER – Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
WINNER – Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “Winners of the 2018 London Evening Standard Theatre Awards”

Review: Pinter One, Harold Pinter Theatre

Beginning with a burst of confetti and ending in a sombre drop of petals, Pinter One is the far darker side of Pinter at the Pinter

“They don’t like you either, my darling”

I found myself enjoying Pinter Two much more than expected and so momentarily forgetting that I’d sworn off the whole thing, I rashly decided to book in for Pinter One, which proves to be an entirely different kind of affair. Not just thematically – it’s an overtly political collection of works and thus considerably darker – but structurally, gathering together no less than nine short pieces, eight of which run together to make the first half.

They’re Press Conference / Precisely / The New World Order / Mountain Language / American Football / The Pres and an Officer Death / and One for the Road (all directed by Jamie Lloyd) with Ashes to Ashes (directed by the Lia Williams) following after the interval. And so ultimately it feels a bit more like a showcase of Pinter which brings with it some challenges, alongside the interest value in unearthing some lesser-seen works, including a world premiere. Continue reading “Review: Pinter One, Harold Pinter Theatre”

The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday

– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced

–   Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th

–   Charity event will raise money for Amnesty International and Chance to Shine

–   Tickets are on sale now

Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”