Re-review: Kinky Boots, Adelphi

“I am freedom, I’m constriction
A potpourri of contradiction”

A cheeky trip back to Kinky Boots (my third time) – here’s my review from last time. I’ll just say Matt Henry continues to be fiercely amazing, the wholesome David Hunter is perfectly (re)cast as ol’ Charlie boy, and Elena Skye manages the not-inconsiderable feat of stepping into Amy Lennox’s shoes as the hilarious Lauren. It’s still a lovely, lovely show and I’m really pleased that it appears to still be doing really well. Now put the nose on the Charlie!

The Curtain Up Show Album of the Year 2016 nominees

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

CD Review: Ghost The Musical (Original Cast Recording 2011)

“This is always such a rush”

Some musicals are slow-burners. They may not hit you with their full force on first viewing but rather repay revisits and repeated listens to cast recordings to unfurl the depth of their appeal. So it was for me with Legally Blonde, and also with Ghost the Musical – a show I saw twice in the West End and again on its 2013 tour, liking it more and more each time.

And a large part of that was the way in which Glen Ballard and Dave Stewart’s pop/rock-based score took its time to sidle its way into my affections, not necessarily the kind of music that would appeal to me but ultimately proving irresistible in its finest moments. And it is remarkably diverse too, pulling in from a wide musical palette whilst stamping out its own identity as something refreshingly different from your typical musical theatre score. Continue reading “CD Review: Ghost The Musical (Original Cast Recording 2011)”

Album Review: Kinky Boots (Original West End Cast Recording)

“I am freedom, I’m constriction
A potpourri of contradiction”

With rather serendipitous timing, the West End cast recording for Cyndi Lauper’s score for Kinky Boots is released just in time for the show’s Best New Musical victory at this year’s Olivier awards. And it is particularly good news for fans of the show as up until now, we’ve had to make do with the Broadway cast recording and their, challenging shall we say, approach to the requisite British accents.

Recorded live at the Adelphi with the original West End cast (including Best Actor in a Musical winner Matt Henry and nominees Killian Donnelly and Amy Lennox), it’s a welcome addition to playlists and CD collections everywhere.

The live recording is be a double-edged sword – there can be more raw energy than one might expect from a recording booth and that comes in the form of an audible audience. I quite like to hear their laughter, especially when it is from something familiar as in the comic genius of Lennox’s performance of ‘The History of Wrong Guys’ here, but the applause at the end of each track is jarring when listening to the album as a whole. And I’m not 100% certain but I’m pretty sure there’s someone coughing a couple of times which is a shame (though perfectly replicates sitting through pretty much any show!). Continue reading “Album Review: Kinky Boots (Original West End Cast Recording)”

The Curtain Up Show Album of the Year 2016 winners

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
WINNER: Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
WINNER: Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
WINNER: Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

CD Review: To Do. To Be. – The Music of Tim Prottey-Jones

“What man could ask for more”

To Do. To Be. – The Music of Tim Prottey-Jones is Prottey-Jones’ third CD, an album collecting together music from a range of sources for which he has written – stage musicals After the Turn, Equally and The First Last Kiss, musical films Down Flew the Doves and Standing on the Edge and lastly one play with music Exes. And though he is a performer himself (currently to be found in Kinky Boots), he’s gone down the tried and tested route of going through his address book to get an impressive roster of talent to perform his songs.

So the album opens with Kinky co-star Amy Lennox’s sweet but determined ‘Have you ever?’, former Once colleagues Declan Bennett and Arthur Darvill rock out gently on ‘Kiss till you can’t kiss anymore’ and ‘Leaving for you’ respectively and from the same show, Zrinka Cvitešić gives a gorgeously tender vocal performance in ‘I for one’. That Prottey-Jones can write a decent song is in no doubt and in the case of Laura Pitt-Pulford’s ‘Nothing’ and Jacqueline Hughes’ ‘I’ll Be With You Always’, exciting musical theatre leaps from the speakers, the potential here is considerable.  Continue reading “CD Review: To Do. To Be. – The Music of Tim Prottey-Jones”

The Curtain Up Show Album of the Year 2015 nominees

Best Cast Recording
Bend It Like Beckham (Original London Cast Recording)
Cool Rider (Original Studio Recording)
Gypsy (2015 London Cast Recording)
Made in Dagenham (Original London Cast Recording)
Memphis the Musical (Original London Cast Recording)

Best Solo Album
Cynthia Erivo and Oliver Tompsett Sing Scott Alan
Hugh Maynard – Something Inside So Strong
John Owen-Jones – Rise
Tim Prottey-Jones – To Do. To Be.

Re-review: Kinky Boots, Adelphi

Funk it up till it’s ostentatious
Dress it up, it feels contagious”

Now extended through to May next year, the signs for Kinky Boots look cautiously positive though nothing is certain in the cut-throat world of new musicals and on this second viewing, it really does feel like a well-deserved success. Jerry Mitchell’s production is a ray of tightly choreographed, dragged-up sunshine but what I loved about going back was finding that several of the tunes from Cyndi Lauper’s accomplished score have successfully navigated earworm territory to become properly memorable. 

‘Everybody Say Yeah’ and ‘Raise You Up/Just Be’ end the show’s two acts in brilliantly rousing fashion, ‘Sex is in the Heel’ and ‘What A Woman Wants’ give Matt Henry’s Lola ample opportunity to fill the stage with exuberant personality and Amy Lennox continues to pretty much steal the show, not least in ‘The History of Wrong Guys’. And Killian Donnelly effortlessly smooths over some of Charlie’s more dubious character flaws (poor Nicola…) by scorching through hits like ‘Soul of a Man’. Continue reading “Re-review: Kinky Boots, Adelphi”

CD Review: Lift (Concept Album)

One minute in a lift…”

Craig Adams and Ian Watson’s Lift played the Soho Theatre early in 2013 but before then, a concept album of the show was released with Perfect Pitch. The conceit of the musical is ingeniously simple – 8 strangers taking a minute-long trip in a lift in Covent Garden tube station but as they rise to the surface, we visit into the innermost thoughts of all of them and see how precariously poised their lives are, one little word or action could change everything if only they were brave enough to actually do it.

At not much over an hour and with a lot to fit in, not only is there the establishment of character but also a decision to show how interconnected their lives all are, Lift isn’t always as successful as it promises to be. Songs get fragmented and finish too abruptly as the perspective needs to swivel onto the next character, and it relies on a great deal of contrivance to force the narrative throughline into place very much at the expense of making us engage with this motley crew. Continue reading “CD Review: Lift (Concept Album)”