“To do nothing is the hardest job of all”
It’s taken a little time to getting round to watching all of The Crown because, in a first for me, I found it impossible to binge-watch the show. Even with Netflix kindly providing offline downloads just at the point where I had a lot of travelling to do, Peter Morgan’s drama was lots of fun to watch but rarely captured the buzzy energy that has accompanied much online programming. Because it many ways it isn’t like much of Netflix’s previous output, it really is an encroachment into BBC Sunday night and as such, I felt it worked best spread out in almost weekly installments.
That’s partly down to the nature of the subject material, we’re not likely to get many surprises in a detailed retelling of the history of the House of Windsor. But it is also due to Morgan’s writing which tends a little to the formulaic, especially in the middle part of the series, which is when my interest was most in danger of waning. The opening two episodes started brightly but once the shock of becoming monarch was over, the rhythm became very much one of someone close to the queen has an issue and she has to weigh personal desires against public duty, the latter always winning out. Continue reading “TV Review: The Crown, Series 1”
“The country needs to be led by someone strong”
You’d be hard-pressed not to know that Netflix have a new series called The Crown as a substantial portion of the £100 million plus budget has clearly been spent on blanket marketing coverage. And like a good punter brainwashed by adverts, I’ve watched the first two episodes to get a sense of what it is like.
Written by Peter Morgan and directed by Stephen Daldry, its credentials are impeccable and there is a slight sense of stepping on the BBC’s toes here, something alluded to in pre-show publicity that informed us the Beeb were less than willing to share archive footage from Buckingham Palace. But with as considerable and lavishly-spent a budget as this, the comparison isn’t quite fair as the ambitions here are most grand. Continue reading “TV Review: The Crown Episodes 1 + 2”
“When I see the common man in the street, I’m struck by how little I know of his life and how little he knows of mine”
My abiding memory of going to see The King’s Speech at the cinema was the bizarre round of applause that came at the end from about two thirds of the Hammersmith Cineworld audience, a truly odd moment. I did rather like the film, but couldn’t quite see why it was lauded quite so much: it tells its story extremely well but lacked a certain emotional heart for me, I didn’t end up caring a huge amount for Colin Firth’s George VI if I’m honest. But as the film came on over Christmas, I decided to give it a go again, not least becaus I will be going to see the play of The King’s Speech in Guildford in February, David Seidler having initially written this for the stage.
Again, I did quite enjoy watching the film, but was struck by how emotionally uninvolving it is for large stretches. Normally, I’d be a sucker for this kind of thing but for whatever reason, it never quite hits the mark. Firth is good as the monarch faced with trying to conquer his stammer but his Oscar should really have come the year before for A Single Man and Geoffrey Rush is superb as the anarchic Antipodean speech therapist whose unconventional methods eventually reap rewards. But it is only in Helena Bonham Carter’s excellent Queen Elizabeth (now, she should definitely have won the Oscar for making such a brilliant job out of a role that basically required her to just react) that the movie has any heart, her looks of tender concern and joy full of deep meaning and a wry sense of humour about her position that manifests itself in some great one-liners. Continue reading “DVD Review: The King’s Speech”
“You really put the w into anchorman don’t you”
Another of those random charity shop bargains was this double DVD sets of modern Shakespeare adaptations – ShakespeaRe-Told (I bet that was a smug day when that title was revealed!). The first disc features rewrites of Much Ado About Nothing by David Nicholls and Macbeth by Peter Moffatt shifting the plays to a modern context and employing starry ensemble casts.
Much Ado About Nothing has been relocated to a local news station in Dorset where Sarah Parish’s Beatrice is reunited with former colleague Benedick, Damian Lewis sporting an epic moustache – who never quite got round to getting together when they worked together before – on the news desk of Wessex TV. Hero is the weather girl, daughter of the station manager, newly engaged to Claude on the sports desk though Don from Visual Effects has been nurturing an epic crush on her too and so sets about a dastardly plan to break up the engagement. Continue reading “DVD Review: ShakespeaRe-Told – Much Ado About Nothing/Macbeth”
“We play the Lambeth way, not like you but a bit more gay”
For its festive musical, Sheffield’s Crucible Theatre has taken on the 1937 classic Me and My Girl with music by Noel Gay and book and lyrics by L Arthur Rose and Douglas Furber. Stephen Fry’s revised book from 1985 is used here, with additional contributions to the revisions by Mike Ockrent, these adding a raft of terrible puns and a modern knowingness to what is a brilliant set of songs. The story is pure musical theatre hokum: East End barrow boy Bill Snibson is uncovered as the long-lost heir to an aristocratic fortune but must prove himself to be ‘fit and proper’ before he can inherit as his new-found relatives try to make him behave like a lord and encourage him to ditch his one true love, Sally Smith: will love conquer all? What do you think!
This is director Anna Mackmin’s first musical and her canniest decision has been to employ Stephen Mears as choreographer as he really is one of the best working in the field, as he proves yet again here. Whilst there is nothing quite as delightfully jaw-dropping as the train sequence from Hello, Dolly!, the Act I finale The Lambeth Walk comes preciously close with a brilliantly conceived and superbly executed routine, spilling with energy and invention and whipping up the audience into singing and clapping along with pure joy. The Sun Has Got His Hat On was another stand-out moment but this show is just full of winners and they are matched by a superlative production and some top quality performances. Continue reading “Review: Me and My Girl, Sheffield Crucible”