It’s easy to be dismissive about Mamma Mia and all it has wrought in revitalising the jukebox musical as a form but the numbers don’t lie. 17 years and counting in the West End, the 8th longest running show on Broadway (it occupies the same position on the UK ranking at the moment too), a wildly successful film adaptation that became the highest grossing musical ever…it’s impressive stuff.
And listening to the Original Cast Recording from 1999, subsequently re-released with bonus tracks for the 5th anniversary, I’d say it’s fairly easy to see why it has endured so long. For all you may mock Catherine Johnson’s book, which hangs oh so lightly on a varied selection of Benny Andersson and Björn Ulvaeus’ iconic music for ABBA, it actually does interesting things with it, in telling its own story rather relying on the songs themselves (I’m looking at you Jersey Boys…!)
So to say you’re better off listening to ABBA’s greatest hits is to miss the point. As light as the plot may be in its girl-wants-father-to-walk-her-down-the-aisle-but-finds-there’s-three-potential-candidates frothiness but there’s something genuinely tender in hearing ‘Chiquitita’ repurposed for two friends comforting a third, maternal lament ‘Slipping Through My Fingers’ actually sung between mother and daughter, the stag v hens vivacity of ‘Lay All Your Love on Me’.
And yes, they sound different to the originals, of course they do with a full orchestra and chorus to back them up, not to mention the lack of Swedish accents. This recording is a little blessed too in having the film’s soundtrack with its interesting casting choices to easily surpass, but that’s not to take away from the delightful vocals of Louise Plowright, Jenny Galloway, and Siobhán McCarthy as the leading trio, the latter’s Donna a fabulous leading lady from heartbreak to happiness.
Plowright’s cougarish ways enliven ‘Does Your Mother Know’ no end and Galloway’s equally predatory stance toward Nic Colicos’ Bill in ‘Take A Chance on Me’ is a delight. Lisa Stokke’s Sophie, the bride-to-be is charm personified and in keeping with the show’s female-friendly ethos, her intended – Andrew Langtree’s Sky – is somewhat sidelined. For me, ‘Our Last Summer’ has always been one of my favourite ABBA songs and remains so here, ruefully sung by former rocker Harry, an appealing Paul Clarkson, and McCarthy with a gentle loveliness that seems to stand in for the show as a whole.
“Do the thing you have to to get your client off”
Helen McCrory first came to my attention as one of the lead characters in legal ensemble show North Square. Broadcast on Channel 4 in 2000, it featured a cracking ensemble that also included Rupert Penry-Jones, Dominic Rowan and Phil Davis, yet it only had the one series which I don’t think you can get on DVD but it is available to watch on Channel 4’s 4 On Demand service.
Written by Peter Moffat, North Square is a drama set in a criminal chambers in Leeds and centres on a group of young, irreverent barristers all determined to make their mark by using unorthodox methods and unconventional approaches to counter the dusty practices of a legal profession they want to lead into the twenty-first century. They are led by their chief clerk, the highly manipulative Peter McLeish played brilliantly by Phil Davis, who is determined to make a success of this enterprise and has no scruples about negotiating with the criminal families that rule Leeds in order to maximise business opportunities even as it poses a moral quandary for some of the lawyers. Continue reading “DVD Review: North Square”
“The biggest stinker is the one with the foulest stench”
Fate can be a funny thing. As anyone who has read this blog for a bit will know, I decided a while back that director and playwright Phil Willmott was going to be my new best friend after Once Upon A Time At The Adelphi melted my heart, but oddly enough that has yet to come to fruition! But being a very hard-working man, opportunities to see his work keep popping up and when a preview of his new musical Painted Lady – The Princess Caraboo Story was announced as part of the Finborough’s Vibrant festival, there was no chance I wasn’t booking my tickets. And sure enough, the man himself was there and after introducing the show, he made his way to his seat WHICH WAS NEXT TO MINE! Good times. Except, due to Chiltern Railways’ inability to notify people just when their engineering works were taking place making me rather late and needing to run to make the curtain and it being a ridiculously hot evening, it was practically like a sauna in the little theatre and so the only thing I could do next to Mr Willmott was sweat, a lot. And I am sorry to him for that. Goddamn fate!
Anyway, the show: Willmott accepted a commission for a brand new musical from the Bristol Old Vic for 2011 and this is the first airing of the material being developed for it, the first draft of an embryo I think someone described it as. After a week’s rehearsal, we were told not to expect too much and to imagine the dance routines in the big numbers, a tricksy way of lowering expectations because as a company of 17 filed onstage, they acted and sang and in some cases threw in a bit of choreography which looked quite practised and comfortable, all very impressive. As with other works-in-progress, this is more an overview though than an actual review. Continue reading “Not a Review: Painted Lady – The Princess Caraboo Scandal, Finborough”
After a well-received run at the Union Theatre in Southwark, A Man of No Importance has transferred to the West End to the Arts Theatre with a limited run of just 3 weeks. Based on a film from 1995 starring Albert Finney, a cast of 17 and a band of 6 create an utterly charming, warm-hearted piece of musical theatre that will transport you right away from the freezing outside to a very happy place.
We’re taken to the world of Alfie Byrne, a bus conductor in 1960s Dublin who lives with his sister, has a passion for amateur dramatics, in particular the works of Oscar Wilde, and is hiding a burning desire for his work colleague, Robbie the driver on his bus. His decision to put on a performance of the controversial ‘Salome’ causes ripples in this Catholic, working-class community that multiply and force Alfie onto a journey of discovery, both of the self and of his relationship to those around him. Continue reading “Review: A Man of No Importance, Arts Theatre”